Black Rain
- 1989
- Tous publics
- 2h 5min
NOTE IMDb
6,6/10
62 k
MA NOTE
Deux policiers de New York arrêtent un membre des Yakuzas et doivent l'escorter lorsqu'il est extradé vers le Japon.Deux policiers de New York arrêtent un membre des Yakuzas et doivent l'escorter lorsqu'il est extradé vers le Japon.Deux policiers de New York arrêtent un membre des Yakuzas et doivent l'escorter lorsqu'il est extradé vers le Japon.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 2 Oscars
- 1 victoire et 6 nominations au total
Shigeru Kôyama
- Ohashi
- (as Shigeru Koyama)
Luis Guzmán
- Frankie
- (as Luis Guzman)
John Costelloe
- The Kid
- (as John A. Costelloe)
Avis à la une
I saw this film on crappy pan and scan VHS when I was about 12 and I didn't really understand it and I wasn't really up on Ridley Scott's work. As a result, the impact of the film was somewhat lost on me. I was expecting an action film instead of a character drama with lots of police procedure. But now, older and wiser and with a brand new Blu Ray of the movie, I am finally able to appreciate how clever the film is.
The story unfortunately IS riddled with 80s Cop Movie clichés and goes through quite a lot of familiar motions. But if you see past that you'll appreciate the immense atmosphere and mood that Ridley Scott piles on. Simply put, Michael Douglas is Nick Conklin, a bad cop (pretty much the exact same character in Basic Instinct) who drag races on his superbike to pay alimony and pinches drug money instead of turning it in for evidence. Enjoying lunch with partner Charlie (Andy Garcia) in a steakhouse in New York's meat-packing district, they just happen to witness a Yakuza execution by wanted Japanese criminal Sato (Yusaku Matsuda, who was dying of cancer during filming and didn't tell anyone). After a quick punch-up and shoot-out they find themselves chaperoning Sato back to Osaka. But when they arrive there he manages to escape, leaving them embarrassed with lots of questions to answer.
Nick and Charlie find themselves in a very foreign and intolerant world and recapturing Sato proves to be difficult in many ways. Not the least of which is Japan's alienating culture (from an NYPD point of view) and rigid rules. Nonetheless, Nick is determined to catch Sato and restore his honor.
Like I said, the atmosphere of the film is overwhelming, which is really all the film needs. The clichés and stereotypes don't matter so much when you are involved this much. Hans Zimmer (his first film with Ridley Scott) provides a deeply emotional and very melodic score that'll be rattling around in your head for days. It's a shame it's never had a comprehensive CD release, as it's one of Zimmer's most impressive efforts.
You could call it a pretty 80s movies, but I still do feel that it holds up pretty well today. As one of Ridley Scott's more forgotten works, it's well worth checking out.
The story unfortunately IS riddled with 80s Cop Movie clichés and goes through quite a lot of familiar motions. But if you see past that you'll appreciate the immense atmosphere and mood that Ridley Scott piles on. Simply put, Michael Douglas is Nick Conklin, a bad cop (pretty much the exact same character in Basic Instinct) who drag races on his superbike to pay alimony and pinches drug money instead of turning it in for evidence. Enjoying lunch with partner Charlie (Andy Garcia) in a steakhouse in New York's meat-packing district, they just happen to witness a Yakuza execution by wanted Japanese criminal Sato (Yusaku Matsuda, who was dying of cancer during filming and didn't tell anyone). After a quick punch-up and shoot-out they find themselves chaperoning Sato back to Osaka. But when they arrive there he manages to escape, leaving them embarrassed with lots of questions to answer.
Nick and Charlie find themselves in a very foreign and intolerant world and recapturing Sato proves to be difficult in many ways. Not the least of which is Japan's alienating culture (from an NYPD point of view) and rigid rules. Nonetheless, Nick is determined to catch Sato and restore his honor.
Like I said, the atmosphere of the film is overwhelming, which is really all the film needs. The clichés and stereotypes don't matter so much when you are involved this much. Hans Zimmer (his first film with Ridley Scott) provides a deeply emotional and very melodic score that'll be rattling around in your head for days. It's a shame it's never had a comprehensive CD release, as it's one of Zimmer's most impressive efforts.
You could call it a pretty 80s movies, but I still do feel that it holds up pretty well today. As one of Ridley Scott's more forgotten works, it's well worth checking out.
