NOTE IMDb
6,5/10
9,6 k
MA NOTE
Ce film reconstitue le projet Manhattan, projet de guerre secret au Nouveau-Mexique au cours duquel les premières bombes atomiques ont été conçues et construites.Ce film reconstitue le projet Manhattan, projet de guerre secret au Nouveau-Mexique au cours duquel les premières bombes atomiques ont été conçues et construites.Ce film reconstitue le projet Manhattan, projet de guerre secret au Nouveau-Mexique au cours duquel les premières bombes atomiques ont été conçues et construites.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Allan Corduner
- Franz Goethe
- (as Alan Corduner)
Joe D'Angerio
- Seth Neddermeyer
- (as Joseph D'Angerio)
Jon DeVries
- Johnny Mount
- (as Jon De Vries)
Avis à la une
It's rare for a movie to both encompass the process of problem solving and a fantastically far-reaching moral quandary AND be a fairly accurate historical movie, but Fat Man and Little Boy pulls off this trick.
It's the story of the Manhattan Project -- the World War II effort to build the atom bomb, told as the conflict between the two men who made it happen, Gen. Leslie Groves and Robert Oppenheimer.
The historical figures are a great study in opposites: military vs. civilian, practical vs. idealistic, emotional vs. scientific, brute force vs. consensus-based problem solving, immediacy vs. long-term vision. A fictional character, played by John Cusack, is added as a sort of synthesis of the two historical figures, to show the humanity that oddly escapes the real people (and of course the obligatory love interest, played by Laura Dern). One looking for a straight documentary might criticize the lapses into melodrama (and occasional looseness with the facts, but that's Hollywood for ya), but the purpose of fiction is to synthesize and galvanize events into more universal truths, so I think this can be forgiven.
One of the great visuals in the movie is when Oppenheimer witnesses the first atomic explosion: it's done entirely through his reaction, and considering the awesome visuals inherent in an atomic explosion, it's a brave and entirely effective way of describing in a single moment the ambivalent effect on humans of unleashing such power (the sort of thing lost in the typical Hollywood shoot 'em up version of history.) The use of music is particularly excellent in the last third of the movie.
Fairly accessible and highly recommended as both a historical movie and drama of the highest order.
It's the story of the Manhattan Project -- the World War II effort to build the atom bomb, told as the conflict between the two men who made it happen, Gen. Leslie Groves and Robert Oppenheimer.
The historical figures are a great study in opposites: military vs. civilian, practical vs. idealistic, emotional vs. scientific, brute force vs. consensus-based problem solving, immediacy vs. long-term vision. A fictional character, played by John Cusack, is added as a sort of synthesis of the two historical figures, to show the humanity that oddly escapes the real people (and of course the obligatory love interest, played by Laura Dern). One looking for a straight documentary might criticize the lapses into melodrama (and occasional looseness with the facts, but that's Hollywood for ya), but the purpose of fiction is to synthesize and galvanize events into more universal truths, so I think this can be forgiven.
One of the great visuals in the movie is when Oppenheimer witnesses the first atomic explosion: it's done entirely through his reaction, and considering the awesome visuals inherent in an atomic explosion, it's a brave and entirely effective way of describing in a single moment the ambivalent effect on humans of unleashing such power (the sort of thing lost in the typical Hollywood shoot 'em up version of history.) The use of music is particularly excellent in the last third of the movie.
Fairly accessible and highly recommended as both a historical movie and drama of the highest order.
