Lectures diaboliques

Bookstore worker Virginia (Jenny Wright) finds herself the target of a slashing madman (FX guy Randall William Cook) when she starts reading the horror books of Malcolm Brand. The killer is utilizing pieces of his victims in order to reconstruct his mangled face, so this means anyone around Virginia is fair game. Naturally, no one believes her story including her detective boyfriend Richard (Clayton Rohner). Director Tibor Takacs followed up his surprise hit THE GATE (1987) with this interesting horror tale. While it never fully delivers on its awesome premise, I, MADMAN has enough good bits to make it worth seeing and Takacs gets inventive with the camera at times. Look for an in joke where Wright passes a movie theater showing METAL MESSIAH, Takacs' first film. Cook, who also worked on the FX in THE GATE and would go on to win Oscars for THE LORD OF THE RINGS series, is good as the unusual killer and also provided some stop-motion work here. Lead Wright was a bit of a horror staple back in this time period, having done this and NEAR DARK (1987). She hasn't done anything since the late '90s and, sadly, it appears she has a bad substance abuse problem nowadays.

I'm shocked - SHOCKED that this is not a more popular cult horror movie.

Yes, the performances are not Oscar Caliber. They aren't even regional playhouse award caliber.

But! There is definitely a very strong atmospheric feel and some fantastic makeup and set decoration. How many avid readers in your life would be in absolute heaven getting lost in the bookstore that's in the movie? Spoiler: all of them.

The books on which the plot hinges truly feels like a book that's as used and battered as the main villain.

The biggest weak point is, unfortunately, the main actress, Jenny Wright. I just watched her in Near Dark and she was fantastic. This movie came out later. So, perhaps it lies in the directions she was given?

Additionally, the police in this movie act like what I believe real police would act like. They work on what few clues they have and aren't treating the main girl as a looney.

Again, not the best horror, and it is a tad goofy, but as a cult movie? You could do a lot worse.

Although everything about this movie (especially the title) suggests that it must be trash, surprisingly enough it isn't. The plot involves a girl who likes reading scary books and one day finds that the events of the book she is reading, called "I, Madman", start to repeat themselves in reality. It has the logic of a dream - that is, no logic at all, - but don't see this one for the sake of the plot. What lifts it out of the B-movie pit is the imaginative way the seedy world of trashy novels from the 50s is recreated on screen; the smartly executed shifts between fantasy and reality, past and present; Jenny Wright's appealing and intelligent heroine; and finally, the director's genuine feeling for the atmosphere of time and place. It is a little like a cross between Cornell Woolrich and a mad doctor horror movie. Do not try to figure out why things are happening, just enjoy the way this film is so different from anything else. A totally unexpected pleasure.

I remember seeing this as a kid in theaters and it just scared the crap out if me. I still find the whole thing quite disturbing but its also, clever, inspired and entertaining. The movie centers on a young woman working at a book store whom picks up an old, pulp novel entitled I, Madman. It scares the crap out of her and begins to manifest itself as it brutally murders the people close to her. The movie is wonderfully creative and to this day there still hasn't been anything like it. Jenny Wright has Virginia leaves much to be desired in the acting department but all these years later everything just works. It's got that really cool 80s retro feel making for an overly entertaining watch.

7.5/10

Virginia (Jenny Wright) works at a used book store and is into horror novels when she discovers an engrossing book from an estate sale. It is called "I, Madman" and it is about an insane doctor (Randy Cook) who cuts off people's noses, ears, and hair and puts them on his face to please a girl he likes.

This film never achieved a wide audience in its day, which is unfortunate, and is not as well remembered as the other film featuring the collaboration of Randy Cook and Tibor Takacs, "The Gate". Heck, writer David Chaskin had previously done "A Nightmare on Elm Street 2: Freddy's Revenge" and "The Curse" (with Wil Wheaton), so he has a good pedigree, as well. Maybe with the new Scream Factory release, this will change.

The movie is a lot of fun, with all the slasher touchstones, plus some excellent cinematography that brings out a variety of lights, darks and vibrant colors (particularly in a flashback scene). Even early on, we have some visual cues to "Nosferatu" which were clearly intended: the mad doctor who looks like Max Schreck, and the hotel employee going up the stairs following his own shadow... not to mention Cook "ripping off Lon Chaney" (his words) in the creation of a villain.

The special features on the Scream disc really show how much work and love went into this. A short (roughly ten minute) behind-the-scenes feature has Randy Cook explaining how he had to act, apply his own makeup, and also be responsible for the animation. So after hours on set, he would still be up until two in the morning working on making the creatures fit the scene just right. It is impressive, especially the Jackal Boy, and shows a real dedication (no wonder the man has three Oscars).

If that alone was not good enough, there is also a full commentary track with Cook and interviews with various people involved with the picture. Scream has taken a better than average slasher film and made it one of the must-own Blu-rays of 2015: any horror fan will delight in seeing (and hearing) how films such as this are made.