Les aventures du baron de Munchausen
Titre original : The Adventures of Baron Munchausen
- 1988
- Tous publics
- 2h 6min
Un récit des voyages du Baron Munchausen et de ses expériences fantastiques avec son groupe de marginaux.Un récit des voyages du Baron Munchausen et de ses expériences fantastiques avec son groupe de marginaux.Un récit des voyages du Baron Munchausen et de ses expériences fantastiques avec son groupe de marginaux.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 4 Oscars
- 11 victoires et 15 nominations au total
Robin Williams
- King of the Moon
- (as Ray D. Tutto)
Andrew MacLachlan
- Colonel
- (as Andrew Maclachlan)
Avis à la une
A young Sarah Polly is swept on a grand storybook adventure when her father's theater is visited by the source of its drama; the real Baron himself (perfectly played by John Neville). The town is under siege by the Turks and only Munchausen and his band of curious adventurers can save it, so long as Death or a doctor doesn't catch him.
Terry Gilliam, having hit his stride with the 1984-and-a-half classic Brazil, went on to fulfill his ultimate fantasy film with a great cast of actors (Jonathan Price included), beautifully detailed sets and costumes, and a very strange yarn of a tale indeed. Bit parts are filled out by Robin Williams, the late Oliver Reed (seen most recently as Proximo in Gladiator) serving up a fiery Vulcan - husband to a young (not to mention stunning) Uma Thurman as Venus.
A great deal of the magic that sparkled in Brazil seems to have been rekindled here, and while it may have been panned at the time of its release, time has treated it well. The effects have that pre-cg feeling that makes me warm and fuzzy inside, and while its a little slow to get started, it surprises around every turn.
Fans of Gilliam's work (and those who still possess that curious inner child) will find much to enjoy here - even if it is nothing more than wonderful nonsense.
Terry Gilliam, having hit his stride with the 1984-and-a-half classic Brazil, went on to fulfill his ultimate fantasy film with a great cast of actors (Jonathan Price included), beautifully detailed sets and costumes, and a very strange yarn of a tale indeed. Bit parts are filled out by Robin Williams, the late Oliver Reed (seen most recently as Proximo in Gladiator) serving up a fiery Vulcan - husband to a young (not to mention stunning) Uma Thurman as Venus.
A great deal of the magic that sparkled in Brazil seems to have been rekindled here, and while it may have been panned at the time of its release, time has treated it well. The effects have that pre-cg feeling that makes me warm and fuzzy inside, and while its a little slow to get started, it surprises around every turn.
Fans of Gilliam's work (and those who still possess that curious inner child) will find much to enjoy here - even if it is nothing more than wonderful nonsense.
Yet another wild, whacked out fantasy from Terry Gilliam, the only American born member of the Monty Python comedy troupe.
This is the story of Baron Munchausen (Neville), an old man still being chased by an Arabian king because after winning a bet Munchausen took too much money out of the king's vaults and now the king and his army are apparently attacking a colony because Munchausen's there. With the help of toothy little girl (Sarah Polley before she grew up to do the remake of "Dawn of the Dead") and rounding up his old comrades (among them Eric Idle, the "third tallest member of Monty Python"). All sorts of wild insanity ensues.
This was the last of Gilliam's "trilogy of the imagination", the other two entries in this so called trilogy being "Time Bandits" and "Brazil". If Terry Gilliam has a flaw with his fantasies, it may very well be that he drags out some gags too long, even if its a really good gag. Though I'm not entirely sure I enjoy his work, I must say I admire Gilliam and the recklessness of his projects, because at least he's got the balls to try to do things differently. To this day, he still ranks as being one of the most off the wall, unconventional director chaps out there.
All in all, I think I liked this one better than either "Time Bandits" or "Brazil" (though "Brazil" probably has the most racy commentary of Gilliam's so called trilogy).
Best line: "We're out of virgins." - Jonathan Pryce
This is the story of Baron Munchausen (Neville), an old man still being chased by an Arabian king because after winning a bet Munchausen took too much money out of the king's vaults and now the king and his army are apparently attacking a colony because Munchausen's there. With the help of toothy little girl (Sarah Polley before she grew up to do the remake of "Dawn of the Dead") and rounding up his old comrades (among them Eric Idle, the "third tallest member of Monty Python"). All sorts of wild insanity ensues.
This was the last of Gilliam's "trilogy of the imagination", the other two entries in this so called trilogy being "Time Bandits" and "Brazil". If Terry Gilliam has a flaw with his fantasies, it may very well be that he drags out some gags too long, even if its a really good gag. Though I'm not entirely sure I enjoy his work, I must say I admire Gilliam and the recklessness of his projects, because at least he's got the balls to try to do things differently. To this day, he still ranks as being one of the most off the wall, unconventional director chaps out there.
All in all, I think I liked this one better than either "Time Bandits" or "Brazil" (though "Brazil" probably has the most racy commentary of Gilliam's so called trilogy).
Best line: "We're out of virgins." - Jonathan Pryce
A magical film about the power and importance of story telling and imagination. The creation of the ever fecund mind of Terry Gilliam, this may very well be my favorite movie (ah, but it is so very hard to choose). Filled with a spirit of adventure, and a deftness far too rare these days, it is the delightful tale of the adventurous life of Baron Munchausen. He is a hero of the grand old sort, a kind of 17th century James Bond.
