Leningrad Cowboys Go America

Siberian rock band Leningrad Cowboys go to the USA in pursuit of fame.

After the film was released, the fictional band transformed into a real band, complete with ludicrous hairstyles. This seems to be something that happens... if I am not mistaken, Spinal Tap also ended up touring following the popularity of their film.

American director Jim Jarmusch has a cameo as a car dealer. The film also includes cameos by blues guitarist Duke Robillard and American Rockabilly Hall of Famer, Colonel Robert Morris, with his wife Irene. I recognized Jarmusch instantly, and he seems like the sort of person who would show up in these films. I cannot imagine anyone else who was so supportive and synonymous with independent film in the 1980s.

My wife Irene, and myself, (Robert Morris) owned "The Lonesome Bar" in Memphis where part of the movie was shot. This is where they performed "Rock And Roll Is Here To Stay" and my buddy, George Kunkle played the banjo and sang one of his songs. The barber was Bill Robertson, who was a real barber next door to the bar. He passed away shortly after the film came out, but it allowed him to sing in a international film.

The whole cast and crew was wonderful! We played pool and got drunk every night after shooting. One night we sat on the curb out front and took turns picking and singing our favorite songs. That was a experience I will never forget.

We hope you like the movie, as we will never forget it.

Colonel Robert morris

This is the funniest rock `n roll polka road movie ever made! Although based around an actual band of Finnish descent (who still get airplay on MTV Europe), it sees our heroes come from the Tundra Wasteland to America, seeking fame and fortune. Not having much luck in their homeland with their unique style of folk pop, the band are advised to conquer the US ("go to America" says the guy, "they buy any old s**t there"), being exploited constantly by their greedy manager Vladimir. They "learn" rock `n roll, drink beer, go to jail, beg on the streets and play seedy pubs. Not exactly the American dream. And the most eyecatching piece, has to be those massive quiffs and even bigger winklepicker shoes!

The dialogue is funny, but its not this that makes you laugh. Just one look at the band will have you rolling. And if you can`t speak Finnish, don`t worry. The director cleverly overcomes this, by getting the band to learn English on the plane to America! And if you`re not tapping along to their rendition of "Born To Be Wild" at the end of the movie, you`ll be humming that "polka" music for a long time to come.

This is without question one of the greatest rock and roll movies ever made. It's sort of THE BLUES BROTHERS meets STROSZEK with some MOSCOW ON THE HUDSON thrown in. Aki Kaurismaki has to be admired for making this gutsy and crazy film. There is not much of the European "art film" here, nor is there any real serious social commentary or aesthetic stunts underneath the comedy here either. There is also no condescension toward America or Americans. In fact there is a wide-eyed, dreamy fondness for America, especially its messy landscapes that hug the interstates and its simple, likable working-classes (but definitely not its prick cops). Here we get to meet the immensely likable dreams, music and attire of the Leningrad Cowboys, the misunderstood, maligned, salt of the earth band that comes to America to live out its rock and roll dream. Personally, I simply admire the actors for driving around the American South wearing those fantastic mullet pompadour quiffs and pointy shoes. That takes guts.

Kaurismaki has a special fondness for characters with big dreams but little or misunderstood talent, who can scrape up just enough cash just get by. Here, as in his another of his great comedies, LA VIE DE BOHEME, there are some characters who are unambiguously untalented (in LENINGRAD COWBOYS: the singers; in LA VIE DE BOHEME: the composer) and there are some characters who have some or much, but quirky, or misunderstood talent (in LENINGRAD COWBOYS: the band; in LA VIE DE BOHEME: the painter). All of the performers and artists are immensely likable and amusing and their patrons and audience are just as suspect as they are in their taste, but great to be around nonetheless. Moreover, their detractors are cold, a-hole jerks.

Jim Jarmusch makes a funny cameo as a used car salesman. Matti Pellonpää, probably Kaurismaki's favorite actor, is hilarious as Vladimir, the band's beer slugging, tyrannical manager. I love the scene early in the film where he meets with the New York "cousin" of the Finnish talent scout (who also, by the way, has a "cousin" in Mexico). When the New York band booker tells Vladimir that he needs to hear the band play, Vladimir says, "Is that necessary?"

Anyone who loves rock and roll comedies, weird hairstyles and movies about little people with big dreams need to see this film. If you like Kaurismaki films then you may or may not like this film, depending on how square you are. I say check it out. I think it's one of the funniest films I've ever seen. But then again I have had some crazy hairstyles too.

This is not so much a movie as it is a test of your campiness quotient. The CQ has a mean of 100. If you fall below 85, you live in a really sad world and as you advance above 100 you are able to extract the comical and farcical aspects of life with increasing ingenuity. After auditioning for a Russian apparatchick (who listens stony-faced to their music, then says "no good - try the US" and departs) the band departs for the US. As they travel from New York to the South, the music changes through a range of pop/rock genres. As another reviewer noted, the music is far more enjoyable than it has a right to be and the dead-pan stoicism of the characters is a hoot. From Steppenwolf to Mariachi music, you will hear and see it all. Try the movie again a year later and it will be even more enjoyable because now you can attend to the hilarious detail which you have missed first time around.