Having worked with all historical aspects of nuclear energy, radiation, etc. for 11 Years ( including working with the US D.O.E - Department of Energy during the cleanup of the Chicago site ), I found this film to be VERY accurate with only several exceptions ( such as groves did not meet Szliard in a bathtub in Szliards Apartment, the Critically accident referred to in th film happened later at Los alamos to Louis Slotin and Harrry Daughlin, and groves was slightly heavier than neumann's character, and not to mention much less harsh and abusive, although he was a perfectionist, always VERY concerned about the sites security and about the public's safety and sometimes got his way without exception, and finally there were other sites in the early project that should have been mentioned more...such as Chicago ). Technically, I feel that the producers/directors created a "Perfect Feel" for the time, as most sites I've been too are simply a-lot of high-dollar, high-tech stuff in the middle of quite isolated areas - very quiet with just the sound of wind blowing and creaking steel. I've seen some peoples reviews talking about this movie as if they're reviewing a love story.....Hello, This story is about an atomic bomb !!!!! I too feel that the brief love story romance is not really needed, but I'm sure that the directors put it in there to show you what oppenheimer was also going thru emotionally in addition to all the chaos he was already facing day-to-day on the projects sites !!! I have seen this movie on VHS, Laserdisc and FINALLY DVD, and I must say that the DVD release is the SHARPEST transfer made of the movie to-date; they did a very good job on the mastering as well ( No artifacts or blockiness - and to those Fatman and LittleBoy movie buffs, yes, they still left in the 1 or 2 screwed-up voice-overs ). Unfortunately, after waiting years for the DVD release to come out, there are really no special features aside from 4:3, Widescreen 16:9, and Dolby 5:1 ( which I was hoping for, since the soundtrack is AMAZING ), There isn't even a trailer for the movie !!! :-( What was paramount thinking ????? Well, maybe they'll read this review and include some more special features ( Like interviews with Paul Neumann, John Cusack, Dwight Schultz, along with a TRAILER of the movie, and some behind-the-scenes making-of the lots ) if they ever release it in High-Definition 1080p !!! One can only hope.
All-in-all its an excellent movie, but if your renting/buying/watching it because you thought it was a romantic movie.....DON'T BOTHER !!!!
All-in-all its an excellent movie, but if your renting/buying/watching it because you thought it was a romantic movie.....DON'T BOTHER !!!!
Fat Man And Little Boy were the code names of the two atomic bombs that were dropped in reverse order on Nagasaki and Hiroshina. How these came to be and came to be in American hands is the story of this film.
The terms by the way are the code names of two bombs fueled with plutonium and uranium. Fat Man was the plutonium bomb and that one was dropped on Nagasaki and Little Boy was the one used on Hiroshima
The film is primarily a conflict between General Leslie R. Groves of the United States Army and physicist J. Robert Oppenheimer who led the team of scientists who developed the bomb under Groves's direction. With two men from as widely divergent backgrounds as these were, conflict was inevitable.
Paul Newman who all his life has been a disarmament activist plays General Groves. To his credit Newman does not play a man whose views he would very little in common with as any kind of caricature. Groves is a military man first and foremost with an engineering background. He wanted a combat command as trained military professionals would naturally want in this greatest of wars. But because of his background in engineering Groves got to head the Manhattan Project which was what the effort was code named. So be it, Newman is determined to make his contribution to the war effort count.
Most of us first became acquainted with Dwight Schultz from the A-Team as H.M. Murdoch the pilot whose grip on reality is tenuous at best. If one was only acquainted with the A-Team, one might think that Schultz had a great future in comic roles.
Instead Dwight Schultz is one of the best actors in the English speaking world with an astonishing range of dramatic parts since leaving that television series. J. Robert Oppenheimer in life was a complex man who recognized the dangers and benefits of atomic energy. The challenge of the problem also intrigues him. Later on Oppenheimer got into a real bind because of his left-wing political views and associates which everyone knew walking into the Manhattan Project.
Some of the lesser roles that stand out are Bonnie Bedelia as Mrs. Oppenheimer, Natasha Richardson as Oppenheimer's Communist mistress whose affair with Oppenheimer got him in such a jackpot later on, and Laura Dern as a nurse at the Los Alamos site.
But the best is John Cusack who as Michael Merriman is a composite of some real life scientists who might accurately be labeled as the first casualties of the atomic age. His scenes with Laura Dern, especially with what happens to him, take on a real poignancy.
The debate over the bombs as the use put to them is still a matter of raging debate. Fat Man And Little Boy presents the facts and lets you decide what might have happened if an alternative use of them had been taken.
The terms by the way are the code names of two bombs fueled with plutonium and uranium. Fat Man was the plutonium bomb and that one was dropped on Nagasaki and Little Boy was the one used on Hiroshima
The film is primarily a conflict between General Leslie R. Groves of the United States Army and physicist J. Robert Oppenheimer who led the team of scientists who developed the bomb under Groves's direction. With two men from as widely divergent backgrounds as these were, conflict was inevitable.