Douglas, as a tough american detective and his partner played superbly by Andy Garcia chase down a murder suspect on his home turf- Tokyo An excellent movie that explores the culture shock felt by Douglas on his chase and the bureaucracy that tries to stop him..this violent tension filled film is not for the young ones but provides loads of action from the director of Blade Runner.. on a scale of one to ten... a 7
Micheal Douglas has always been, at least for me, one of the better actors to portray a cop on screen. Very believable, very real, he just has a natural feel for this type of role. I think its due to the fact he starred as one on TV in "The Streets of San Francisco". Everything blends in this cop thriller. It oozes style and panache. It also has an underlying emotional core that I think gets underrated by critics. Douglas as Nick Conklin has some fine moments playing off the characters played by Andy Garcia, Kate Capshaw and especially Ken Takakura. This movie combines excellent acting, gorgeous cinematography, great atmosphere, along with some solid action set pieces...and gets it right. Director Ridley Scott brings all his cinematic guns to bear and spins these elements into a definitive police action thriller. I loved this flick when I saw it in 1989 and I still do. It may not be as audacious as when it premiered, time has seen to that(ex.action scenes have really gone virtual reality)but it's still a respectable addition to your DVD library. And of that fact there is no gray area!
Americans - quite arrogant are they not? Well not all of course, but Michael Douglas or rather the character he's portraying is quite the prime example of an arrogant specimen. Some may argue that he has the qualities to be like that, but showing off some respect wouldn't hurt him or his colleagues.
Having said that, the culture clash is quite apparent. But also how both sides come together. The movie may be a bit too long for some, but saying Ridley Scott is not technically sound or doesn't know what he's doing, would be a mistake. And having a cast that delivers like that is quite something. Andy Garcia having the time of his life, playing the "sane" one. The karaoke sequence is quite mesmerizing ... which is important for other inevitable character building stuff.
Tension is holding from start to finish too. Which isn't an easy feet ... and the end sequence is quite nicely made. Predictable, but very well done indeed
Having said that, the culture clash is quite apparent. But also how both sides come together. The movie may be a bit too long for some, but saying Ridley Scott is not technically sound or doesn't know what he's doing, would be a mistake. And having a cast that delivers like that is quite something. Andy Garcia having the time of his life, playing the "sane" one. The karaoke sequence is quite mesmerizing ... which is important for other inevitable character building stuff.
Tension is holding from start to finish too. Which isn't an easy feet ... and the end sequence is quite nicely made. Predictable, but very well done indeed
Black Rain is an absolutely gorgeous movie to look at. And for the most part it's highly entertaining and well acted - the guy playing Sato is brilliantly menacing. But occasionally, very occasionally, it descends into either complete predictability or downright cheesiness. A motorbike chase, well, that's a surprise! And that award ceremony right near the end - why? It's totally irrelevant, feel good factor nonsense - the sort of stuff you get with bog standard action movies. And this is not bog standard, and not really an action movie. Certainly underrated and deserving of a better audience than it has received, but ultimately let down by a few lapses in quality.
Le saviez-vous
- AnecdotesYûsaku Matsuda's last film role. Matsuda knew he had bladder cancer and that his condition would be aggravated by acting in the movie. He elected to do so anyway, unbeknownst to director Sir Ridley Scott, reportedly saying, "This way, I will live forever." On November 6, 1989, less than seven weeks after the film's American premiere, Matsudo died of his bladder cancer at the age of 40. The film is dedicated to his memory.
- GaffesWhen Sato has Charlie cornered in the parking garage, and is about to behead him, he looks back at Conklin, and draws a weapon. That looks to be a Wakizashi (a Japanese side-sword to accompany the much larger Katana). As he rides off to behead Charlie, he is scraping along the ground a much larger sword.
- Citations
Nick Conklin: Just hope they got a Nip in this building who speaks fucking English.
Matsumoto Masahiro: [overhearing] Assistant Inspector Matsumoto Masahiro, Criminal Investigation section, Osaka Prefecture police. And I do speak fucking English.
- Crédits fousThe end credits begin with a Japanese kanji, which can be translated as "complete" or "end" and is sometimes used at the end of Japanese films.
- ConnexionsEdited into Sur la terre des dinosaures (1999)
- Bandes originalesI'll Be Holding On
By Hans Zimmer and Will Jennings
Performed by Gregg Allman
Produced by David Paich
Gregg Allman performs courtesy of EPIC Records
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 46 212 055 $US
- Week-end de sortie aux États-Unis et au Canada
- 9 677 102 $US
- 24 sept. 1989
- Montant brut mondial
- 134 212 055 $US
- Durée2 heures 5 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant