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6,5/10
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Ajouter une intrigue dans votre langueFour mental patients on a field trip in New York City must save their caring chaperon, who ends up being taken to a hospital in a coma after accidentally witnessing a murder, before the kill... Tout lireFour mental patients on a field trip in New York City must save their caring chaperon, who ends up being taken to a hospital in a coma after accidentally witnessing a murder, before the killers can find him and finish the job.Four mental patients on a field trip in New York City must save their caring chaperon, who ends up being taken to a hospital in a coma after accidentally witnessing a murder, before the killers can find him and finish the job.
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The characters in this movie are well done and well acted. The comedy is great. Michael Keaton has some great one-liners and facial expressions. You can really relate to his situation. One of the better comedies I've seen.
This film is about four mental patients who's doctor disappears while taking them on a trip. 'Dr Weitzman' witnesses a murder and is attacked by the killers- who happen to be cops. The patients have to get to their doctor before the two cops do.
This is an extremely under rated film that deserves more. It features Michael Keaton, Christopher Lloyd, Peter Boyle and Stephen Furst, all of which are brilliant in their rolls. There is not much to the plot, mainly because it focuses on the characters, both individuality and as a group.
This is an excellent comedy and in my opinion should be on the list for best comedy film. If you have not seen it, you are missing out!
This is an extremely under rated film that deserves more. It features Michael Keaton, Christopher Lloyd, Peter Boyle and Stephen Furst, all of which are brilliant in their rolls. There is not much to the plot, mainly because it focuses on the characters, both individuality and as a group.
This is an excellent comedy and in my opinion should be on the list for best comedy film. If you have not seen it, you are missing out!
The Dream Team is directed by Howard Zieff and written by John Connolly and David Loucka. It stars Michael Keaton, Christopher Lloyd, Peter Boyle, Stephen Furst and Lorraine Bracco. Music is by David McHugh and cinematography by Adam Holender.
Billy Caulfield (Keaton)-compulsive liar and prone to violent outbursts; Henry Sikorsky (Lloyd)-tidy freak who thinks he's a doctor; Jack McDermot (Boyle)-thinks he's Christ; Albert Ianuzzi (Furst)-near catatonic personality who can only speak in sports jargon.
There are people, and perhaps even that little old angel on your shoulder from time to time, that tell you that one shouldn't make fun of the afflicted; case in point folk with mental issues. So it be with this here amusing picture, a film that basically sees four odd balls let loose in New York as they try to find their missing doctor and foil the couple of dirty cops who want to silence said doctor for good. Yet Zieff's film is neither crass or stupid, the comedy is well drawn, with the characters themselves not the danger to society kind, but the misfit sort who are struggling to fit into said society. Looking in at it a bit deeper, film has valid points about acceptance, messages about understanding, friendships and collective group unity being powerful. Even the effects of work pressure is given a sardonic glance. It's not like the makers set out to offend, pic never even sails close to the wind, evidently they clearly set up to entertain and amuse, and that goal is achieved royally because The Dream Team is awfully funny.
Does Ed go out of the window? Let's have a show of hands. You can vote too, Ed. This is America.
It's a smart collection of actors playing the "afflicted" guys, four actors very comfortable with each other and enjoying the benefits of a strong script. Each one is handed great comedy moments to act out, neither left out and neither disappointing. Boyle arguably steals the film by way of some excellent visual comedy, but it's most likely Keaton's caustic observations and one line zingers that will leave the lasting impression. The final quarter gets a bit mechanical as the intrepid "nut buddies" finally bond and the film shifts to a basic chase/race against the clock affair, but the gags still come and you may find you are still laughing about something that was said earlier anyway! Bracco isn't given a lot to do, which practically renders this as being an ultimate buddy buddy guy flick, and the two "dirty" coppers played by James Remar and Philip Bosco are by the numbers villains. Small moans only, though, and in the name of good comedy, who cares really?
It's great to be young and insane! Hell Yeah. 8/10
Billy Caulfield (Keaton)-compulsive liar and prone to violent outbursts; Henry Sikorsky (Lloyd)-tidy freak who thinks he's a doctor; Jack McDermot (Boyle)-thinks he's Christ; Albert Ianuzzi (Furst)-near catatonic personality who can only speak in sports jargon.