Paul Newman who all his life has been a disarmament activist plays General Groves. To his credit Newman does not play a man whose views he would very little in common with as any kind of caricature. Groves is a military man first and foremost with an engineering background. He wanted a combat command as trained military professionals would naturally want in this greatest of wars. But because of his background in engineering Groves got to head the Manhattan Project which was what the effort was code named. So be it, Newman is determined to make his contribution to the war effort count.
Most of us first became acquainted with Dwight Schultz from the A-Team as H.M. Murdoch the pilot whose grip on reality is tenuous at best. If one was only acquainted with the A-Team, one might think that Schultz had a great future in comic roles.
Instead Dwight Schultz is one of the best actors in the English speaking world with an astonishing range of dramatic parts since leaving that television series. J. Robert Oppenheimer in life was a complex man who recognized the dangers and benefits of atomic energy. The challenge of the problem also intrigues him. Later on Oppenheimer got into a real bind because of his left-wing political views and associates which everyone knew walking into the Manhattan Project.
Some of the lesser roles that stand out are Bonnie Bedelia as Mrs. Oppenheimer, Natasha Richardson as Oppenheimer's Communist mistress whose affair with Oppenheimer got him in such a jackpot later on, and Laura Dern as a nurse at the Los Alamos site.
But the best is John Cusack who as Michael Merriman is a composite of some real life scientists who might accurately be labeled as the first casualties of the atomic age. His scenes with Laura Dern, especially with what happens to him, take on a real poignancy.
The debate over the bombs as the use put to them is still a matter of raging debate. Fat Man And Little Boy presents the facts and lets you decide what might have happened if an alternative use of them had been taken.
Out of five stars, I would give "Fat Man and Little Boy" three. One reviewer who said they had watched this for chemistry class commented the history was good but the acting wasn't strong. I will agree the history was fascinating, and that the acting appeared not to be strong. However, I saw the script itself as being the problem, not the actors -- Paul Newman, Dwight Schultz, John Cusack, Laura Dern -- all were excellent insofar as the script allowed them to be. My feeling is the scriptwriter tried to capture too much all at once and cram it into a two-hour movie. It tried to tell the story of how the Manhattan Project affected not only American policy but also the personal lives of those involved, but instead of adopting an intimate atmosphere in which to do this, it went for broad, broken strokes. To me, it was just too ambitious for one movie -- the Manhattan Project is not like the sinking of the Titanic, a tragedy that happened in one night; it was a long, arduous process that sapped brain power and spirit from the people who had the knowledge of how to tap atomic energy, but also the conscience to worry what would be done with it once they did.
Cold War enthusiasts are like Civil War enthusiasts in that they get extremely upset when something is portrayed differently than it actually happened (or differently than they THINK it happened). When you read a negative review of this movie, that is what you are seeing. It may not be 100% factual with the timeline and all of that, but who cares? It is still an excellent movie. The acting is wonderful and the message is even better. Dwight Schultz does an amazing job with his role. The entire cast must have lost 50 lbs each to look like skinny 1940s people. If you haven't seen this film, see it. If you have and you didn't like it, please see it again and look at it with an open heart. It truly questions the moral issues of developing the bomb. It makes you think!
Le saviez-vous
- AnecdotesThe code names for the weapons - "Fat Man" and "Little Boy" - stem from characters in the written stories of writer Dashiell Hammett. Originally the names "Fat Man" and "Thin Man" were lifted directly from the stories, but the Thin Man weapon design (a Plutonium gun-type weapon) had to be abandoned. The relatively small Uranium gun-type weapon that followed was then named "Little Boy" as a contrast to "Fat Man".
- GaffesIt was actually Seth Neddermeyer who originally conceived the implosion theory, and John von Neumann who refined it to usability.
- Citations
Richard Schoenfield: Hey Oppenheimer! Oppenheimer! You oughta stop playing God, 'cause you're no good at it, and the position's taken!
- Bandes originalesThe Sorcerer's Apprentice
Written by Paul Dukas
Performed by the Wiener Symphoniker (as The Vienna Symphony)
Edouard Van Remoortel, Conductor
Courtesy of The Moss Music Group
By Arrangement with Warner Special Products
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Fat Man and Little Boy?Alimenté par Alexa
Détails
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 3 563 162 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 476 994 $US
- 22 oct. 1989
- Montant brut mondial
- 3 563 162 $US
- Durée2 heures 7 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
What was the official certification given to Les maîtres de l'ombre (1989) in Spain?
Répondre