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4,7/10
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MA NOTE
Ajouter une intrigue dans votre langueScott is a fashion photographer troubled by the sudden appearance of nightmares in his dreams, in which he appears to be involved in the murder of a beautiful young woman.Scott is a fashion photographer troubled by the sudden appearance of nightmares in his dreams, in which he appears to be involved in the murder of a beautiful young woman.Scott is a fashion photographer troubled by the sudden appearance of nightmares in his dreams, in which he appears to be involved in the murder of a beautiful young woman.
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Full Synopsis Cast & Crew Related Movies In the Cold of the Night is an above-average psychological thriller, directed with superb visual style by Nico Mastorakis, but plagued by an uneven, derivative plot. Photographer Scott Bruin (Jeff Lester) is very successful but begins to have frightening visions of himself murdering a beautiful woman. When he meets the woman in those dreams, Kimberly (Adrienne Sachs), they begin a highly charged romance. When Scott becomes suspicious, he finds out information which leads to a "surprise" ending. In the Cold of the Night generated a great deal of controversy when it was originally released. Despite the weak plot, the extraordinary visual style of Mastorakis, and the haunting cinematography make In the Cold of the Night a treat for fans of psychological thrillers or anyone who appreciates technique and style in filmmaking. ~ Linda Rasmussen, Rovi
Probably one of the worst films I have seen. The lead actor is a joke. He should be ashamed that this piece of "work" is in circulation. Not to mention a waste of money.
First off, the good: the aesthetics. And the women are beautiful (but not at all diverse beyond blonde or brunette, but that's par for the course.) Next, the bad: everything else. And it's yet another "erotic" "thriller" in which we're supposed to root for a main male character who threatens (or outright commits) violence against his love interest only for her to act like nothing happened. And this happens multiple times.
Movies like this are a reminder of how easy it is for some people. When you look these movies, you realize it only takes being white, blonde, with a slim waist and your career is pretty much guaranteed no matter how flat and unappealing your acting is. You very much get the feeling of them being hired for looks alone. And that's the MALE lead.
I think I keep watching these movies because, aside from nostalgia and the aesthetics, because I'm waiting to be pleasantly surprised. The movie has great clothes, great hair, stylish makeup, synth, and giant white houses, but the writing is weird and sucks, the sex scenes are bland, and the acting leaves so much to be desired. Also, the lead compliments a character for being a great "lay," but let me tell you, he himself is not. What a plank of wood, and not in a good way. Also, Shannon Tweed is a superfluous sex toy in this (even more so than usual).
I like lower-budget, non-mainstream films, but they still have to be good. This movie is not good. I fell asleep on it in the middle and woke up past the midpoint, so I missed some things, but what I saw was enough.
Movies like this are a reminder of how easy it is for some people. When you look these movies, you realize it only takes being white, blonde, with a slim waist and your career is pretty much guaranteed no matter how flat and unappealing your acting is. You very much get the feeling of them being hired for looks alone. And that's the MALE lead.
I think I keep watching these movies because, aside from nostalgia and the aesthetics, because I'm waiting to be pleasantly surprised. The movie has great clothes, great hair, stylish makeup, synth, and giant white houses, but the writing is weird and sucks, the sex scenes are bland, and the acting leaves so much to be desired. Also, the lead compliments a character for being a great "lay," but let me tell you, he himself is not. What a plank of wood, and not in a good way. Also, Shannon Tweed is a superfluous sex toy in this (even more so than usual).
I like lower-budget, non-mainstream films, but they still have to be good. This movie is not good. I fell asleep on it in the middle and woke up past the midpoint, so I missed some things, but what I saw was enough.
This is a slick erotic thriller with an interesting plot, lengthy sex scenes that will appeal to both men and women, and a few amusing references to Brian De Palma and Hitchcock's "The Birds". Although it bogs down a little in the middle, and has some atrocious dialogue, it is still one of Mastorakis' best efforts (out of the handful I've seen). And it would perhaps be even better if the two main actresses had switched roles, with Shannon Tweed being the mysterious femme fatale instead, and Adrienne Sachs getting the thankless supporting part. (**1/2)
I only have one thing to say about this movie, and that is that the guy sleeps on a water bed with a fluorescent light *inside* the mattress!
Say what you will about the rest of the film, that alone is one of the dumbest things I have ever seen. No wonder the guy has nightmares.
Say what you will about the rest of the film, that alone is one of the dumbest things I have ever seen. No wonder the guy has nightmares.
Le saviez-vous
- AnecdotesFilmed back to back with Destructor (1990).
- GaffesObvious stunt-double in place of Jeff Lester when on the motorcycle.
- Versions alternativesOriginally rated "X" by the MPAA, film was cut to be re-rated "R". The complete version was restored on video in 1990, earning an "NC-17" rating.
- ConnexionsFeatures Vent de folie (1986)
- Bandes originalesFever
Performed by Peggy Lee
Courtesy of Capitol Records, Inc.
By Arrangement with Cema Special Markets
Written by Eddie Cooley and Otis Blackwell (as John Davenport)
Fort Knox Music, Inc./Trio Music, Inc.
World Rights Administered by Hudson Bay Music, Inc.
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- How long is In the Cold of the Night?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Blue passion
- Lieux de tournage
- Third Street Tunnel, Bunker Hill, Downtown, Los Angeles, Californie, États-Unis(Night time car chase scene.)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 52min(112 min)
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
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