Ajouter une intrigue dans votre langueAn actress starts seeing visions of a witch character called Levana, which she's supposed to play in an upcoming horror movie, and slowly begins to discover a supernatural plot against her l... Tout lireAn actress starts seeing visions of a witch character called Levana, which she's supposed to play in an upcoming horror movie, and slowly begins to discover a supernatural plot against her life.An actress starts seeing visions of a witch character called Levana, which she's supposed to play in an upcoming horror movie, and slowly begins to discover a supernatural plot against her life.
- Réalisation
- Scénario
- Casting principal
- Dan Grudzinski
- (non crédité)
- Carl - film director
- (non crédité)
Avis à la une
Anne's next role is to be that of witch Levana, inspired by the ancient occult tome Suspiria de Profundis, the same work that provided the basis for Dario Argento's Three Mothers trilogy. As Anne prepares for the part (to be directed by her husband Marc, played by Urbano Barberini), she is menaced by the ugly old hag, who isn't too happy to be the subject of a horror movie.
The bulk of the film consists of random supernatural events, all lit using coloured filters borrowed from Cozzi's pal Argento: Levana emerges from a mirror to spew green slime over Anne's face, makes the Ravenna's fridge malfunction (how evil!), causes intestines to spill from their TV (she really has it in for home appliances), grabs Anne through a wall, conjures up an otherworldly repairman to fix the fridge (no, really), and in the film's goriest moment, sends a woman's guts flying through the air (an effect borrowed from Cozzi's own Alien rip-off Contamination). Meanwhile, Anne's friend Nora - Caroline Munro, still looking good at 40 - is having an affair with Marc, which adds nothing to the plot (not that there is much of a plot anyway).
It's all incredibly dumb and makes no sense whatsoever, with pointless shots of planets and stars, and a foetus only adding to the confusion, while the bizarre use of sudden bursts of rock music at inopportune moments only adds to the silliness (Bang Tango's Someone Like You is used at least four times, Cozzi getting his money's worth).
2.5/10, generously rounded up to 3 for the erupting stomach (an oldie but a goodie). It says a lot that The Black Cat is even worse than Argento's own, seriously sub-par Mother of Tears.
The movie starts out with a director planning to make a film about a witch called "Levana". His basis for the movie is based off of Dario Argento's "Susperia". The director decides that he is going to cast his wife as the lead in the movie. Well, apparently there is a real witch named Levana and she is not to happy with this whole project and decides to make the directors wife a living hell.
The main problems with this movie are continuity and pace. I will admit that this is a very atmosphere flick but the whole movie still falls flat on its face. There are so many moments in this flick where I had to say out loud "What the hell is going on?". For instance, many scenes just tend to wander off in to space. Literally, the camera has shots out in space and on the moon. This has nothing to do with what's going on in the movie and if it does, someone correct me because I haven't figured it out.
The pace of the film would seem to at points move farely well but for the most part the scenes just start to drag and you could care less with what's happening. The beginning of the movie is a prime example. The characters are introduced and the story starts to develop but then things just start to fall to pieces right before your very eyes.
The acting in the movie is rather humorous at moments. A certain scene when the director and his assistant meet the man who wants to produce the movie is rather hysterical. And almost all of the scenes with Lavana in them are laugh out loud funny.
I think the main thing that saves this movie is a decent original score (I'm not talking about the bad hair metal in the background) and a few moments of gore. It seems that the director of the movie (Luigi Cozzi) still loves to have people having their organs blown to pieces. For those of you who don't know what I'm talking about, watch Contamination.
All in all, could have been a much better film. 4/10 stars
Le saviez-vous
- AnecdotesWas originally proposed as an unofficial finale to Dario Argento's then-incomplete 'Three Mothers' trilogy. Originally a script draft was written by Dario Argento's ex-wife Daria Nicolodi, but producer Dino De Laurentiis (who she gave the script to) wasn't interested, and Argento (who originally was supposed to direct) moved away from the project and focused on his next movie 'Tenebrae'. A few years later, Nicolodi gave the script to her friend Luigi Cozzi, wanting him to turn it into a movie. Cozzi decided to do it but didn't want to make a straight sequel to Argento's 'Suspiria' and 'Inferno', so he re-wrote the script into something that is more of a tribute to the two Argento movies. Nicolodi (who originally was supposed to star in it) realized that Cozzi's version was not what she had in mind, and so she left the project.
- Citations
Dan Grudzinski: [translating "Mater Lacrimosa"] It's Latin: "Mother of Tears.
Anne Ravenna: That title rings a bell. Didn't someone already make this movie?
Dan Grudzinski: As a matter of fact, yes! It was a big hit when it came out, reviews, box office, everything!
Marc Ravenna: Dario Argento directed it, "Suspiria," and I must admit, it was very, very good.
Anne Ravenna: So why make it again?
- ConnexionsFeatured in FantastiCozzi (2016)
- Bandes originalesSomeone like you
Written by Leste, Ketler, Kyle & Stevens
Played by Bang Tango
Published by Bang Tango Music 1989
[plays over end credits]
Meilleurs choix
- How long is The Black Cat?Alimenté par Alexa