Evil Train

Amok Train ( a far better title) tells the tale of a group of American students on a study trip in Serbia who are first terrorized by an evil village, and then by a runaway train they they attempt to escape on. It's all because one of the students is a "chosen one" of a group of devil worshippers.

The film has so much going on, it's never boring, even if some of the story and acting are a bit hokey, there are always plenty of things to look at and some outrageous gore is showcased, including a face being pulled off, decapitations, impalements galore, and quite a shocking dismemberment of one poor guy caught between moving carriages.

Actually some of the most frightening scenes of the movie are those depicting the actors being filmed on the moving train. We see them running alongside and jumping aboard, clambering over the top of it, hanging off the sides and dangling between the couplings - all while the train is clearly moving at some speed. I don't know how they filmed all of this, it looks completely hair-raising. If these are faked via special effects, then I take my hat off in admiration.

There are some rather shonky miniature models that spoil some of the tension, but the movie is otherwise beautifully photographed, and the music is great too. It's bursting with energy and great visuals, reminiscent of Lamberto Bava's "Demons" , and the more obscure "Spider Labyrinth", so if you have seen and enjoyed either of those, and can suspend your criticisms, you'll have fun with this.

Sometimes you stumble over those kind of movies where the main and haunting question is - what the heck did the writer(s) smoke!? Beyond the Door III aka Amok Train aka Death Train is such a movie. What we get is some ancient satanic ritual in a rural community of Yugoslavia mixed with a good part of what is some kind of early and low budget Unstoppable (Denzel Washington, Chris Pine, 2010) - in one scene the runaway (demon-possessed!?) train even drives thru a small lake without any railway tracks just to kill some of the poor Americans! But on the other side we get a fine sniff of gore here and there and some well composed dark and weird mood including some satanic ritual (just too delicious the scene where the old witch screams: she's not a ******!) and some fine visuals (for a B-movie).

My rate would be a straight 5 but for the smoking question I add 1 more - so my overall rate is a well-deserved 6.

Third entry in the series of films that have nothing to do with each other. The original title for this one is Amok Train, though it's better known as Beyond the Door III. It involves a group of college students heading to Yugoslavia. Once there, it is revealed that the virgin of the group, Beverly, is intended to be the bride of the devil.

This is a really bad movie with some truly lousy gore scenes. The deaths themselves are creative enough, but the effects are terrible, several of them using blatantly obvious dummy heads. The characters are also an unlikable bunch who treat Beverly poorly for no good reason. They also never seem to much care when something otherworldly happens. One guy kisses his possessed girlfriend and gets a mouth full of maggots in the process. The girl then proceeds to rip her face off right in front of him, but the guy never mentions it and acts as if it didn't happen. We also get some hilarious scenes of the titular train going off the rails, all done with very bad miniature work.

This one's for those who like to laugh at bad movies. Anyone else should avoid. Funnily enough, it's still the most watchable film in this series of unrelated Euro flicks.

A group of students gets this supposedly great opportunity to witness ancient rituals in Europe, only to learn that they've been targeted for death. They head for the hills, and hop a train that starts barreling through the countryside once the crew has been decimated.

Re-christened "Beyond the Door III" to capitalize on the otherwise unrelated Italian horror films, "Death Train", or "Amok Train", is a generally good time. The viewer WILL have to put up with the expected cheesy acting and goofy plotting, but director Jeff Kwitny does manage to make up for this with a respectable amount of menace & atmosphere. The setting is the most unusual aspect, making this a sort of genre spin on the earlier critical favorite "Runaway Train".

People looking for great European horror nonsense will find a fair bit to enjoy here, as there is some absolutely great gore coupled with some memorable murder set pieces. The film does get off to a rough start, but improves once the assorted expendable victims get on the train; the final half hour is the best part.

The acting may not be quality acting, but most of it is sincere enough. Mary Kohnert ('Star Trek: The Next Generation', "Big Man on Campus") is appealing in the lead, and token name actor Bo Svenson ("Special Delivery", "The Delta Force") does an amusing job of hamming it up a bit as a dubious professor.

Overall, decent entertainment for fans of this kind of thing.

Six out of 10.

Forget about the unrelated title "Beyond the Door III", as its better represented under "Death Train" or "Amok Train". What starts off as an optimistically ominous Italian supernatural occult feature eventually falls into cheesy and senseless absurdness, but even so it manages to stay reasonably diverting. The premise's opening build up is atmospheric, spooky and alienating, but when the staged action hit's the train it becomes ludicrously brainless. Forget about making any sense of it (yep it's strange and baffling), and just go along for the unpredictable, but farcical train ride of 'doom'. Director Jeff Kwitny uses the creepy, louring, out-cast East European environment to great effect, and ups the tatty, macabre gore effects when it counted. He plasters it with cheap shocks, but the outrageously graphic deaths are amusingly inventive and impulsive. There are some memorable ones too. An inane script and wishy-washy story is made up of frantic ideas, and novelties that never really seem to come together, but at least it stays in character by keeping the story moving like a speeding train. Some sequences involving the run-away train (that's ritually controlled by Satanists) are balefully destructive, but other times you get a good laugh when the miniature train model comes into play. Adolfo Bartou's sweepingly agile and large scale cinematography is very well-implemented, and at times looked to good for such a production. Telegraphing nearly everything is the pounding, dread-induced music score of generically leering and terrible cues. The performances are pretty wretched, but Bo Svenson's little screen time makes an impression.