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L.A. Takedown

  • Téléfilm
  • 1989
  • TV-14
  • 1h 37min
NOTE IMDb
6,0/10
2,8 k
MA NOTE
Alex McArthur and Scott Plank in L.A. Takedown (1989)
ActionCrimeDramaThriller

Ajouter une intrigue dans votre langueTough Los Angeles cop Vincent Hanna takes on a gang of professional bank robbers led by the precise, enigmatic Patrick McLaren.Tough Los Angeles cop Vincent Hanna takes on a gang of professional bank robbers led by the precise, enigmatic Patrick McLaren.Tough Los Angeles cop Vincent Hanna takes on a gang of professional bank robbers led by the precise, enigmatic Patrick McLaren.

  • Réalisation
    • Michael Mann
  • Scénario
    • Michael Mann
  • Casting principal
    • Scott Plank
    • Alex McArthur
    • Michael Rooker
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,0/10
    2,8 k
    MA NOTE
    • Réalisation
      • Michael Mann
    • Scénario
      • Michael Mann
    • Casting principal
      • Scott Plank
      • Alex McArthur
      • Michael Rooker
    • 33avis d'utilisateurs
    • 8avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos49

    Voir l'affiche
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    + 42
    Voir l'affiche

    Rôles principaux40

    Modifier
    Scott Plank
    Scott Plank
    • Sgt. Vincent Hanna
    Alex McArthur
    • Patrick McLaren
    Michael Rooker
    Michael Rooker
    • Bosko
    Ely Pouget
    Ely Pouget
    • Lillian Hanna
    Vincent Guastaferro
    Vincent Guastaferro
    • Michael Cerrito
    Richard Chaves
    Richard Chaves
    • Det. Lou Casals
    Victor Rivers
    Victor Rivers
    • Detective Arriaga
    Laura Harrington
    Laura Harrington
    • Eady
    Daniel Baldwin
    Daniel Baldwin
    • Det. Bobby Schwartz
    Clarence Gilyard Jr.
    Clarence Gilyard Jr.
    • Mustafa Jackson
    R.D. Call
    • Harry Dieter
    Peter Dobson
    Peter Dobson
    • Chris Sheherlis
    John Santucci
    John Santucci
    • Joe Cusomano
    Xander Berkeley
    Xander Berkeley
    • Waingro
    Juan Fernández
    Juan Fernández
    • Harvey Torena
    • (as Juan Fernandez)
    Tony Xauet
    • Cezar Kelso
    Sam J. Jones
    Sam J. Jones
    • Jimmy
    • (as Sam Jones)
    J.W. Smith
    J.W. Smith
    • Witness Talking to Hanna
    • Réalisation
      • Michael Mann
    • Scénario
      • Michael Mann
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs33

    6,02.7K
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    9
    10

    Avis à la une

    Okie_Engineer

    NOT "scene-for-scene the same as Heat"

    This movie has the same basic plot outline as Heat and MOST of the same characters, but is in NO WAY "scene-for-scene the same as Heat." The acting is absolutely atrocious and some of the scenes make no sense without some of the setup Heat has. I can understand why these actors haven't gone on to much beyond this movie -- THEY'RE AWFUL!!!!! Some of the storyline is just implausible and downright silly. I can also fully understand why this isn't available on DVD here in North America (the quality of this film is akin to what you might see on late night local television). However, if you're a die-hard Michael Mann fan, as am I, you should still see this, because it because it shows how much development he puts into a story.
    7Dave Godin

    An intelligent and gutsy movie

    L. A. TAKEDOWN is an extremely watchable film, and has a script that is permeated by a kind of grim intelligence. The characters, far from being plastic stereotypes, actually engage on a psychological level. Michael Mann directs with considerable skill, and most tellingly, knows how to use music to maximum effect. In this respect, his ability at times almost reaches the genius level of the Italian director Gillo Pontecorvo. But main honours in this film must go to Alex McArthur who gives an amazing performance of such skill and power that he actually conveys the very thoughts and feelings of his character through body language or facial expression. The scene where the two protagonists (the hoodlum and the cop) have coffee together is almost faultless in conveying the powerful emotions and tensions that are at work between them, as well as the mind-set which motivates each of the characters, and, for once, the various love scenes are convincing and important to the development of the narrative. Interestingly too, (although it perhaps happened by default since it was a film made for television), the actual violence that is a necessary part of the story is rendered perhaps even more powerfully by NOT being shown, or by happening off-camera. But to my mind, the film belongs to Alex McArthur who turns in one of the best acting performances I have seen in a very long time, which is able to make you both loathe and feel pity for his character at one and the same time. No mean feat!
    6TBJCSKCNRRQTreviews

