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High school student Paula Carson is adored by her jerk of a boyfriend, Dwight Ingalls, but new eyes have caught her attention. Brian Woods, a quiet loner who has just been released from a mental hospital after being there for the mysterious death of his father. Not too long people are disappearing and bodies are piling up at Wurley High and Brian is first to be accused by Dwight because of his disturbing past. Although Dwight has been losing it lately and now Paula is put in the situation of finding out who is telling the truth.

Now the memories are flooding back. Think of homework, uptight teachers, a weird headmaster, obnoxious twits, a deranged loner and some… murdering? What in the name!? Yeah "Cutting Class" is a forgettable, been-there-done-that and lame high school slasher. Despite that suggestion at least it's never boring, and it's slightly entertains as it breezes by quite easily. The pain is virtually bearable, but a top cast with middling performances make little headway in this low-end 80s slasher effort. The main problem here is that it tries really hard for a funny bone and then it would turn all serious, but it just doesn't come off with the right results. It's just too stupid to be funny and ridiculous to be taken straight. It just can't win! What shaped it was the hopeless charm that scraped the surface with its campy frame and fine turns by the reliable Roddy McDowall and the extremely lovely Jill Schoelen ("Stepfather" and "Popcorn"). Martin Mull even appears in his own little (if meaningless)side-story as some sort of comic relief character. Donavan Leitch does fine in his spooky staring down poses.

Sure the main curiosity for this flick would be that of a young Brad Pitt. His performance is very lacking, but fans of his might still check it out as his a main lead. All he does is leech about and his cocky character is just too unlikeable to care for. The plot is weak; that's there's not much to hang a story off (and still there are holes!) and to throw you off track, as the red herrings are downright ineffective. Just who is committing these murders? Well, it doesn't take an Einstein to figure out, as it's basically telegraphed to you. It follows a derivative style of every other slasher flick. Clichés are not excused. The dialogues are lousy, despite it's tongue-in-cheek tone and hammy one-liners. Killing it is a funky 80s soundtrack that you don't want to purchase after hearing it.

The semi-professional production looked adequate and it sported a colourful and brightly lit decor. The direction by Rospo Pallenberg is stale and tensionless. Wait to your eyes see one idiotic climax involving power tools and an unbelievably rash decision by the killer. The cruel deaths are unimaginative and have little, if no blood and gore. Those looking for obligatory nude flashes have to cope with blink and you miss it moments.

A real lemon of a flick, but still I found this mindless slasher watchable… thank-you Schoelen.

A killer on the loose is murdering students and teachers from a cool high school. Now it's up to the popular kids and the most ignored of them, recently released from a psychiatric hospital, to solve the mystery behind the murders. In this almost ludicrous and predictable whodunit, everything is what appears to be and our fun is to see how foolish director and writer can get while coming up with obvious devices that doesn't even try to fool and impress the viewers. Maybe some of the violence was unexpected but they sure were looking for the laughs. And this is a barrel of laughter.

C'mon, it's not that bad. It's embarrassingly fun to watch a bunch of actors fully knowing they're stinking on scene, trying hard to look authentic and reliable, in this sort of parody of teen slasher flicks. A pretty good trash, now with a heavy cult following from Brad Pitt fans who are curious in seeing one of his earliest roles. And truth be told, he's the only one who worked the hardest to look good enough, in opposition to the cheesy acting from almost everyone. But Donovan Leitch steals the show in a weird way. As the troubled and lonesome Brian Woods, he's the most memorable face from this thing with his terrifying yet good looking eyes and face, a Ricky Fits kind of character - definitely not obsessed, just curious. But why does he have to dress like Frankenstein?

Although heavily inspired but countless (and better) movies, this one had its original parts. High point is when the killer challenges the math teacher to solve a difficult equation and discover which door from the classroom is the safe passage. That scene had me giving some nervous laughs.

It's enjoyable but only when you're in the mood to have fun and not take anything you see here in a serious way. But in the end "Cutting Class" shows us that skipping class is far more worse than killing people. Ouch. 6/10

I think it'd be fair to say that, if Cutting Class didn't have Brad Pitt, the entire would would have forgotten about it in '89.

On the surface, the concept of Cutting Class isn't terrible. It seems like it would have potential to be fairly fun. Plus, we're given the fabulous Jill Scholen as our leading lady and her track record with horror projects is pretty solid from The Stepfather to Popcorn. Surely, she wouldn't sign on to a turkey, right?

Sadly, this is wrong. Very wrong. Poor Scholen has very little to do, nor does the rest of the cast, including a very strangely placed Martin Mull and Roddy McDowell who must have owed someone a favor.

The tone varies between weird comedy and bland slashings, but neither work well by themselves and they certainly don't gel well together. Maybe the script read better than the film turned out. It's also shot with zero style and looks like an impossibly bland TV movie.

Cutting Class isn't worth a revisit. Bank some erasers together instead.

High school slasher movie, both students and teachers are getting bumped off by an unknown killer. The Golden Age of the slasher movie was well and truly over by 1989 but there were still a few being made. Somehow Cutting Class passed me by, until I recently picked up an old copy on VHS. Although not particularly gory there are a few inventive deaths, though it takes a while to get going. There is a lot of humour to be found, very cheesy, but it helps make for easy, reasonably entertaining, simple viewing. Roddy McDowall puts in a decent performance but this movie is best known as being Brad Pitt's first major role. He was 26 when this was released but his boyish good looks almost make his teenage character believable. Don't expect too much from Cutting Class and you will not be disappointed.

A psychotic youth is released from his mental confinement and murders start happening all over a huge high school. Teachers, an assistant principal, and some coeds meet deadly ends in such various methods as impalement, burning in a kiln, axe to the head, slashing, and so forth. Is the crazed youth responsible, or is the murderer someone else? The ending is somewhat clever although in no way plausible. This is one of those eighties slasher flicks that does not know whether it is primarily a horror or a comedy. It DOES work better as the latter. The production is very nice and the film does boast some fine production values. The gore is limited despite the deaths, and the acting is adequate. The biggest flaw is the script which has more holes in it than a piece of cheesecloth. If you are able to put logic aside, the film can be a pleasant diversion. Certainly nothing more. Brad Pitt, Donavan Leitch, and Jill Schoelen star as the trio of youths the film centers around. Pitt is awful, though as one reviewer says he does not embarrass himself TOO much. Leith is suitably creepy, and Schoelen is beautiful if nothing else. The supporting cast is much better with the likes of Roddy McDowell, Martin Mull, Nancy Fish and other little known yet familiar faces. McDowell brings humour and class to his role as the principal, though he has very little to do. Mull is the funniest in his purely comedic role. In fact, Mull's performance has to make this a horror comedy rather than a horror film. Once you see the film you will understand why. Another bright spot is Brenda James, solely because she is one hot little number. So if you are looking for pointless, mindless fun...Cutting Class makes the grade.