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7,0/10
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MA NOTE
Un banlieusard sud-africain blanc de la classe moyenne sans intérêt pour la politique accepte d'aider son jardinier noir à retrouver son fils emprisonné.Un banlieusard sud-africain blanc de la classe moyenne sans intérêt pour la politique accepte d'aider son jardinier noir à retrouver son fils emprisonné.Un banlieusard sud-africain blanc de la classe moyenne sans intérêt pour la politique accepte d'aider son jardinier noir à retrouver son fils emprisonné.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 2 victoires et 9 nominations au total
Jürgen Prochnow
- Captain Stolz
- (as Jurgen Prochnow)
David de Keyser
- Susan's Father
- (as David De Keyser)
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If you want to understand what the old South Africa could be like at its worst, this movie accurately portrays it. Well acted and only slightly over-dramatized, it gives you the sense of how the ruling culture was blind to its own injustices. Those who oppose the main character from within his own family make some valid points, and that makes it all the more chilling.
As someone who lived in South Africa until shortly before the year this movie is set in (and was forced to leave because I opposed apartheid), I can't fault the authenticity of this movie but I want to caution viewers not to form all your opinions of white South Africans from this type of film. There is a good side to every culture, but it is harder to portray and doesn't always make great box office.
If this movie leaves you hating anyone, you are taking away the wrong message. If it leaves you realizing this could happen anywhere, and ordinary good people can easily find themselves on the wrong side in situations like this, that is the right message to take away.
As someone who lived in South Africa until shortly before the year this movie is set in (and was forced to leave because I opposed apartheid), I can't fault the authenticity of this movie but I want to caution viewers not to form all your opinions of white South Africans from this type of film. There is a good side to every culture, but it is harder to portray and doesn't always make great box office.
If this movie leaves you hating anyone, you are taking away the wrong message. If it leaves you realizing this could happen anywhere, and ordinary good people can easily find themselves on the wrong side in situations like this, that is the right message to take away.
Apartheid gripped South Africa for many years. One heard the news with total disbelief, as things got worse in that country. Euzhan Palcy has brought Andre Brink's novel to the screen making a statement along the way about what was wrong in South Africa under the brutal repression of those that dared to make a stand.
The carnage one sees in the film is hard to take. Especially, since one occurrence is directed to innocent children who are trying to make a stand about education. At the time, the white establishment labeled communist all those that dared oppose the ruling class. It's ironic that after things got to be democratic, those same rebels didn't turn the country into a communist state.
The story centers on a white teacher that suddenly awakens to what is happening around him. His involvement comes through his gardener, Gordon, who is a decent man. When the gardener's son is arrested, Gordon turns to Ben for help. That will mark the beginning of Ben's passive attitude toward apartheid. By trying to help, Ben will be a marked man, a traitor to his people, according to even his own family.
Donald Sutherland makes an excellent Ben, the former football star and teacher. We watch him as he gets deeply involved in his quest for justice in a land where it was unknown. Zakes Mokae, an immensely talented actor of stage and screen, plays Stanley the man that serves as a link between the struggling faction and Ben. Jurgen Prochnow plays the sadistic Capt. Stolz conveying all the cruelty and arrogance of the man. Janet Suzman is Ben's wife, a woman who doesn't want to see any changes in her cushy life.
The surprise of the film is the appearance of Marlon Brando in a small, but pivotal role of Ian McKenzie, a barrister that brings the case to a court of justice, but it's defeated by the system. Mr. Brando made a tremendous contribution to the film.
Ms. Palcy's film is a reminder of the injustice perpetuated in South Africa under the apartheid rule.
The carnage one sees in the film is hard to take. Especially, since one occurrence is directed to innocent children who are trying to make a stand about education. At the time, the white establishment labeled communist all those that dared oppose the ruling class. It's ironic that after things got to be democratic, those same rebels didn't turn the country into a communist state.
The story centers on a white teacher that suddenly awakens to what is happening around him. His involvement comes through his gardener, Gordon, who is a decent man. When the gardener's son is arrested, Gordon turns to Ben for help. That will mark the beginning of Ben's passive attitude toward apartheid. By trying to help, Ben will be a marked man, a traitor to his people, according to even his own family.
Donald Sutherland makes an excellent Ben, the former football star and teacher. We watch him as he gets deeply involved in his quest for justice in a land where it was unknown. Zakes Mokae, an immensely talented actor of stage and screen, plays Stanley the man that serves as a link between the struggling faction and Ben. Jurgen Prochnow plays the sadistic Capt. Stolz conveying all the cruelty and arrogance of the man. Janet Suzman is Ben's wife, a woman who doesn't want to see any changes in her cushy life.
The surprise of the film is the appearance of Marlon Brando in a small, but pivotal role of Ian McKenzie, a barrister that brings the case to a court of justice, but it's defeated by the system. Mr. Brando made a tremendous contribution to the film.
Ms. Palcy's film is a reminder of the injustice perpetuated in South Africa under the apartheid rule.
Having just seen it on the TV again after a number of years it is a stark reminder of the terror imposed on the black population by the security apparatus of S. Africa during the years of Apartheid.