There are people, and perhaps even that little old angel on your shoulder from time to time, that tell you that one shouldn't make fun of the afflicted; case in point folk with mental issues. So it be with this here amusing picture, a film that basically sees four odd balls let loose in New York as they try to find their missing doctor and foil the couple of dirty cops who want to silence said doctor for good. Yet Zieff's film is neither crass or stupid, the comedy is well drawn, with the characters themselves not the danger to society kind, but the misfit sort who are struggling to fit into said society. Looking in at it a bit deeper, film has valid points about acceptance, messages about understanding, friendships and collective group unity being powerful. Even the effects of work pressure is given a sardonic glance. It's not like the makers set out to offend, pic never even sails close to the wind, evidently they clearly set up to entertain and amuse, and that goal is achieved royally because The Dream Team is awfully funny.
Does Ed go out of the window? Let's have a show of hands. You can vote too, Ed. This is America.
It's a smart collection of actors playing the "afflicted" guys, four actors very comfortable with each other and enjoying the benefits of a strong script. Each one is handed great comedy moments to act out, neither left out and neither disappointing. Boyle arguably steals the film by way of some excellent visual comedy, but it's most likely Keaton's caustic observations and one line zingers that will leave the lasting impression. The final quarter gets a bit mechanical as the intrepid "nut buddies" finally bond and the film shifts to a basic chase/race against the clock affair, but the gags still come and you may find you are still laughing about something that was said earlier anyway! Bracco isn't given a lot to do, which practically renders this as being an ultimate buddy buddy guy flick, and the two "dirty" coppers played by James Remar and Philip Bosco are by the numbers villains. Small moans only, though, and in the name of good comedy, who cares really?
It's great to be young and insane! Hell Yeah. 8/10
If you like Michael Keaton, Peter Boyle, or Christopher Lloyd, you will like this film. That's guaranteed. But even if you are not fans of the aforementioned talents, I think you will still enjoy this movie.
Keaton is at his sarcastic best with his role as a guy with anger problems. It's easy to empathize with him, especially in the situations he finds himself in. I don't know of any other contemporary actor who could deliver these lines with the same effect.
Similarly, Peter Boyle surpasses his performance in "Young Frankenstein" with his comedic portrayal of a man who believes he is Jesus Christ. His walk through a hospital is not to be missed!
Lloyd plays the control-freak authority figure wannabe with finesse. It would be difficult indeed to watch this talented comedic actor play a straight role.
Stephen Furst is excellent as a man who can only speak in baseball metaphors. Where the hell has he been since Animal House?
The plot is weak and quite predictable, but the lines delivered along the way are worth the effort. One of the great sleepers.
Keaton is at his sarcastic best with his role as a guy with anger problems. It's easy to empathize with him, especially in the situations he finds himself in. I don't know of any other contemporary actor who could deliver these lines with the same effect.
Similarly, Peter Boyle surpasses his performance in "Young Frankenstein" with his comedic portrayal of a man who believes he is Jesus Christ. His walk through a hospital is not to be missed!
Lloyd plays the control-freak authority figure wannabe with finesse. It would be difficult indeed to watch this talented comedic actor play a straight role.
Stephen Furst is excellent as a man who can only speak in baseball metaphors. Where the hell has he been since Animal House?
The plot is weak and quite predictable, but the lines delivered along the way are worth the effort. One of the great sleepers.
I mean it. After seeing him in this movie, and Young Frankensteeen, and the occasional episode of Everybody Loves Raymond, I can't take him seriously in movies like Joe, Outland and even as Wizard in Taxi Driver. His performance in this movie is absolutely hilarious. I've always had a soft spot for this underrated gem. It's basically a screwball version of "One Flew Over the Cuckoo's Nest," using that movie's famous baseball game scene as its starting point: An easy-going doctor takes his patients to a Yankees game, and runs into trouble on the way there. And I don't really mind the crime subplot here as much as I did in Three Men and a Baby. Everyone shines here--Michael Keaton (his reference to the World Trade Center was funny then, bittersweet now); Christopher Lloyd; Boyle; even Lorraine Bracco, in a small role. And it's full of memorable quotes. This movie never fails to put a smile on my face.
Le saviez-vous
- AnecdotesIn the music video for the soundtrack song "Hit The Road Jack", not only are there various clips from the movie being shown in the background, Peter Boyle and Stephen Furst show up as their characters Jack and Albert, dragging Buster Poindexter (David Johansen) into a red van like the one from this movie.
- GaffesAfter the boys rescue Dr Weitzman and Riley is pushing his wheelchair, he has a cast on his left leg. However, when he is helped out of the van at the sanitarium, it has jumped to his right leg.
- Bandes originalesHit the Road Jack
Written by Percy Mayfield
Performed by David Johansen (as Buster Poindexter)
Produced by Hank Medress
Courtesy of RCA Records
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Détails
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 28 890 240 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 704 860 $US
- 9 avr. 1989
- Montant brut mondial
- 28 907 090 $US
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By what name was Une journée de fous (1989) officially released in India in English?
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