Le triangle de fer

This movie is not as bad as some reviewers portray. Lets not forget that the story is based on the diary of a VC soldier and thus not easy to turn into a logical script. It is a merit that the producer did not ruin it into a typical Hollywood style Bling-Bling tearjerker. The acting is o.k. likewise the soundtrack. The cinematography is above average. Contrary to a reviewer who found the combat scenes 'staged', I think they are very well done. Also do I not agree with the opinion that the ending is an anti-climax. Liking war stories, I find this film definitely not a 'timewaster'. If you have 90 minutes or so on your hands, watching this film will not bore you... I enjoyed it.

The film is developed during Vietnam war and being based on the diary of an unknown Viet Cong soldier . There in the ¨ Oh Chi Mi¨ rout called Iron Triangle, an U. S. officer (Beau Bridges) taken prisoner by the Vietcong forms a special relationship with one of his captors(Liem). The officer fights for his life behind enemy lines suffering several punishments as punches, lashes, kicks, among others.

The story filmed in Sri Lanka depicts the war chaos and primal bloodletting . This picture provides a thought-provoking look at a Viet Cong soldier who saved a captured American soldier whom he believed did not kill him when the American had the opportunity . The flick lends the spectator an opportunity to watch events from the other points of view . May not translate as well as to the small screen yet worth watching it for nothing more than spectacular final raid on the village where a commando along with helicopters attack people under a sensitive score (John DÁndrea : Baywatch) composed by synthesizer and spiritual chores . Its a blending of Chuck Norris' tortures from ¨Missing of action¨, the special relationship between opposite world's two men as ¨The Killing Fields¨ and breathtaking attacks over villages , including Napalm , from ¨Coppola's Apocalypse now¨ . Agreeable actors are mostly Oriental race . Special mention to Johnny Hallyday as a French mercenary, veteran of Indochina war , who combated in Dien Ben Phu (1954) where the French were defeated and nowadays working as s bodyguard of a propaganda-woman . And Haing Ngor (1940-96), a famous secondary since ¨Killing Fields¨. Ngor's own experiences echoed those of his character and usually played Vietnam roles ( Tortures of war , Heaven and Earth ,In love and war, Vietnam Texas , Eastern condor) until his violent death by an Asian band . Eric Weston's direction (To protect and serve ; Marvin and Tige ; Evilspeak) shows a generally surehand with a bit of melodrama at the end.

It's hard to review a movie by saying it was OK, but The Iron Triangle was nothing more than OK. The (true) story of the event during the Vietnam War was great. The cast had more strong points than weak and much of the special effects were decent. Still, the movie is far from being a great movie like other Vietnam war movies such as Full Metal Jacket, Platoon, and the Deer Hunter. More like the straight to video "dud" Hamburger Hill, the Iron Triangle failed to be a great movie because lack of funding (budget). With a bigger budget, I think the Iron Triangle would have been a huge hit. With more money to improve the production value and to have more of a shooting schedule, the movie could have been a better story. I did not care for having many of the "Vietnam" soldiers speaking better English than many of the American soldiers in the movie. I would have made all, if not most of the Vietnam soldiers talking in their native tongue if not in broken English. This would have made the movie more dramatic and realistic.

My review was written in January 1989 after watching the movie at a Times Square screening room.

"The Iron Triangle" does a switcheroo by presenting (sympathetically) the point-of-view of a 17-year-old Vietcong soldier during the war. Novelty grabs audience's attention, but weak scripting and execution mark this one for mild box office.

Eric Weston's film argues for an equal-time look at the conflict in 1969, with two good men on opposite sides singled out for attention and ultimate bonding in adversity. Beau Bridges narrates the tale as army captain who gets to know his enemy when young Ho (a persuasive performance by newcomer Liem Whatley) captures him and protects him against a fellow Vietcong meanie, Kohl (hissible James Ishida).

The reason for the kinship between Bridges and his black pajamas counterpart is rather flimsy, but the film develops some emotion in sentimental terms. At first disconcerting, the Vietcong speaking in unaccented English works to the film's advantage. Main trick here is that pic's political stance is mushy; there are bad apples on all sides with the two heroes individuals, and the Vietnamese nationalistic wish to boot out all outsiders (Chinese, French and American) endorsed.

Acting is fine, with Oscar-winner Haing S. Ngor as a communist captain playing it straight in a smaller role. Tech credits are good.

In Vietnam, after a battle in the jungle, Captain Keene (Beau Bridges) is captured by Ho (Liem Whatley), an educated Vietnamese commanded by Colonel Tuong (Haing S. Ngor). Although recently losing his father, a teacher killed by the Americans, Ho does not have the feeling of vengeance in his heart and treats the prisoner with dignity, inclusive saving his life. In the end, there is a retribution from Keene to the attitude of Ho. I have never heard anything about this movie. Based on the diary of an unknown Vietnamese soldier (Ho), this excellent movie is indeed a gem, which shows both side of the war with dignity and in a pacifist view. Americans and Vietnamese are presented as human beings, through the character of Captain Keene and Ho. Most of the narrative of Beau Bridges is in `off', when he describes each situation, including his feelings. Ho is a seventeen years old teenager fighting to protect his country against the invader, and Captain Keene is in the war because he is a soldier who follows orders. The dialogs in this movie are intelligent, specially between these two characters. Further, it shows the Vietnamese as persons, defending their invaded country, and not as animals, acephalous beings or numbers, like in most of the films related to the Vietnam war. It is great the way the story is disclosed, showing both sides basically at the same time. The cast and the direction are very sharp and it is amazing the lack of publicity about such a good story. I bought this unknown VHS from a rental for about US$ 1,00 (it was used). However, the lesson of life in the end of the story is priceless. Captain Keene develops himself as a man and learns that in front of his weapon, there was a human being. Before I forget, in the beginning of the story, Captain Keene is presented as a man who speaks Vietnamese language. Therefore, indeed, when the locals speak in `English', actually they would be speaking in their language. Captain Keene is able to understand them and also to maintain a conversation with Ho. Therefore, there is no problem the fact that the movie is spoken in English. It is common sense that Americans usually do not like and are not used to read subtitles, and I believe that was the reason why the story is not spoken in another language. My vote is eight.

Title (Brazil): `Triângulo de Ferro' (`Iron Triangle')