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Columbo: Murder, A Self Portrait

  • Téléfilm
  • 1989
  • TV-PG
  • 1h 38min
NOTE IMDb
7,2/10
2,3 k
MA NOTE
Columbo: Murder, A Self Portrait (1989)
CriminalitéDrameMystèreDrame policierProcédure policière

Ajouter une intrigue dans votre langueA womanizing famous painter becomes paranoid about his first wife revealing his secret of killing his art dealer in the past, so he murders her while devising a solid alibi. Lt. Columbo inve... Tout lireA womanizing famous painter becomes paranoid about his first wife revealing his secret of killing his art dealer in the past, so he murders her while devising a solid alibi. Lt. Columbo investigates the apparent drowning of the ex-wife.A womanizing famous painter becomes paranoid about his first wife revealing his secret of killing his art dealer in the past, so he murders her while devising a solid alibi. Lt. Columbo investigates the apparent drowning of the ex-wife.

  • Réalisation
    • James Frawley
  • Scénario
    • Richard Levinson
    • William Link
    • Robert Sherman
  • Casting principal
    • Peter Falk
    • Patrick Bauchau
    • Fionnula Flanagan
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,2/10
    2,3 k
    MA NOTE
    • Réalisation
      • James Frawley
    • Scénario
      • Richard Levinson
      • William Link
      • Robert Sherman
    • Casting principal
      • Peter Falk
      • Patrick Bauchau
      • Fionnula Flanagan
    • 32avis d'utilisateurs
    • 7avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos86

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    + 81
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    Rôles principaux17

    Modifier
    Peter Falk
    Peter Falk
    • Columbo
    Patrick Bauchau
    Patrick Bauchau
    • Max Barsini
    Fionnula Flanagan
    Fionnula Flanagan
    • Louise
    Shera Danese
    Shera Danese
    • Vanessa Barsini
    Isabel García Lorca
    • Julie
    • (as Isabel Lorca)
    Vito Scotti
    Vito Scotti
    • Vito
    George Coe
    George Coe
    • Dr. Sydney Hammer
    David Byrd
    David Byrd
    • Ralph
    Don Bovingloh
    • Customer
    Lenny Hicks
    • Morgue Attendant
    Danny Hassel
    • Lifeguard
    Roger Etienne
    • Night Visitor
    Frank Wiltse
    • Officer
    • (as Frank L. Wiltse)
    Harold Harris
    • Harry Chudnow
    Don Schneider
    • Bystander at Beach
    Joey Banks
    • Paramedic
    • (non crédité)
    Jean-Paul Vignon
    Jean-Paul Vignon
    • Maitre d'
    • (non crédité)
    • Réalisation
      • James Frawley
    • Scénario
      • Richard Levinson
      • William Link
      • Robert Sherman
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs32

    7,22.2K
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    Avis à la une

    BSandor

    Good Cast, Good Plot, Good Time!

    I am a Columbo-fan, and this episode is really one of the best. Max Barsini (played by Patrick Bauchau (Dr. Sydney Green in the drama series "The Pretender" (1996-2000)) has a secret and his wife knows what it is. Max murders her, "pretending" it was an accident. Max also has an alibi: he was painting at Vito's. The case is clear, but then comes a police officer to solve the case: Lt. Columbo.

    I was really enjoying this movie. A cast is excellent, many of my favourites (Peter Falk, Shera Danese, Patrick Bauchau to name a few) were here and did a wonderful job. Now I could see behind the scenes of painting artists...

    For all Columbo-fan, this movie is a must see!
    bob the moo

    An OK Columbo film but not one of the better ones

    Some say he is a contrary sort but painter Max Barsini is certainly a bit of a character. He lives with his current wife and his model under one roof, while his ex-wife lives next door. It is a complicated situation that seems to work quite easily – until that is, Max's ex starts seeing her psychologist and potentially revealing a secret from his past. To ensure that this does not happen, Max kills her and makes it look like a swimming accident. However for Columbo it doesn't quite add up and he starts asking just one more question to get to the bottom of the mystery.

    The Columbo films are enjoyable to those that enjoy them mainly because they just follow the same reliable formula. With the new Columbo films some have tried to vary this with differing degrees of success. Here we have a fairly straight shot at the formula with the usual cat and mouse games, a new world or career for Columbo to be interested in (or feign interest in) and a murder to be solved. At this level the plot does work and fans of the series will find some stuff to enjoy but I didn't think it was one of the better of the series. The dream sequence stuff put me off a little bit and the development of the case left much to be desired – I must confess I wasn't totally engaged in it at any point. That said I did find it distracting and it had enough moments that were typically Columbo to suffice.

