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6,5/10
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MA NOTE
Ajouter une intrigue dans votre langueDesolate by the loss of his daughter, a geneticist creates a monstrous new mutation.Desolate by the loss of his daughter, a geneticist creates a monstrous new mutation.Desolate by the loss of his daughter, a geneticist creates a monstrous new mutation.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires au total
Kôsuke Toyohara
- Osamu Amesawa
- (as Kosuke Toyohara)
Avis à la une
Another great entry into the rebooted franchise. It picks up where the last Godzilla films left of. However, it soon turns into an espionage thriller, Americans and, most dangerously of all, middle eastern folk, try and steal a Godzilla fragment to experiment with. It leads to the creation of a giant plant. Nothing too dangerous you might think, but as it mutates, the design is really quite breathtaking. This film once again takes it up a notch. It feels so genuine in its portrayal of the events, and even manages to convince the audience that this is all very real. As always, the score is truly dominant. It flows throughout the film bringing both dread and excitement. I loved how they gradually introduce the more "out there" ideas. This time, it's telekinesis with flowers. Like the classics, it is a story of man and nature, and how fooling around could lead to absolute destruction by giant monsters. There were also a number of humane touches and some maturity lacking from earlier attempts. When asked if he will go to America a young man says that he wont, as every country has bad things about it. For once, the foreign devils aren't to blame. Just humanity as a whole.
Being Toho's most mature kaiju film, "Godzilla vs. Biollante" placed Godzilla in the age of bio-terrorism. Your cliché 80's folks are seen here...the shy teen girl, the military hero, the villain with sunglasses and leather gloves, etc. What many fans don't like about this movie is the adult-oriented nature of it, considering that Godzilla films were seen as kiddie fun at this point. Personally, I would say this is the best of the series since "King Kong vs. Godzilla" (1962). The Godzilla design remains the best and most realistic to date, and the final form of Biollante is such an awesome sight, one of the most impressive screen monsters in film. Overall, "Godzilla vs. Biollante" stands out from the rest of the series, and has a poetic touch to it...something I've never seen in a monster movie. This film is much appreciated by me.
Out of the twenty-eight entries in the long-running Japanese Godzilla series, one of the more artistic and welcomingly imaginative ones is the unfortunately overlooked "Godzilla vs. Biollante", a film that is so-so in its story and characters (although that is a standard for most Godzilla movies), but tremendously entertaining in its premise and its visual style. The movie follows the majestic monster movie masterpiece "The Return of Godzilla", in which Godzilla is released from his volcanic prison on Oshima Island and begins to wreck the countryside of Japan again around the same time that a scientist's (Koji Takahashi) experiment to preserve his dead daughter's spirit in an immortal plant species goes awry.
"The Return of Godzilla" was not only a great Godzilla movie, but one of the finest monster movies, Japanese or otherwise, that I have ever seen and I do like to sometimes pretend that "Godzilla vs. Biollante" and the not-so-special sequels that followed never existed, that it ended with Godzilla falling into Mount Mihara and being imprisoned there forever. But although this movie does kind of ruin that feeling, it's quickly forgiven once its slow beginning departs and its truly majestic middle begins.
As I mentioned earlier, this is one of the more artistic Godzilla movies there is. Most entries in the series are formulaic and repetitive. And although this is okay for the fans, it is refreshing to see one that tries something new and original. And "Godzilla vs. Biollante" most certainly is original. Basically everything except the human characters tries something new. The movie boasts a battle between Godzilla and his new monstrosity of an opponent, but it's not all about their clash, it's really more following the spirit of the preceding movie with military trying to eliminate Godzilla. What's more, the movie boasts some incredibly visionary and impressive special effects. Godzilla's appearance is one of his finest yet. There are a few shots where he didn't look very good, such as this one where the way he was positioned reminded me more of a bear than a reptile, but other times the mobility that he had in his jaws and his neck provided some surprisingly convincing movements. The miniatures for the destruction scenes are thoroughly impressive, and the effects used to create Biollante are a pure triumph without a single weak shot.
