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Black Rain

  • 1989
  • Tous publics
  • 2h 5min
NOTE IMDb
6,6/10
62 k
MA NOTE
Michael Douglas in Black Rain (1989)
ActionCrimeDramaThriller

Deux policiers de New York arrêtent un membre des Yakuzas et doivent l'escorter lorsqu'il est extradé vers le Japon.Deux policiers de New York arrêtent un membre des Yakuzas et doivent l'escorter lorsqu'il est extradé vers le Japon.Deux policiers de New York arrêtent un membre des Yakuzas et doivent l'escorter lorsqu'il est extradé vers le Japon.

  • Réalisation
    • Ridley Scott
  • Scénario
    • Craig Bolotin
    • Warren Lewis
  • Casting principal
    • Michael Douglas
    • Andy Garcia
    • Ken Takakura
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,6/10
    62 k
    MA NOTE
    • Réalisation
      • Ridley Scott
    • Scénario
      • Craig Bolotin
      • Warren Lewis
    • Casting principal
      • Michael Douglas
      • Andy Garcia
      • Ken Takakura
    • 172avis d'utilisateurs
    • 88avis des critiques
    • 56Métascore
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Nommé pour 2 Oscars
      • 1 victoire et 6 nominations au total

    Photos162

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    + 155
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    Rôles principaux58

    Modifier
    Michael Douglas
    Michael Douglas
    • Nick Conklin
    Andy Garcia
    Andy Garcia
    • Charlie Vincent
    Ken Takakura
    Ken Takakura
    • Masahiro
    Kate Capshaw
    Kate Capshaw
    • Joyce
    Yûsaku Matsuda
    Yûsaku Matsuda
    • Sato
    Shigeru Kôyama
    • Ohashi
    • (as Shigeru Koyama)
    John Spencer
    John Spencer
    • Oliver
    Guts Ishimatsu
    • Katayama
    Yûya Uchida
    Yûya Uchida
    • Nashida
    Tomisaburô Wakayama
    Tomisaburô Wakayama
    • Sugai
    Miyuki Ono
    • Miyuki
    Luis Guzmán
    Luis Guzmán
    • Frankie
    • (as Luis Guzman)
    John Costelloe
    John Costelloe
    • The Kid
    • (as John A. Costelloe)
    Stephen Root
    Stephen Root
    • Berg
    Richard Riehle
    Richard Riehle
    • Crown
    Bruce Katzman
    Bruce Katzman
    • Yudell
    Edmund Ikeda
    • Japanese Businessman
    Tomo Nagasue
    • Japanese Translator
    • Réalisation
      • Ridley Scott
    • Scénario
      • Craig Bolotin
      • Warren Lewis
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs172

    6,662.3K
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    Avis à la une

    7CuriosityKilledShawn

    Ultra-moody cop fiction.

    I saw this film on crappy pan and scan VHS when I was about 12 and I didn't really understand it and I wasn't really up on Ridley Scott's work. As a result, the impact of the film was somewhat lost on me. I was expecting an action film instead of a character drama with lots of police procedure. But now, older and wiser and with a brand new Blu Ray of the movie, I am finally able to appreciate how clever the film is.

    The story unfortunately IS riddled with 80s Cop Movie clichés and goes through quite a lot of familiar motions. But if you see past that you'll appreciate the immense atmosphere and mood that Ridley Scott piles on. Simply put, Michael Douglas is Nick Conklin, a bad cop (pretty much the exact same character in Basic Instinct) who drag races on his superbike to pay alimony and pinches drug money instead of turning it in for evidence. Enjoying lunch with partner Charlie (Andy Garcia) in a steakhouse in New York's meat-packing district, they just happen to witness a Yakuza execution by wanted Japanese criminal Sato (Yusaku Matsuda, who was dying of cancer during filming and didn't tell anyone). After a quick punch-up and shoot-out they find themselves chaperoning Sato back to Osaka. But when they arrive there he manages to escape, leaving them embarrassed with lots of questions to answer.

    Nick and Charlie find themselves in a very foreign and intolerant world and recapturing Sato proves to be difficult in many ways. Not the least of which is Japan's alienating culture (from an NYPD point of view) and rigid rules. Nonetheless, Nick is determined to catch Sato and restore his honor.

    Like I said, the atmosphere of the film is overwhelming, which is really all the film needs. The clichés and stereotypes don't matter so much when you are involved this much. Hans Zimmer (his first film with Ridley Scott) provides a deeply emotional and very melodic score that'll be rattling around in your head for days. It's a shame it's never had a comprehensive CD release, as it's one of Zimmer's most impressive efforts.