    The cast are reasonably good. Falk is as enjoyable as ever and he works well with the material. Bauchau is not as good as the series usually demands but he is still a fun presence. Support is not as good from Flanagan, Danese and Lorca but generally they are good enough to do the job. The chemistry between the lead two is pretty good and I would have quite liked to see them served with better material.

    Overall this is an OK Columbo film that will please fans of the series but seems unlikely to be good enough to win over new ones. The acting from the lead two is good enough to do the job even if the material is not quite as consistently engaging as at times it is. Worth a look for the formula but there are better Columbo films.
    lightville

    Strong beginning, weak ending.

    Although I haven't seen every Columbo episode there is, I'm certain the pattern is the same: A wealthy and intelligent individual (who is sometimes a celebrity) plans and executes a perfect murder. Then, Columbo enters the scene and since there are no witnesses he has to rely heavily on circumstantial evidence. Columbo finally out-smarts his suspects and arrests the criminal. At this point I always think that in real life this individual will hire a high-paid lawyer who will rip Columbo's case to shreds, but that's material for another movie.

    Max Barsini fits perfectly into that typical criminal profile: wealthy and intelligent. But there's one more thing to add: a super-inflated ego, strong enough to dominate three women. Nevertheless, by the second half of the movie his character and his ego starts deflating, and at the end he just simply surrenders without putting up a fight. And that's the disappointment that I had with this episode, and many other episodes, where the person who was smart enough to plan an almost perfect homicide, suddenly succumbs under Columbo's pressure. Of course, not all Columbo's movies end up this way, and therefore I consider them my favorites. Unfortunately this one is not one of them.
    studiodirect

    Very Fun Episode for Me

    The Columbo series is a true pleasure to savor… Peter Falk is perfect in his role as the seemingly befuddled on the surface detective with hidden brilliance. Hahaha… we know that is his sly fox ruse. This episode was a marvelous surprise for me! I have spent my life a successful artist in the fine art world and in my youth could relate, somewhat, to Mr. Barsini.; albeit without the murder. What made it extra fun for me personally was that Mr. Falk, as the artist, used to show his works in the same gallery with me in the French Quarter of New Orleans. The fact that the gallery dealer would sell an original, take fifty percent off the top and take twelve months to pay-out our share makes me wonder if Peter had a hand in writing this episode; with a plot where the artist's first murder was that of the unethical art dealer… lol. Anyway it was fun to see a bit of the world as I have known it… once again without the murderous aspect. Lookup Peter Falk's art if you haven't before… he was quite good. What a treasure he was… and still is.
    donderesz

    What I See...

    I'm not in the television or visual art business, but I must remark about the interesting composition of what the television viewer sees on the television screen during this singular episode of Columbo. The on screen artwork props are quite tacky, except for the final portrait that appears in the ending credits. But, different scenes in this story are characteristic of various artists when creatively blending the lighting, shading, qualities of color, staging, props, and so on. One scene mimics Norman Rockwell, even. Maybe this is just in my head, but somebody behind the production of the scenes created a television classic. I'm willing to wager that if you were to show this episode to a handful of art enthusiasts in a communal setting, the resulting observations would interestingly quite descriptive.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The real painter of Columbo's portrait was Jaroslav Gebr. Gebr was born in Pisek, Czechoslovakia and fled the post-war Communist regime, arriving in Hollywood. He began working in the art departments of Fox and MGM and eventually ended up at Universal's Television studios where he led the art department for many years.
    • Gaffes
      Columbo lifts Dog to look over the fence at the ocean. He then lets go of the dog, yet the dog remains in place at the top of the fence. The dog is apparently standing on some sort of hidden platform, yet no platform is visible in the previous shot from behind him.
    • Citations

      Vanessa Barsini: You're like a swollen house guest who eats up all the food, and while the rest of us go hungry, you complain about heartburn.

    • Connexions
      Featured in Columbo: Murder, A Self Portrait (1990)

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    FAQ3

    • Is the basset hound in this new Columbo series supposed to be the same one from the old series?
    • What's the difference between a psychiatrist and a psychologist?
    • What is Patrick Bauchau's connection to psychiatry?

    Détails

    Modifier
    • Date de sortie
      • 15 mai 1993 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Murder, a Self Portrait
    • Lieux de tournage
      • Griffith Park - 4730 Crystal Springs Drive, Los Angeles, Californie, États-Unis(Basset hound show and picnic)
    • Société de production
      • Universal Television
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 38min(98 min)
    • Couleur
      • Black and White
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.33 : 1

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