Ajouter une intrigue dans votre langueThree young sorority women try to find love with potential men, while worrying about changes in their way of life when integration begins at their college in 1957 segregated Alabama.Three young sorority women try to find love with potential men, while worrying about changes in their way of life when integration begins at their college in 1957 segregated Alabama.Three young sorority women try to find love with potential men, while worrying about changes in their way of life when integration begins at their college in 1957 segregated Alabama.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Francesca P. Roberts
- Keefi
- (as Francesca Roberts)
Avis à la une
This is one of those movies you start watching because it has some interesting "celebrity" names...and it's an 80's film. It doesn't live up to that 80's film image. Don't get me wrong...if you like watching ignorant soldiers fight in pubs and little girls say it's ok to be raped...oh and let me not forget the infamous negro telling his "master" that he gets treated "oh so good", then you'd love this film. It was a waste of my time. I actually couldn't make myself watch the end. I watched enough to tell you...change the channel, don't waste your buck at the movie rental store, and if you went to a movie theater...then bless your hearts...you are brave.
This review deals with accuracy, not political correctness. I was an idealistic 11 year old girl living 90 minutes from Oxford, MS, and Ole Miss in 1957--the year and setting for this film. I can confirm several things:
(1) For anyone interested, the wardrobe for the female cast is so dead-on accurate to the times, it's almost scary. When (early on) a coed flounces into the room modeling her new sweater--exact replicas of that sweater were gracing the halls in my school. The other fashions were spot on and had me reliving those years.
(2) This is totally accurate sorority-girl-college-life in this era. It is based more on Ole Miss than a fictitious Alabama school. Bit of TRIVIA--two sorority sisters who lived in the same house at Ole Miss went on to become Miss America 1958 and Miss American 1959: Mary Ann Mobley (58) and Lynda Lee Meade (59). If you'd like a glimpse into what it was like to live in a sorority house on a southern campus--this is it.
(3)Through the turbulent 60's, often Southern schools were oddly separate from the war protests and flag-burnings occurring on other campuses. I was in college in Mississippi from 1964-1968, and our campus was as peaceful as a Sunday School picnic.
(4) Lastly, re: the interaction between Maggie and the two African American cooks in the sorority house kitchen. It's more politically correct to argue today that black-white friendship, love and cordiality didn't exist--that it was never this way--but I lived it. I both witnessed and experienced scenes like that of genuine affection, laughter--and yes, even scolding--from older women to these younger pampered girls more times than I can count.
SUMMARY: For fashion accuracy, setting accuracy, and a couple of scenes depicting interracial relationships, it's accurate. I lived it. As for the acting and direction--I can't speak to that.
(1) For anyone interested, the wardrobe for the female cast is so dead-on accurate to the times, it's almost scary. When (early on) a coed flounces into the room modeling her new sweater--exact replicas of that sweater were gracing the halls in my school. The other fashions were spot on and had me reliving those years.
(2) This is totally accurate sorority-girl-college-life in this era. It is based more on Ole Miss than a fictitious Alabama school. Bit of TRIVIA--two sorority sisters who lived in the same house at Ole Miss went on to become Miss America 1958 and Miss American 1959: Mary Ann Mobley (58) and Lynda Lee Meade (59). If you'd like a glimpse into what it was like to live in a sorority house on a southern campus--this is it.
(3)Through the turbulent 60's, often Southern schools were oddly separate from the war protests and flag-burnings occurring on other campuses. I was in college in Mississippi from 1964-1968, and our campus was as peaceful as a Sunday School picnic.
(4) Lastly, re: the interaction between Maggie and the two African American cooks in the sorority house kitchen. It's more politically correct to argue today that black-white friendship, love and cordiality didn't exist--that it was never this way--but I lived it. I both witnessed and experienced scenes like that of genuine affection, laughter--and yes, even scolding--from older women to these younger pampered girls more times than I can count.
SUMMARY: For fashion accuracy, setting accuracy, and a couple of scenes depicting interracial relationships, it's accurate. I lived it. As for the acting and direction--I can't speak to that.
What a stinker. This movie was a total bore. I wanted to like this film because I'm a fan of all of the major characters. However, the characters were totally unbelievable. The Southern accents were laughable. There was no chemistry between any of the actors, let alone the two main stars. The acting was stiff and wooden, and appeared forced. In other words, it looked like they were acting. Poor Ally had a sour looking face the entire film. She must of realized what a stinker this movie was. I'd rate this movie no better then a local high school drama play. If you want to see a movie about racial injustice, rent the DVD classic, To Kill A Mockingbird; don't waste $14.99 buying this mess.
The fake accents were horrible and stereotypical. As a Southerner, I couldn't get past the first 10 minutes. If you want a movie on racial issues, there are much better ones out there.
I liked this film. It was set in Alabama (I gather in Dothan, home of Fort Rucker, because of the presence of soldiers).
Ally Sheedy was so innocent looking and she fit the part nicely. I was only 15 in the 1957 setting and not interested in civil rights - too busy playing ball and watching the Milwaukee Braves beat the Yankees in the World Series.
Toward the end of the film, who was the governor who let the black girl into the university? It wasn't George Wallace because he blocked the entrance and I believe that would have been at the U of Alabama in Tuscaloosa, or was it a school in Montgomery? I've been to many Alabama cities but all after the protests and riots. I still saw racism; but, that would be true in all states. How can a white person root for a black athlete and still be racist?
Ally Sheedy was so innocent looking and she fit the part nicely. I was only 15 in the 1957 setting and not interested in civil rights - too busy playing ball and watching the Milwaukee Braves beat the Yankees in the World Series.
Toward the end of the film, who was the governor who let the black girl into the university? It wasn't George Wallace because he blocked the entrance and I believe that would have been at the U of Alabama in Tuscaloosa, or was it a school in Montgomery? I've been to many Alabama cities but all after the protests and riots. I still saw racism; but, that would be true in all states. How can a white person root for a black athlete and still be racist?
Le saviez-vous
- AnecdotesA gas station was coverted into a 1950s diner for the film. Shortly after, this location became the original McAllister's Deli, a restaurant chain currently with over 300 locations.
- GaffesIn the final scene with the National Guard posted outside the administration building, the air conditioners which are placed prominently in two front windows are certainly not the type or size of air conditioners in 1957.
- Bandes originalesSince I Met You Baby
Performed by Ivory Joe Hunter
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Special Products
Written by Ivory Joe Hunter
Courtesy of Unichappell Music, Inc.
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Détails
Box-office
- Budget
- 8 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 1 097 333 $US
- Week-end de sortie aux États-Unis et au Canada
- 367 091 $US
- 27 août 1989
- Montant brut mondial
- 1 097 333 $US
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