    You could call it a pretty 80s movies, but I still do feel that it holds up pretty well today. As one of Ridley Scott's more forgotten works, it's well worth checking out.
    7goya-4

    Douglas and Garcia go to Tokyo to take on mob

    Douglas, as a tough american detective and his partner played superbly by Andy Garcia chase down a murder suspect on his home turf- Tokyo An excellent movie that explores the culture shock felt by Douglas on his chase and the bureaucracy that tries to stop him..this violent tension filled film is not for the young ones but provides loads of action from the director of Blade Runner.. on a scale of one to ten... a 7
    10Joyyrider

    One of the Top Cop thrillers of the last century, supremely underrated.

    Micheal Douglas has always been, at least for me, one of the better actors to portray a cop on screen. Very believable, very real, he just has a natural feel for this type of role. I think its due to the fact he starred as one on TV in "The Streets of San Francisco". Everything blends in this cop thriller. It oozes style and panache. It also has an underlying emotional core that I think gets underrated by critics. Douglas as Nick Conklin has some fine moments playing off the characters played by Andy Garcia, Kate Capshaw and especially Ken Takakura. This movie combines excellent acting, gorgeous cinematography, great atmosphere, along with some solid action set pieces...and gets it right. Director Ridley Scott brings all his cinematic guns to bear and spins these elements into a definitive police action thriller. I loved this flick when I saw it in 1989 and I still do. It may not be as audacious as when it premiered, time has seen to that(ex.action scenes have really gone virtual reality)but it's still a respectable addition to your DVD library. And of that fact there is no gray area!
    8kosmasp

    Pouring

    Americans - quite arrogant are they not? Well not all of course, but Michael Douglas or rather the character he's portraying is quite the prime example of an arrogant specimen. Some may argue that he has the qualities to be like that, but showing off some respect wouldn't hurt him or his colleagues.

    Having said that, the culture clash is quite apparent. But also how both sides come together. The movie may be a bit too long for some, but saying Ridley Scott is not technically sound or doesn't know what he's doing, would be a mistake. And having a cast that delivers like that is quite something. Andy Garcia having the time of his life, playing the "sane" one. The karaoke sequence is quite mesmerizing ... which is important for other inevitable character building stuff.

    Tension is holding from start to finish too. Which isn't an easy feet ... and the end sequence is quite nicely made. Predictable, but very well done indeed
    ChrisC.

    Good, but not that good.

    Black Rain is an absolutely gorgeous movie to look at. And for the most part it's highly entertaining and well acted - the guy playing Sato is brilliantly menacing. But occasionally, very occasionally, it descends into either complete predictability or downright cheesiness. A motorbike chase, well, that's a surprise! And that award ceremony right near the end - why? It's totally irrelevant, feel good factor nonsense - the sort of stuff you get with bog standard action movies. And this is not bog standard, and not really an action movie. Certainly underrated and deserving of a better audience than it has received, but ultimately let down by a few lapses in quality.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Yûsaku Matsuda's last film role. Matsuda knew he had bladder cancer and that his condition would be aggravated by acting in the movie. He elected to do so anyway, unbeknownst to director Sir Ridley Scott, reportedly saying, "This way, I will live forever." On November 6, 1989, less than seven weeks after the film's American premiere, Matsudo died of his bladder cancer at the age of 40. The film is dedicated to his memory.
    • Gaffes
      When Sato has Charlie cornered in the parking garage, and is about to behead him, he looks back at Conklin, and draws a weapon. That looks to be a Wakizashi (a Japanese side-sword to accompany the much larger Katana). As he rides off to behead Charlie, he is scraping along the ground a much larger sword.
    • Citations

      Nick Conklin: Just hope they got a Nip in this building who speaks fucking English.

      Matsumoto Masahiro: [overhearing] Assistant Inspector Matsumoto Masahiro, Criminal Investigation section, Osaka Prefecture police. And I do speak fucking English.

    • Crédits fous
      The end credits begin with a Japanese kanji, which can be translated as "complete" or "end" and is sometimes used at the end of Japanese films.
    • Connexions
      Edited into Sur la terre des dinosaures (1999)
    • Bandes originales
      I'll Be Holding On
      By Hans Zimmer and Will Jennings

      Performed by Gregg Allman

      Produced by David Paich

      Gregg Allman performs courtesy of EPIC Records

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    FAQ22

    • How long is Black Rain?Alimenté par Alexa
    • Why did Sugai order Sato to cut off part of his little finger?
    • What is Sugai talking about when he talks about the "black rain"?

    Détails

    Modifier
    • Date de sortie
      • 6 décembre 1989 (France)
    • Pays d’origine
      • États-Unis
      • Japon
    • Langues
      • Anglais
      • Japonais
    • Aussi connu sous le nom de
      • Lluvia negra
    • Lieux de tournage
      • Silverado Country Club - 1600 Atlas Peak Road, Napa, Napa Valley, Californie, États-Unis(Motorcycle Chase)
    • Sociétés de production
      • Paramount Pictures
      • Jaffe-Lansing
      • Pegasus Film Partners
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 30 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 46 212 055 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 9 677 102 $US
      • 24 sept. 1989
    • Montant brut mondial
      • 134 212 055 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 5 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 2.39 : 1

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