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Black Rain

  • 1989
  • Tous publics
  • 2h 5min
NOTE IMDb
6,6/10
63 k
MA NOTE
Michael Douglas in Black Rain (1989)
ActionCriminalitéDrameThriller

Deux policiers de New York arrêtent un membre des Yakuzas et doivent l'escorter lorsqu'il est extradé vers le Japon.Deux policiers de New York arrêtent un membre des Yakuzas et doivent l'escorter lorsqu'il est extradé vers le Japon.Deux policiers de New York arrêtent un membre des Yakuzas et doivent l'escorter lorsqu'il est extradé vers le Japon.

  • Réalisation
    • Ridley Scott
  • Scénario
    • Craig Bolotin
    • Warren Lewis
  • Casting principal
    • Michael Douglas
    • Andy Garcia
    • Ken Takakura
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,6/10
    63 k
    MA NOTE
    • Réalisation
      • Ridley Scott
    • Scénario
      • Craig Bolotin
      • Warren Lewis
    • Casting principal
      • Michael Douglas
      • Andy Garcia
      • Ken Takakura
    • 172avis d'utilisateurs
    • 88avis des critiques
    • 56Métascore
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Nommé pour 2 Oscars
      • 1 victoire et 6 nominations au total

    Photos162

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    + 155
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    Rôles principaux58

    Modifier
    Michael Douglas
    Michael Douglas
    • Nick Conklin
    Andy Garcia
    Andy Garcia
    • Charlie Vincent
    Ken Takakura
    Ken Takakura
    • Masahiro
    Kate Capshaw
    Kate Capshaw
    • Joyce
    Yûsaku Matsuda
    Yûsaku Matsuda
    • Sato
    Shigeru Kôyama
    • Ohashi
    • (as Shigeru Koyama)
    John Spencer
    John Spencer
    • Oliver
    Guts Ishimatsu
    • Katayama
    Yûya Uchida
    Yûya Uchida
    • Nashida
    Tomisaburô Wakayama
    Tomisaburô Wakayama
    • Sugai
    Miyuki Ono
    • Miyuki
    Luis Guzmán
    Luis Guzmán
    • Frankie
    • (as Luis Guzman)
    John Costelloe
    John Costelloe
    • The Kid
    • (as John A. Costelloe)
    Stephen Root
    Stephen Root
    • Berg
    Richard Riehle
    Richard Riehle
    • Crown
    Bruce Katzman
    Bruce Katzman
    • Yudell
    Edmund Ikeda
    • Japanese Businessman
    Tomo Nagasue
    • Japanese Translator
    • Réalisation
      • Ridley Scott
    • Scénario
      • Craig Bolotin
      • Warren Lewis
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs172

    6,662.6K
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    Avis à la une

    7goya-4

    Douglas and Garcia go to Tokyo to take on mob

    Douglas, as a tough american detective and his partner played superbly by Andy Garcia chase down a murder suspect on his home turf- Tokyo An excellent movie that explores the culture shock felt by Douglas on his chase and the bureaucracy that tries to stop him..this violent tension filled film is not for the young ones but provides loads of action from the director of Blade Runner.. on a scale of one to ten... a 7
    10Joyyrider

    One of the Top Cop thrillers of the last century, supremely underrated.

    Micheal Douglas has always been, at least for me, one of the better actors to portray a cop on screen. Very believable, very real, he just has a natural feel for this type of role. I think its due to the fact he starred as one on TV in "The Streets of San Francisco". Everything blends in this cop thriller. It oozes style and panache. It also has an underlying emotional core that I think gets underrated by critics. Douglas as Nick Conklin has some fine moments playing off the characters played by Andy Garcia, Kate Capshaw and especially Ken Takakura. This movie combines excellent acting, gorgeous cinematography, great atmosphere, along with some solid action set pieces...and gets it right. Director Ridley Scott brings all his cinematic guns to bear and spins these elements into a definitive police action thriller. I loved this flick when I saw it in 1989 and I still do. It may not be as audacious as when it premiered, time has seen to that(ex.action scenes have really gone virtual reality)but it's still a respectable addition to your DVD library. And of that fact there is no gray area!
    9Sleepin_Dragon

    It holds up as a classic.

    Two American Detectives arrest a member of The Yakuza, and arrange to transport him back to Tokyo. When they arrive in Tokyo, they are outsmarted, and the criminal is sprung, they stay in Japan to bring him to justice.

    When you read exactly what is in the mix, Ridley Scott, Michael Douglas, Andy Garcia, Oscar nominations, even the great Hans Zimmer providing the music, you'd think you were in for a classic, and I'd argue that's exactly what Black Rain is.

    Ridley Scott is known for delivering hard hitting, bleak epics, and Black Rain is no exception, don't expect many lighter moments, they are few and far between, do expect action, grit, pace and a great story.

    The clash of cultures makes it a very interesting watch, we have the brash, gung ho Americans up against the cultured and methodical Japanese.

    The cast do a first rate job, I may be somewhat biased, but I'm a huge fan of Michael Douglas, and he's terrific here.

    Lots of 1980's glamour, Kate Capshaw looks incredible in almost every scene, Garcia cuts a pretty dashing figure also.

    It's a film that has aged pretty well.

    9/10.
    8hitchcockthelegend

    If you pull it-you better use it.

    Black Rain is directed by Ridley Scott and written by Craig Bolotin and Warren Lewis. It stars Michael Douglas, Andy Garcia, Ken Takakura, Kate Capshaw, Yusaku Matsuda and Tomisaburo Wakayama. Music is by Hans Zimmer and cinematography by Jan de Bont.

