Né un 4 juillet
Biographie de Ron Kovic. Revenu paralysé de la Guerre du Vietnam, il devient militant pacifiste engagé en faveur des droits de l'Homme après s'être senti trahi par le pays pour lequel il s'e... Tout lireBiographie de Ron Kovic. Revenu paralysé de la Guerre du Vietnam, il devient militant pacifiste engagé en faveur des droits de l'Homme après s'être senti trahi par le pays pour lequel il s'est battu.Biographie de Ron Kovic. Revenu paralysé de la Guerre du Vietnam, il devient militant pacifiste engagé en faveur des droits de l'Homme après s'être senti trahi par le pays pour lequel il s'est battu.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 2 Oscars
- 15 victoires et 26 nominations au total
Avis à la une
Now for the bad news. The picture is overly political, with Stone once again (and unnecessarily) casting Republicans as the bad guys and Democrats as the good guys (seemingly ignoring that the Dems initially sent the troops to 'Nam). The film also takes a while to build up steam, and the all-American life of the pre-Marine Kovic seems a little too perfect to be believable. Obviously a story such as this requires adequate screen time, but the 145 minutes is slightly drawn out, particularly toward the end. And although one of its central themes is the opposition to the war that greeted returning vets, the genesis and rationale of that opposition are not adequately explored.
As a whole, however, "Born of the Fourth of July" is recommended. Kovic's biography and Stone's masterful storytelling are a perfect match. It's not your typical war movie. In fact, it's not your typical movie, period.
Oliver Stone's Born on Fourth of July - based on the true story of Ron Kovic - takes the audience through the triumph and trauma of a crusader who went from one side of the war debate to the other. Ron wanted to fight for his country and stop the evil force of communism dead in its tracks. He went to Vietnam to defend his nation but came back soon, injured and doomed to suffer further. In the inadequately equipped hospital, his dreamer instincts crashed against the harsh realities of political ambivalence, not for the first time though.
Over next eight years that are depicted in this masterpiece, the character of Ron Kovic (played by Tom Cruise with unprecedented brilliance) goes through the trauma of knowing that no one will "love him now", that even his own sibling is not on the same side of ideology, that the government had more pressing issues than taking good care of war veterans, that his countrymen did not necessarily endorse of his view point. The reality that he killed a soldier from his own army, the reality that he was the unfortunate one to butcher children and women in Vietnam, the reality that he would not be able to father a child, the reality of his realization that his government had made a wrong case for the war - it all kept gnawing at his conscience. It kept gnawing him until he opened up to speak about what was wrong about this war. Thus 'ended' the patriotic fervor of a driven person, but he continued his passion as an antiwar activist.
Born on Fourth of July may have been the story of one Ron Kovic, but there are many others whose sentiments would echo with this veteran's. At the end, there is no easy way out of this debate. War always comes with its baggage of pain, trauma and hurt. Whether Vietnam was a mistake or not - the arguments would go on forever. So would the history of people who aspired to be motivated by JFK's historical urge - Ask not what your country can do for you, See what you can do for your country - only to realize that in every war there is only one casualty - the human spirit. And this reality hurts.
Ron Kovic is the center of this film. In "Platoon", war was the center, and the central character (Charlie Sheen's Chris Taylor) was merely a POV character through whose eyes we could see war. Not so in "Born on the Fourth of July". Vietnam is the setting, the context, and the backdrop. But Ron Kovic is the story.
Oliver Stone really understands a character arc. Look at Kovic's life, where it starts, where it ends. The film is the journey, how he got from A to B. It is a dramatization of a life, as opposed to an actual life, but it still rings true. It feels true. It reaches an artistic level of truth, even if some literal truths are overlooked, distorted, or rearranged. That's what Stone is trying to do. People who quibble about the facts miss the point. (This is a theme I will take up again when I review some of Stone's other films, as Stone is constantly being bashed for historical inaccuracies.) The connections from one point to the next work admirably, and the progression is completely believable, which is quite a feat for such a dramatic change of attitude (compare to "American History X", where the main character goes through a similar about face with scant motivation).
Anyway, what impresses me about this film is the honesty and respect with which Stone presents the opposing views of the film. Say what you want about Stone's political beliefs, but the argument in this film is presented in a very neutral light. It's a story about Kovic's choices, Kovic's politics, Kovic's judgments. And the anti-Vietnam beliefs he finally supports in the final act are a very natural and believable outcome of the story. This film isn't anywhere near as didactic as some people like to imagine.
The tragedy of Oliver Stone is that, because he has been so edgy, so controversial, so deliberately provocative, no one can really just sit down and, with a neutral eye, watch his films. They have become so burdened by this giant, irrelevant, political squabble. The films have been subsumed by the very issues they sought to raise. And it's a shame, with this film especially, because it is excellent.
Tom Cruise gives possibly the greatest performance of his career (I can't think of anything that tops it, though his performance in "Eyes Wide Shut", for very different reasons, is just as remarkable). The script is fantastic, taking time where it needs to take time, but not overly deliberate in its approach. It's very economical with time. It knows what each scene needs to say, and says it without any excess baggage, wasted space, or dead time. The direction is excellent, as is the editing and cinematography. The supporting cast is excellent.
But this movie would be nothing without the remarkable, heart-rending, true story of Ron Kovic. So, while we admire the technical achievement of the film, while we debate the points raised, while we enshrine or excoriate the director (as the case may be), let's not forget the story. Let's not get so fired up about Vietnam that we forget Ron Kovic. He is the heart and soul of this film.
One final note: I bristle when people call this an anti-war film. That really diminishes it, I think. It's so much more than that. It's not just saying that war is brutal, nasty, and horrific. It's saying something far more specific about a specific war, and about the effect of that war on a specific man.
Le saviez-vous
- AnecdotesThe real Ron Kovic gave Tom Cruise his Bronze Star for his performance in this movie.
- GaffesWhen the recruiter visits Ronnie's school, he incorrectly refers to Marine boot camp as "13 weeks of hell," when Marine boot camp was only 8 weeks during the timeframe of the movie.
- Citations
Mrs. Kovic: [sobbing] Don't say penis in this house!
Ron Kovic: Penis!
Mrs. Kovic: Stop!
Ron Kovic: Penis! Big fucking erect penis, Mom!
Mrs. Kovic: Stop!
Ron Kovic: Penis! Penis!
- Crédits fousCast credits are sorted by location.
- Bandes originalesYou're a Grand Old Flag
Written by George M. Cohan
Performed by the Pride of the 48
Courtesy of Alshire International, Inc.
Published by George M. Cohan Music Publishing Co.
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Né un quatre juillet
- Lieux de tournage
- Philippines(Vietnam, Mexico)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 14 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 70 001 698 $US
- Week-end de sortie aux États-Unis et au Canada
- 172 021 $US
- 25 déc. 1989
- Montant brut mondial
- 161 001 698 $US