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IMDbPro

Le voleur de savonnettes

Titre original : Ladri di saponette
  • 1989
  • Tous publics
  • 1h 34min
NOTE IMDb
7,0/10
1,1 k
MA NOTE
Le voleur de savonnettes (1989)
ParodyComedyCrimeFantasy

Ajouter une intrigue dans votre langueA movie resembling Le Voleur de bicyclette (1948) is shown on TV, but the real-life world gets muddled with the film and the TV commercials.A movie resembling Le Voleur de bicyclette (1948) is shown on TV, but the real-life world gets muddled with the film and the TV commercials.A movie resembling Le Voleur de bicyclette (1948) is shown on TV, but the real-life world gets muddled with the film and the TV commercials.

  • Réalisation
    • Maurizio Nichetti
  • Scénario
    • Maurizio Nichetti
    • Mauro Monti
  • Casting principal
    • Maurizio Nichetti
    • Caterina Sylos Labini
    • Federico Rizzo
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,0/10
    1,1 k
    MA NOTE
    • Réalisation
      • Maurizio Nichetti
    • Scénario
      • Maurizio Nichetti
      • Mauro Monti
    • Casting principal
      • Maurizio Nichetti
      • Caterina Sylos Labini
      • Federico Rizzo
    • 17avis d'utilisateurs
    • 6avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 6 victoires et 7 nominations au total

    Photos6

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    Rôles principaux51

    Modifier
    Maurizio Nichetti
    Maurizio Nichetti
    • Self…
    Caterina Sylos Labini
    Caterina Sylos Labini
    • Maria Piermattei
    Federico Rizzo
    • Bruno Piermattei
    Renato Scarpa
    Renato Scarpa
    • Don Italo
    Heidi Komarek
    • La modella
    Carlina Torta
    • Telespettatrice
    Massimo Sacilotto
    • Telespettatore
    Claudio G. Fava
    • Critico
    Lella Costa
    • Segretaria TV
    Marco Zannoni
    • Tecnico TV
    Anna Maria Torniai
    • Sarta TV
    • (as Annamaria Torniai)
    Clara Droetto
    • Truccatrice TV
    Ernesto Calindri
    • Self
    Matteo Auguardi
    • Paolo Piermattei
    Salvatore Landolina
    • Brigadiere
    Gero Caldarelli
    • Capocomico
    Fabrizio Fontana
    • Ciclista
    Stefania Carbone
    • Amica
    • Réalisation
      • Maurizio Nichetti
    • Scénario
      • Maurizio Nichetti
      • Mauro Monti
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs17

    7,01K
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    10

    Avis à la une

    MsLiz

    Relax and enjoy this!

    A fun takeoff on the serious drama of "The Bicycle Thief." The film contrasts the intense, self-centered film director; his characters, who are just trying to make things turn out more pleasantly for themselves; the ideal and imaginary people we see in commercials; and the people in the television audience who see any film chopped up into bits that fit around commercials and other station business.

    A film critic who uses the notes he prepared for another film tries to evaluate and analyze the film the television program is playing (titled "The Icicle Thief"), while the director in the studio sputters in disbelief. The characters in the melodramatic black-and-white film are stuck in drudgery and dispair until the fantasy characters in the commercials start to enter their lives. The audience, represented by a typical family, just looks at the screen whenever there is nothing better to do, while the television program chatters on in their mundane existence. Could this be us? Could this be you?
    9meebly

    A beautifully executed spoof on pop culture

    A movie is shown on Italian TV, edited for time and content and butchered so badly even the characters in the film don't know where they end and the commercials begin. Incensed, the director hops a train to Rome to complain to the Italian Film Board of the mockery being made of his film. Unfortunately, his train arrives at the terminal in the film, and he becomes part of the ever-increasingly discombobulated action.

    This is a comedic masterwork of satire, spoof and slapstick. While the film's title and the "film-within-a-film" are both take-offs on DiSica's classic "The Bicycle Thief", this is, in fact inspired by the best of Chaplin, Keaton and, in some ways, "Your Show of Shows". Director/star Maurizio Nichetti keeps the comic action going at a furious pace, never missing an opportunity to assault the film industry marketing hype and TV industry advertising joke he so disdains.