    You may be surprised

    One might think that this is by far inferior to Heat, the second attempt Mann got at this story, with a larger budget, longer running time and better(and definitely more well-known) actors. Comparisons are impossible to avoid, due to how well-known, popular, and, frankly, excellent the latter of these versions is. And yes, it is greater than this; Michael learned from his experiences making this one, and having watched one of these doesn't mean that it's a waste of time to pursue the other one, no, quite the opposite. And this isn't anywhere near as poor as could be feared or maybe even expected. The performances are nicely done, in a lot of the cases. The male leads do well, and are good casting choices, and that extends beyond those two. Yes, you can tell that this was produced for TV, but it's not as bad as with other movies of that type. The action is pretty decent. This gets some of the drama, and does actually develop characters on both sides of the law. The cinematography and editing are well-done. Pacing is fair. This is only 90 minutes, so about half of what the '95 effort is, and thus can't manage the same level of complexity. Meanwhile, it does well with what it's got. The DVD has biographies and a trailer. I recommend this to anyone who has or is considering watching the famed remake of this. 6/10
    6mariabowman-66756

    Earlier version of Heat.

    It is great to see a low budget version of a great film. Michael Mann's 1995 masterpiece Heat was actually conceived way back in the 80s by the director Michael Mann. He decided to make it then with the limited budget he had. The scenes and even dialogues are verbatim but it is great to see what a bigger budget can get- from better thespians of the class of Pacino and Deniro to some amazing locations. This is a good film for film students to sit and analyze.
    halfcolombian

    Nothing wrong with this movie

    This movie is basically the same movie as HEAT. To say that this movie is garbage and that HEAT is a masterpiece is plain stupid, but that's almost how the IMDB users voted. Last time I checked this movie had an average rating of 5.7 while HEAT had 7.8. Anyway I don't need any Pacino or De Niro to recognize a good movie. HEAT might be a little better but it's not THAT much better. Had I seen this movie first I don't know if I had bothered seing HEAT, but sadly the big remakes get all the attention. Soon the remake of another excellent movie "manhunter" will come up in the theatres, and it will probably make people forget about how good the original is and if there are people that still haven't seen it, they will only see the remake. I don't think you should do remakes of movies that are less than 20 or 30 years old. I think I'm against almost any remake. If the original is good then why do a remake? and if it's bad well even less reason to do it...Anyway both movies are good and I like them both even if I don't like the remake phenomenon.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Heat (1995) had 6 months of pre-production, and a 117 day shooting schedule. L.A. Takedown (1989) had 10 days of pre-production, and a 19 day shooting schedule. Michael Mann said that comparing one film to the other is like comparing "freeze dried coffee" to "Jamaican Blue Mountain".
    • Gaffes
      In the exterior, after the bar scene when Hanna is following Lillian on the sidewalk, the boom mic shadow is frequently seen chasing above/behind the quarreling actors.
    • Citations

      Detective Arriaga: [into phone/greeting] Raymond, you "Degenerate". Goodmorning.

      Detective Arriaga: [louder] Raymond, wakeup!

    • Connexions
      Featured in The Rotten Tomatoes Show: Prince of Persia: The Sands of Time/Sex and the City 2/MacGruber (2010)
    • Bandes originales
      L.A. WOMAN
      Performed by Billy Idol

      Written by The Doors

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    Détails

    Modifier
    • Date de sortie
      • 27 août 1989 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Crimewave
    • Lieux de tournage
      • Californie, États-Unis(Location)
    • Sociétés de production
      • Ajar Inc.
      • Compañía Iberoamericana de TV
      • Movies Film Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 37 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.33 : 1

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    Suggérer une modification ou ajouter du contenu manquant
    Alex McArthur and Scott Plank in L.A. Takedown (1989)
    Lacune principale
    By what name was L.A. Takedown (1989) officially released in Canada in English?
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