    After New York cops Nick Conklin (Douglas) and Charlie Vincent (Garcia) arrest a sword wielding psychopath named Sato Koji (Matsuda), they are tasked with escorting him back to Osaka in Japan. From here they are plunged into a war that is brewing in the Japanese underworld.

    You see there's a war going on here and they don't take no prisoners.

    Welcome to Blade Runner's younger brother, Black Rain, a Ridley Scott film I feel has never received the credit it deserves. Viewing from the outside it looked like one of those 1980s cop movies, one where the main cop is washed up and perched on the edge of oblivion, his partner his sanity and voice of reason. However, Scott (brought in late to direct when Paul Verhoeven bailed) wasn't interested in the normalities of the cop drama, he saw the potential for cross continent culture clash and the chance to bring his visual skills to the fore.

    Yep, it's the big neon glitter of Osaka and the grime and dime of New York that is the big draw here, but characterisations are still rich for the drama, with Scott taking plenty of time to set up the lead protagonist. We know Conklin's troubles, we know how tight his friendship is with Charlie, and by the time things go grim and dour in Osaka we understand just why Conklin plunges head first into a do or die situation.

    Visually Scott infuses the picture with cramped locales, steamy streets, industrial wastelands and blood red suns, while his lead character is an unshaven trench coat wearer who still manages to look devilishly cool. It's perhaps the drawing of Osaka that is the most impressive, for it's an alien creation to us as much as it obviously is to Conklin, the ignorance gap between America and Japan still wide apart in 1989.

    Complaints? At just over two hours in running time the film does have periods of flatness, where some better editing wouldn't have gone amiss; though Scott's original cut was considerably longer, begging the question on if more could have been done to enhance the seething culture clash between cops Conklin and Matsumoto (Takakura)?

    Another problem is that Capshaw's character is under written, a crime when it's the sole female part of note in a two hour movie. Did more of the character hit the cutting room floor? Likely, because now it's a token eye candy offering, which is a shame since what little we do get hints at a savvy performance from Capshaw.

    Ridley Scott lifts Black Rain from merely being a fish out of water thriller to something more layered. True to say there is more style than substance (what style though), but there is still very much interesting juxtapositioning of countries and human interactions of credible worth as well. 8/10
    8kosmasp

    Pouring

    Americans - quite arrogant are they not? Well not all of course, but Michael Douglas or rather the character he's portraying is quite the prime example of an arrogant specimen. Some may argue that he has the qualities to be like that, but showing off some respect wouldn't hurt him or his colleagues.

    Having said that, the culture clash is quite apparent. But also how both sides come together. The movie may be a bit too long for some, but saying Ridley Scott is not technically sound or doesn't know what he's doing, would be a mistake. And having a cast that delivers like that is quite something. Andy Garcia having the time of his life, playing the "sane" one. The karaoke sequence is quite mesmerizing ... which is important for other inevitable character building stuff.

    Tension is holding from start to finish too. Which isn't an easy feet ... and the end sequence is quite nicely made. Predictable, but very well done indeed

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Yûsaku Matsuda's last film role. Matsuda knew he had bladder cancer and that his condition would be aggravated by acting in the movie. He elected to do so anyway, unbeknownst to director Sir Ridley Scott, reportedly saying, "This way, I will live forever." On November 6, 1989, less than seven weeks after the film's American premiere, Matsudo died of his bladder cancer at the age of 40. The film is dedicated to his memory.
    • Gaffes
      When Sato has Charlie cornered in the parking garage, and is about to behead him, he looks back at Conklin, and draws a weapon. That looks to be a Wakizashi (a Japanese side-sword to accompany the much larger Katana). As he rides off to behead Charlie, he is scraping along the ground a much larger sword.
    • Citations

      Nick Conklin: Just hope they got a Nip in this building who speaks fucking English.

      Matsumoto Masahiro: [overhearing] Assistant Inspector Matsumoto Masahiro, Criminal Investigation section, Osaka Prefecture police. And I do speak fucking English.

    • Crédits fous
      The end credits begin with a Japanese kanji, which can be translated as "complete" or "end" and is sometimes used at the end of Japanese films.
    • Connexions
      Edited into Wild Palms, une vie sans histoire: The Floating World (1993)
    • Bandes originales
      I'll Be Holding On
      By Hans Zimmer and Will Jennings

      Performed by Gregg Allman

      Produced by David Paich

      Gregg Allman performs courtesy of EPIC Records

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    FAQ22

    • How long is Black Rain?Alimenté par Alexa
    • Why did Sugai order Sato to cut off part of his little finger?
    • What is Sugai talking about when he talks about the "black rain"?

    Détails

    Modifier
    • Date de sortie
      • 6 décembre 1989 (France)
    • Pays d’origine
      • États-Unis
      • Japon
    • Langues
      • Anglais
      • Japonais
    • Aussi connu sous le nom de
      • Lluvia negra
    • Lieux de tournage
      • Osaka, Japon
    • Sociétés de production
      • Paramount Pictures
      • Jaffe-Lansing
      • Pegasus Film Partners
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 30 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 46 212 055 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 9 677 102 $US
      • 24 sept. 1989
    • Montant brut mondial
      • 134 212 055 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 5min(125 min)
    • Couleur
      • Color
    • Rapport de forme
      • 2.39 : 1

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