    You won't want to think about the satire, though, while you're watching this. No matter how much you may hate subtitled films, this is a genuine riot, and you will not stop laughing.
    d00gl

    Varlaam has it wrong.

    This movie is not supposed to make you laugh. Nor is it merely a parody of "The Bicycle Thief". It is a meditation on the way Contemporary Italian Directors are treated, or mistreated, in current-day Italy. It is also a reflection of how these film directors are Intellectual shunned by "Intellectual" film critics in favor of more time honored classics such as "The Bicycle Thief" and also how films are treated by the Television Companies, which produce or co-produce most modern Italian films. Personally, I think it's a great and bizarre film which owes alot to Fellini's 8 1/2. the way the three worlds in the film begin to inter-weave is very clever. If you like weird movies that trancend meta-levels, See this now!
    8Agent10

    Better than most parodies

    This clearly stands as one of the greatest parodies of all times, and it is in Italian. Being a great admirer of The Bicycle Thief, I found this movie hilarious, especially during the parts Nichetti was watching his film go out of control. Parodies are slowly becoming a dead art form, especially considering Scary Movie seems to be the best one can offer even though it relies heavily on low brow humor. If you can find this particular film, rent it.
    jammo

    The film is an homage, not a spoof.

    The Bicycle thief was a sad and moving story. Saying I enjoyed it would be contradictory to the feeling the viewer is left with at the end. I can, however, state that I enjoyed The Icicle Thief.

    You have to pay attention to what is being said at the start of the film to understand the Directors intent to honor the original, not to "spoof" it.

    The film uses color as well as Black and White brilliantly. I laughed quite a bit, which is more than usual for mainstream Hollywood comedies. Reason: This ain't hollywood...

    Thanks.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This movie makes extensive references to Le Voleur de bicyclette (1948), starting with the title. This is done through a movie within the movie, sharing the same title and also using characters resembling those from the older film in name and appearance. "Ladri di Biciclette" means "The Bicycle Thieves"; while that is sometimes used as an English title, it is better known as "The Bicycle Thief". The Italian title of this newer movie, "Ladri di saponette", is a play on "Ladri di Biciclette"; it means "The Soap Thieves", and this apparently refers to the dialogue where Maria tells Bruno not to use up all the soap when washing his hands, remarking to Antonio that he must be eating it. The English title of the newer movie, "The Icicle Thief", has no relation to the Italian title but instead is a play on "The Bicycle Thief". It is tied to the movie through three lines of dialogue referring to chandeliers (one of them stolen during the movie) so sparkly they look "like icicles" - but this word occurs only in the English subtitles! The corresponding Italian dialogue does not use the word "ghiaccioli" meaning icicles at all. It refers to other sparkly objects: twice to "pèrle" meaning pearls, and once to "gocce" meaning drops of water.
    • Gaffes
      When Maria is cooking the spaghetti she breaks the sticks in two. But when the baby,Paolo, is playing with the bowl the sticks are full length.
    • Citations

      Film Director: Where's the bicycle?

      Bruno Piermattei: I sold it.

      Film Director: Sold it? But with those bicycle wheels, you were supposed to make a wheelchair for your paralyzed father.

      Bruno Piermattei: My father's quite well.

      Film Director: Too bad! He should have been hit by a truck while riding home from the factory with the chandelier on the handlebars and your mommy should be whoring to feed the family.

      Bruno Piermattei: What's that?

      Film Director: You wouldn't know. You're too little. You and your brother should be in the orphanage.

    • Connexions
      Features L'agent (1960)

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    Détails

    Modifier
    • Date de sortie
      • 13 décembre 1989 (France)
    • Pays d’origine
      • Italie
    • Langues
      • Italien
      • Anglais
    • Aussi connu sous le nom de
      • The Icicle Thief
    • Lieux de tournage
      • Bergamo, Lombardia, Italie
    • Sociétés de production
      • Bambú Cinema e TV
      • Reteitalia
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 1 231 622 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 20 809 $US
      • 26 août 1990
    • Montant brut mondial
      • 1 231 622 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 34 minutes
    • Couleur
      • Black and White
      • Color
    • Rapport de forme
      • 1.85 : 1

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