Baron Munchausen has a knowledge of fine wines, is popular with the ladies, and is the finest soldier in the kingdom. He has a band of sidekicks (the fastest man, the strongest, one with amazing sight, another with amazing lungs and hearing) who assist him in fighting the Turks; traveling to meet the King of the Moon; falling into the center of the earth to meet Vulcan and Aphrodite; and playing cards with the Grim reaper, after being swallowed by an enormous monster-fish the size of an island.
Along the way Gilliam's wit skewers rationalism, science, realism, practicality and pragmatics. As much an explication of faith as a depiction of what makes life truly worth living, and what is worth dying for, I rent this again and again. It is only my own foolishness that has prevented me from purchasing a copy. Literally wonderful.
Watch for fabulous cameos from a whole host of unexpected people, including Robin Williams and Sting.
Baron Munchausen has a knowledge of fine wines, is popular with the ladies, and is the finest soldier in the kingdom. He has a band of sidekicks (the fastest man, the strongest, one with amazing sight, another with amazing lungs and hearing) who assist him in fighting the Turks; traveling to meet the King of the Moon; falling into the center of the earth to meet Vulcan and Aphrodite; and playing cards with the Grim reaper, after being swallowed by an enormous monster-fish the size of an island.
Along the way Gilliam's wit skewers rationalism, science, realism, practicality and pragmatics. As much an explication of faith as a depiction of what makes life truly worth living, and what is worth dying for, I rent this again and again. It is only my own foolishness that has prevented me from purchasing a copy. Literally wonderful.
Watch for fabulous cameos from a whole host of unexpected people, including Robin Williams and Sting.
"The Adventures of Baron Munchausen" has Terry Gilliam written all over it. The fantasy, the cleverness, and everything else. To me, the movie is looking at the challenge of distinguishing reality from fantasy, what with the possibility that the baron's stories just might be true. But whether or not they are, the movie is still really something. I personally think that Terry Gilliam has never gotten the credit that he deserves as a director (surely we have to agree that "Fear and Loathing in Las Vegas" was infinitely better than any Jean-Claude Van Damme movie).
Anyway, this is one movie that you're sure to like. Since I first saw it, John Neville has had some neat roles ("The X Files", "Urban Legend", "Sunshine"). Also starring Eric Idle, Sarah Polley, Oliver Reed, Jonathan Pryce, Uma Thurman and an uncredited Robin Williams.
Anyway, this is one movie that you're sure to like. Since I first saw it, John Neville has had some neat roles ("The X Files", "Urban Legend", "Sunshine"). Also starring Eric Idle, Sarah Polley, Oliver Reed, Jonathan Pryce, Uma Thurman and an uncredited Robin Williams.
I've only known one other person who has even heard of this movie(also the only other one who's heard of and liked Mel Brooks' the Twelve Chairs). This is certainly one of the most bizarre and unique movies I've ever seen but the more times I see it, the more I like it. Robin Williams and Eric Idle are great of course, but Neville does a good job too. The story is truly unique, leaving you wondering where fiction ends and reality begins. In fact, it's much like "Adaptation" in that respect, come to think of it. While not on par with Monty Python and the Holy Grail, this is a good piece of work. My advice: let your brain take a vacation for a couple of hours and just absorb it. You'll appreciate it better if you try not to make too much sense of it. If it really confuses you, read the book. Yes, there is a book and there really was a man who called himself Baron Munchausen. The book is called <u>The Adventures of Baron Munchausen</u> and the edition I had explained his whole story. Terry Gilliam did a great job of bringing this man to screen and I highly recommend it if you're tired of the usual Hollywood fluff.
Le saviez-vous
- AnecdotesThis was Uma Thurman's first acting job, although because of the inordinate production delays for this movie, was not her debut. She also belongs to the very short list of actors who were hired on their very first audition.
- GaffesA crew member is visible in the lower right hand corner during the pull back from the underwear balloon just moments before one of the guards says, "We'd better tell someone about this." He is a man wearing a blue satin jacket, which clearly reads "King Kong II (1986)" in red lettering.
- Crédits fousThe King of The Moon - Ray D. Tutto (homonym of Italian re di tutto=king of all). The actor's real name is Robin Williams.
- Versions alternativesRecent prints, including home video reissues, have included a new card during the end. It has been inserted between the end title and "The End" and reads: "This is a new motion picture. This motion picture is not to be confused with the UFA/Transit/Murnau 1942/43 motion picture bearing the title 'The Adventures of Baron Munchausen'." This refers to the German production of Les aventures fantastiques du Baron Munchhausen (1943) that was made during the Nazi era and underwent restoration by the F.W. Murnau Foundation during the 1990s.
- Bandes originalesThe Torturer's Apprentice
Music & Lyrics by Michael Kamen & Eric Idle
Used by the permission of K Man Corporation & Kay-Gee-Bee Music Limited
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- El barón de Munchausen
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 46 630 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 8 083 123 $US
- Week-end de sortie aux États-Unis et au Canada
- 597 400 $US
- 12 mars 1989
- Montant brut mondial
- 8 083 123 $US
- Durée
- 2h 6min(126 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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