Even the music score is something new. The movie reuses three classic Godzilla themes by Akira Ifukube, but most of the score, as with the first film, is done by a new composer and he does it with a completely new style. Now Koichi Sugiyama's score is not incredible as Reijiro Koroku's was for the preceding movie. There are some weak moments and some parts are recycled too much throughout the movie. In addition, after having reviewed the whole soundtrack on CD form, I discovered that the best of Sugiyama's score was left out. Why Toho opted to do this, I have no idea. But as for what we do here, it's mincemeat of visionary triumph and minor letdowns.
I do have some complaints about the movie, however. It does take a while to get started. Whereas "The Return of Godzilla" had great characters and a strong story so that I could stay interested even when Godzilla was not on screen, this movie struggles a little more. And again, some parts of Koichi Sugiyama's dare-deviling soundtrack simply don't work as well as they should have. And the ending of the final battle between Godzilla and Biollante was a flat letdown.
However, despite its flaws, "Godzilla vs. Biollante" is a more unique and interesting and certainly enjoyable entry in this deservedly famous long-running motion picture series. Now I don't think Godzilla will ever be considered art by any major organization. But there are three films starring the big lizard that do stand out pretty strongly due to either their strong allegorical content or their tremendous style. This is one of them.
"The Return of Godzilla" was not only a great Godzilla movie, but one of the finest monster movies, Japanese or otherwise, that I have ever seen and I do like to sometimes pretend that "Godzilla vs. Biollante" and the not-so-special sequels that followed never existed, that it ended with Godzilla falling into Mount Mihara and being imprisoned there forever. But although this movie does kind of ruin that feeling, it's quickly forgiven once its slow beginning departs and its truly majestic middle begins.
As I mentioned earlier, this is one of the more artistic Godzilla movies there is. Most entries in the series are formulaic and repetitive. And although this is okay for the fans, it is refreshing to see one that tries something new and original. And "Godzilla vs. Biollante" most certainly is original. Basically everything except the human characters tries something new. The movie boasts a battle between Godzilla and his new monstrosity of an opponent, but it's not all about their clash, it's really more following the spirit of the preceding movie with military trying to eliminate Godzilla. What's more, the movie boasts some incredibly visionary and impressive special effects. Godzilla's appearance is one of his finest yet. There are a few shots where he didn't look very good, such as this one where the way he was positioned reminded me more of a bear than a reptile, but other times the mobility that he had in his jaws and his neck provided some surprisingly convincing movements. The miniatures for the destruction scenes are thoroughly impressive, and the effects used to create Biollante are a pure triumph without a single weak shot.
Even the music score is something new. The movie reuses three classic Godzilla themes by Akira Ifukube, but most of the score, as with the first film, is done by a new composer and he does it with a completely new style. Now Koichi Sugiyama's score is not incredible as Reijiro Koroku's was for the preceding movie. There are some weak moments and some parts are recycled too much throughout the movie. In addition, after having reviewed the whole soundtrack on CD form, I discovered that the best of Sugiyama's score was left out. Why Toho opted to do this, I have no idea. But as for what we do here, it's mincemeat of visionary triumph and minor letdowns.
I do have some complaints about the movie, however. It does take a while to get started. Whereas "The Return of Godzilla" had great characters and a strong story so that I could stay interested even when Godzilla was not on screen, this movie struggles a little more. And again, some parts of Koichi Sugiyama's dare-deviling soundtrack simply don't work as well as they should have. And the ending of the final battle between Godzilla and Biollante was a flat letdown.
However, despite its flaws, "Godzilla vs. Biollante" is a more unique and interesting and certainly enjoyable entry in this deservedly famous long-running motion picture series. Now I don't think Godzilla will ever be considered art by any major organization. But there are three films starring the big lizard that do stand out pretty strongly due to either their strong allegorical content or their tremendous style. This is one of them.
What? a Godzilla movie on Blu-ray, well about time. Well of course destroy all monsters came out on Blu-ray, but was discontinued. I would love it if they re-released all the films on Blu-ray, that would be a dream come true.
