Johnny Belle Gueule

This is an engrosssing,pulse pounding thriller. It has depth not often found in many Hollywood movies in its characters. Even though it was made in 1989, this is classic Film-Noir. It has that dark, edgy, disturbing feel that is typically found only in Detective Movies of the 30s and 40s. It reaches down into the dark recesses of the soul and displays them for the audience. The way it plays out is much more in the style of Old Movies. It displays the powerful extremes that come in the nature of Good and Evil. This movie isn't just a simple thrill-ride of a movie, it is powerful, gripping entertainment.

When I watched the movie Johnny Handsome, over again. I saw it from a whole new perspective. Other commentators that I've read here, looked at the movie only as to, character development, and ongoing plot continuity. They never looked at the movie as a human interest story! A glimpse into a possible life, lived in just the way it was presented! The story of a such a person, who may have actually lived, and who may have had the experiences that the character of John had, deformed as he was, and so may have had to re-acted in exactly the way he did? It's all the figment of some writer's imagination, but stretch your own mind enough to envelope this concept of this one man's life yourself? Saying Mickey Rourke cannot act, is a very short-sighted, and erroneous statement to make, after exploring the complexities of this character's existence overall. Mickey Rourke had the depth, and the finely tuned sensitivity, to convey the hopelessness of spirit, and also the continual confusion, of a totally scarred and horribly deformed, and therefore ugly and repulsive, singular human entity. John started out being socially unassertive,bereft of other contemporaries, visibly embarrassed, and yet, at the same time, pseudo-aggressive, and drawn to the criminal element. Understandably so, due to his low self-esteem, which is a by-product of his off-putting facial deformities. Mickey wore that face as if he truly had been born with it in reality. John's motivation, (for getting revenge on the two miscreants that had plotted against him, and his friend, in the robbery, and then killed his friend and wounded him), was the fact that, although he was hideous to the world at large, that one man had treated him as a person, a confidant, (due in part to John's unique skills), and befriended him, not as a horribly deformed freak, but as a peer, albeit, a peer in criminal activities. Even though, after his operation, John became a, "new man", just like everybody else, acceptable to the general population. This to the point of even attracting a "normal" caring woman to his new self. That wasn't enough to have changed his already well developed, "antisocial, unreasonable, and skewered" psyche. That part of him that would always be "unacceptable", in a so called "normal" world. So when the chance to avenge his only "true" friend, one who had included John (in his former incarnation), into his own bleak life routinely, how could John, with his scarred sensibilities, turn from the possibility of making a re-payment, he felt he "owed" this to Mikey? That alone would have driven John, at any cost, to figure out a way, in which ever way he could, to destroy the two characters, played so viciously and perfectly, by the actors Hendrikson, and Barkin. He fought their fire with his fire. Really this was the only way John knew, and the only option that was opened to him. A new face wouldn't have changed that. How could a person watching this movie expect rationality? I didn't comment on the Freeman character, Drones, because he just did what you would expect a cop to do. See a criminal, and try to find him doing something wrong. Then take him in. Freeman did this very accurately.He did his job, as usual. Still, the old adage applies here, with Mickey's character, John: Walk a mile in another's shoes before you judge him. I feel so sorry for people who watch movies with their mind, and leave their heart, and humanity completely out of it. They miss so much.

"Johnny Handsome" is a flawed but fascinating work from Walter Hill. Mickey Rourke is great as a deformed criminal who returns to avenge the people (Ellen Barkin and Lance Henriksen) who wronged him. The conceit of the premise is that Johnny's enemies will not see him coming with his new face, a face rebuilt after his ugly one was cut to pieces. Unfortunately, this potentially rich premise is quickly discarded and the film becomes a more standard crime yarn with a pointless love story thrown in. Johnny's love interest, Elizabeth McGovern, who was great in a similar role in "Racing With The Moon", is wasted and just doesn't belong in this material.

Lance Henriksen and Ellen Barkin are great as two of the oiliest lowlifes to impact with a movie screen in years. Barkin's pronunciation of the word "geek", when referring to Rourke's character, is hilarious, as is the crime couple's incessant badgering of each other. If the film had focused more on this duo and less on McGovern and another subplot involving Forest Whitaker, who is saddled with a dreadfully written role as a doctor who tries to help Johnny, it would have been a true contender.

The opening robbery scene is classic Hill -- brutal and economical -- and sets high expectations for the mayhem to come. Ry Cooder's slide guitar score is mesmerizing, and Mathew F. Leonetti's cinematography is moody and beguiling.

Ultimately, the film is a gritty pulp crime novel compromised by studio concessions. Which is such a crying shame.

I really like this movie. Ellen Barkin's performance as a foul mouthed moll to Lance Henrickson's depraved killer club owner is striking. Even Mickey Rourke gives a true interpretation of the title character. Check out the scene where Johnny sees his completed new face for the first time, he captures the scene perfectly.

I pondered why Mickey agreed to do this movie. To work with the respected Walter Hill? Or because of the sincerity he saw in portraying a man resurrected? He plays his character with conviction, yet you know Handsome is emotionally wounded, a quality hard to project. You will be impressed by the film's monumental scene where Forest Whitaker reveals Handsome's new face, in turn revealing the jubilation he certainly has dreamt about his whole life. I believe that scene to be hallmark Mickey, very hard to mimic. He handles the role with a sensitivity you can believe about a man in his predicament. A good reason why casting is vital to a clichéd story! Walter Hill directs Mickey to his fullest. I also thought Liz McGovern to be a good choice as a clinging, excessive optimist with a heart for bad boys. It's a suitable choice that she's not lustfully beautiful- a regular, dull, secretarial girl puts the attention on Rourke, which would have detracted from the real element of the storyline had they cast a perfect 10. Freeman functions as a foil to the story and with a vintage performance of his obvious range.