The part with Marlon Brando as the human rights lawyers is particularly good exposing the ludicrous nature of a system that is completely repressive while maintaining the fiction that it is not.
This film should be compulsory viewing in any educational course studying recent African history
A personal reminiscence:-
I was living in Zimbabwe from 87-89 and I remember when the film was being shot on location there. They were shooting the scene at the end when it is raining but it was during the dry season in Zimbabwe in the local news they recorded the fact that they'd had to make their own rain with lots of hoses etc.
The part with Marlon Brando as the human rights lawyers is particularly good exposing the ludicrous nature of a system that is completely repressive while maintaining the fiction that it is not.
This film should be compulsory viewing in any educational course studying recent African history
A personal reminiscence:-
I was living in Zimbabwe from 87-89 and I remember when the film was being shot on location there. They were shooting the scene at the end when it is raining but it was during the dry season in Zimbabwe in the local news they recorded the fact that they'd had to make their own rain with lots of hoses etc.
Donald Sutherland (one of Hollywood's most undervalued actors) is simply brilliant in this quiet and thought-provoking films. Many black people do not like to see white heroes in films about apartheid or racism. But the truth is, there are many white people who have contributed to the fight for justice, not for black people, but for humanity.
Marlon Brando is also fantastic. Unfortunately, Susan Sarandon's role is quite minimal.
The film is about a white teacher in a posh boys school (whites only) whose gardener asks for his help when his son is arrested and beaten up. The son later dies and the father seeks justice. Sutherland's character is faced with the reality that being a good person and minding one's own business may not be enough, especially when he realises that more is going on in his country than he knows about. As another reviewer has said, Marlon Brando's lawyer character perfectly showcases a brilliant man who has given himself to hopeless causes. he expertly shows in court the injustice that is going on. We see how the legal system worked for the oppressors; knowing this, Brando's character does it anyway. It is the principle that counts. Much like (in a totally different kind of film) King Theoden's words in the Lord of the Rings:The Return of the King, when it is noted that in no way will his army defeat the enemy, replies, 'yes, but we will meet them in battle all the same.' It was people like this who gave of themselves for the sake of others, maybe in future generations to which many of us owe our freedom.
Marlon Brando is also fantastic. Unfortunately, Susan Sarandon's role is quite minimal.
The film is about a white teacher in a posh boys school (whites only) whose gardener asks for his help when his son is arrested and beaten up. The son later dies and the father seeks justice. Sutherland's character is faced with the reality that being a good person and minding one's own business may not be enough, especially when he realises that more is going on in his country than he knows about. As another reviewer has said, Marlon Brando's lawyer character perfectly showcases a brilliant man who has given himself to hopeless causes. he expertly shows in court the injustice that is going on. We see how the legal system worked for the oppressors; knowing this, Brando's character does it anyway. It is the principle that counts. Much like (in a totally different kind of film) King Theoden's words in the Lord of the Rings:The Return of the King, when it is noted that in no way will his army defeat the enemy, replies, 'yes, but we will meet them in battle all the same.' It was people like this who gave of themselves for the sake of others, maybe in future generations to which many of us owe our freedom.
I believe this to be one of Marlon Brando's most underrated performances. The film itself is a splendid period piece of Apartheid South Africa. I rarely see this movie mentioned in biographical comment with regard to Brando's career, and yet, it is a stunning performance. I assume the lack of comment is the fact that he only played a supporting role, and that the subject of apartheid probably denied it a higher profile. As somebody who has lived in South Africa, both before and after apartheid, i cannot tell you how accurate the performance of Brando is in this role. There is no doubt in my mind that he must have studied meticulously before playing this part. I do not know why, but there are a large percentage of professional people in South Africa who have an almost perfect "Queen's English" accent...but it is tinged with a slight South African edge which only the most perceptive can detect. Not only does Marlon Brando capture this perception, but he somehow manages to replicate it, which i have always found truly incredible. You would have to live South Africa to know how fantastic his voicing is in this part, but believe me, apart from the power of his acting, this role is a truly stunning illustration of his amazing ability. I hope this movie will obtain the higher profile it deserves in the future.
Manny Wah Hong Kong
Manny Wah Hong Kong
Le saviez-vous
- AnecdotesWith this movie, writer and director Euzhan Palcy became the first Black woman to direct a major Hollywood movie.
- GaffesWhen the camera pulls away from the court house (Harare City Hall) a bus drives past displaying an advertisement for Balkan Bulgarian Airlines, which flew to Zimbabwe, but not to South Africa under apartheid during the 1970s.
- Citations
Ian McKenzie: Justice and law, Mr. Du Toit, are often just... well they're, I suppose they can be described as distant cousins. And here in South Africa, well, they're simply not on speaking terms at all.
- Bandes originalesUnomatheba
Written by Joseph Shabalala
Performed by Ladysmith Black Mambazo
Courtesy of Warner Bros. Records
Produced by Danny Lawson for Night After Night, Ltd.
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Détails
Box-office
- Budget
- 9 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 3 766 879 $US
- Week-end de sortie aux États-Unis et au Canada
- 202 507 $US
- 24 sept. 1989
- Montant brut mondial
- 3 766 879 $US
- Durée
- 1h 46min(106 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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