Blu-ray disc: The picture quality is much better, but I can only compare it to my VHS tape. Whats one thing that Godzilla movies have a lot of, explosions. What does Blu-ray enhance, explosions. Well unfortunately the sound wasn't on par with most films, what I mean by that is, the explosions lacked base, and there for didn't rattle the walls. That was my only complaint. And for the first time I actually get to watch how one of these films is made, it includes a behind the scenes bonus feature. The MPAA rating in the opening states that there is the usual Godzilla violence, I thought that was funny.
The film: This film is a big leap forward for the series. The action scenes look great, and the special effects are outstanding. The final form of Biollante looks incredible. Some of the musical scores are great too. Take note this film is actually pretty violent, lots of blood spraying, and there is more swearing than usual, man there's even a sexual reference at the end. Not really PG material, but oh well.
Overall it's pretty entertaining, with the fight scenes being the highlights. Although Biollante served a small part, it's still worth watching.
Blu-ray disc: The picture quality is much better, but I can only compare it to my VHS tape. Whats one thing that Godzilla movies have a lot of, explosions. What does Blu-ray enhance, explosions. Well unfortunately the sound wasn't on par with most films, what I mean by that is, the explosions lacked base, and there for didn't rattle the walls. That was my only complaint. And for the first time I actually get to watch how one of these films is made, it includes a behind the scenes bonus feature. The MPAA rating in the opening states that there is the usual Godzilla violence, I thought that was funny.
The film: This film is a big leap forward for the series. The action scenes look great, and the special effects are outstanding. The final form of Biollante looks incredible. Some of the musical scores are great too. Take note this film is actually pretty violent, lots of blood spraying, and there is more swearing than usual, man there's even a sexual reference at the end. Not really PG material, but oh well.
Overall it's pretty entertaining, with the fight scenes being the highlights. Although Biollante served a small part, it's still worth watching.
Gojira vs. Biorante is not a masterpiece in any shape or form, but I really liked it and thought it was a lot of fun. It is perhaps a little too long and the ending falls a little flat. Quibbles aside, it never fails to be entertaining. The film does move briskly, while I loved the idea of the story which was nicely constructed and fun. The visuals are great too, the colours look great while the cinematography is good and the effects are excellent, Godzilla especially is brilliantly done, so is Biollante. The score is quite nice also, it isn't amazing, but it is memorable and quite an interesting one. The dialogue is reasonable enough, while the direction is good and the acting and characters are likable without anyone in particular standing out too much. So all in all, quite a nice surprise and entertaining. 8/10 Bethany Cox
Le saviez-vous
- AnecdotesWas voted the best Godzilla movie by fans in a 2014 Japanese fan poll. Ironically, its original release was not a success. The film had a reported $10.7 million budget making it not only the most expensive Godzilla film up until that point, but also one of the most expensive live-action Japanese films made at the time. Middling box offices results lead the studio to rethink their handling of the property and, in order to please fans, began re-incorporating classic (and therefore more marketable) monsters and stories into the following films instead of creating new ones. Toho would also begin to reduce the time and budget spent on subsequent Heisei films.
- GaffesAfter Shiragami is briefly interviewed by the media, Biollante is shown for a brief second appearing regular, but in the very next shot with Biollante, it's fully blossomed.
- Citations
Dr. Shiragami: Godzilla and Biollante aren't monsters. It's the unscrupulous scientists who create them that are monsters.
- Versions alternativesDeleted scenes:
- When Godzilla comes ashore at Abarishi, a scene of him walking past a lighthouse and smashing it with his tail was cut.
- After Godzilla's first confrontation with Biollante in Lake Ashino, which is set ablaze by Godzilla's radioactive breath, spores from the plant creature shower the surrounding countryside causing flowers to suddenly bloom.
- Originally Godzilla was to attack the Kansai Airport in Osaka, which was under construction at the time of filming, but permission could not be obtained. Instead, Godzilla and Miki engage in a telepathic battle near a heliport for the site in the Ise Channel.
- A discarded concept was to have Biollante attempt to physically absorb Godzilla during the climactic battle. This was scrapped due to time and budgetary considerations but was the concept was visualized for the climax of 'Godzilla 2000'.
- ConnexionsEdited from Le Retour de Godzilla (1984)
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Détails
Box-office
- Budget
- 5 000 000 $US (estimé)
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By what name was Godzilla vs. Biollante (1989) officially released in India in English?
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