Une équipe de plongée civile est chargée de rechercher un sous-marin nucléaire perdu et de faire face au danger en rencontrant une espèce aquatique exotique.Une équipe de plongée civile est chargée de rechercher un sous-marin nucléaire perdu et de faire face au danger en rencontrant une espèce aquatique exotique.Une équipe de plongée civile est chargée de rechercher un sous-marin nucléaire perdu et de faire face au danger en rencontrant une espèce aquatique exotique.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 9 victoires et 16 nominations au total
Captain Kidd Brewer Jr.
- Lew Finler
- (as Capt. Kidd Brewer Jr.)
Dick Warlock
- Dwight Perry
- (as Richard Warlock)
Avis à la une
The Abyss was a movie of destiny. First off, this movie either began or was the result of a lifetime obsession James Cameron has the ocean (see later Titanic and his IMAX deep sea movies). The Abyss is also full of echos of claustrophobic thriller/adventure movie Alien, in which Cameron directed the sequel. So combining one of Cameron's old movies with his new obsession, we get The Abyss, a solid sci-fi thriller starring Ed Harris and Mary Elizabeth Mastrantonio. Ed Harris plays Bud, the head of an undersea oil rig where very little actually happens and the people on the rig are only there in case something goes wrong. Well, wouldn't you know it, but an American nuclear submarine patrolling the US coast near the oil rig suddenly sinks, killing the sailors on board. The Americans suspect it's the Soviets, but we know better. Something pink and glowing does something to the submarine causing it to sink. A team of Navy seals, ferried down to the rig by Bud's ex-wife Lindsey (Mastrantonio), boards the oil rig and uses it as a command base for their mission to recover the submarine. And that is when the fun begins. Of course a hurricane has to enter into the plot, in movies like this, there is always a hurricane, but beyond, The Abyss is a solid sci-fi thriller, where the oil rig becomes a character in the movie. Much like the Nostromo in Alien or The Discovery in 2001, the tight spaces adds flavor to the movie, bringing the setting in as another character of the movie. The special effects were groundbreaking at the time and hold up well today. The scene of a column of water snaking its way through the oil rig still creeps me out to this day.
There was a time, way back in the '80s - before James Cameron suffered head trauma and devoted his life to Avatar - when the man made blockbusters that had a humanity at their core; something instantly relatable despite the sci-fi setting. The Abyss is one of those, with Ed Harris and Mary Elizabeth Mastrantonio reconciling their failed marriage amidst mortal peril. Indeed, they're trapped miles beneath the ocean's surface, negotiating nuclear warheads, attacking subs and a hair-triggered Michael Biehn.
Cameron creates a realistic environment that still feels otherworldly, populates it with real people and ratchets the tension to unnerving heights. The effects are fantastic, ast are the performances and - as scary as this place is - I would easily come back to revisit.
Cameron creates a realistic environment that still feels otherworldly, populates it with real people and ratchets the tension to unnerving heights. The effects are fantastic, ast are the performances and - as scary as this place is - I would easily come back to revisit.
I've never really heard of The Abyss except in Fox DVD commercials. When it came out, I was only 8 and not into sci-fi movies that weren't titled Star Wars. However, now I decided to check it out and was quite pleased with this solid sci-fi movie.
At first, I wasn't quite sure why this was considered sci-fi. It seemed pretty normal with the sinking of a nuclear sub and the hiring of an oil crew to save it. It wasn't for a while till we really got to meet the "extraterrestrial" creatures. The special effects for representing these characters were quite good, and I especially liked the water creature that toured around the rescue vessel. It's also neat to see that effect inspire a similar one used in Terminator 2.
As I said, the story took a little while to gain steam, but it was pretty interesting from then on. The acting was good too, most notably by Ed Harris and Mary Elizabeth Mastrantonio. The other actors didn't do anything really extraordinary but serve as solid supporting characters.
Overall, I wouldn't say The Abyss is the best sci-fi movie out there or that it will dethrone Star Wars anytime soon, but rather it's a solid addition for any sci-fi fan's collection.
My IMDb Rating: 8/10. My Yahoo! Grade: B+ (Memorable)
At first, I wasn't quite sure why this was considered sci-fi. It seemed pretty normal with the sinking of a nuclear sub and the hiring of an oil crew to save it. It wasn't for a while till we really got to meet the "extraterrestrial" creatures. The special effects for representing these characters were quite good, and I especially liked the water creature that toured around the rescue vessel. It's also neat to see that effect inspire a similar one used in Terminator 2.
As I said, the story took a little while to gain steam, but it was pretty interesting from then on. The acting was good too, most notably by Ed Harris and Mary Elizabeth Mastrantonio. The other actors didn't do anything really extraordinary but serve as solid supporting characters.
Overall, I wouldn't say The Abyss is the best sci-fi movie out there or that it will dethrone Star Wars anytime soon, but rather it's a solid addition for any sci-fi fan's collection.
My IMDb Rating: 8/10. My Yahoo! Grade: B+ (Memorable)
The story of The Abyss starts with a mysterious crash of a US nuclear submarine that is armed with the appropriate nuclear weaponry for its time. With reports of it down, we want to get it before the Russians do.
When it rains it pours, literally in this case. A fast moving storm forces the Navy to use the crew and equipment from a nearby underwater deep sea drilling platform and the oil roughnecks are promised some big government checks for their help.
Crew chief Ed Harris gives his reluctant consent, made even more reluctant by the fact that his estranged wife Mary Elizabeth Mastrantonio has designed some new equipment for use in the really deep waters of The Abyss of the Atlantic Ocean.
The Navy people and the oil people are a bad fit to start with, but when the deep depths effect Navy SEAL Michael Biehn by bringing out the worst aspects of the military authoritarian personality things get real interesting down in the deep.
The spectacle does dwarf the story which is the only real criticism I can make of The Abyss. What the submarine made accidental contact with is some incredible alien life form which I can't go into further because that's the whole point of the film. Of course Biehn still believes it's all a Russian plot of some kind and therein lies the conflict exacerbated by the extreme paranoia he develops.
Unlike Cameron's Titanic, the spectacle at the end just overwhelms the human players in this film. But it was those special effects that go The Abyss its Academy Award recognition. The Abyss was also nominated for Sound and Art&Set Direction and Cinematography. It could have been a winner in any of those categories. In fact the biggest mistake you can make which is the one I did make, to see The Abyss on the small screen and formatted. This film is what IMAX was developed for.
Though the story does get lost somewhat in the special effects the point is still made about man being ready and open to all kinds of possibilities of life that can exist anywhere. See The Abyss, but wait for a revival showing at a theater.
When it rains it pours, literally in this case. A fast moving storm forces the Navy to use the crew and equipment from a nearby underwater deep sea drilling platform and the oil roughnecks are promised some big government checks for their help.
Crew chief Ed Harris gives his reluctant consent, made even more reluctant by the fact that his estranged wife Mary Elizabeth Mastrantonio has designed some new equipment for use in the really deep waters of The Abyss of the Atlantic Ocean.
The Navy people and the oil people are a bad fit to start with, but when the deep depths effect Navy SEAL Michael Biehn by bringing out the worst aspects of the military authoritarian personality things get real interesting down in the deep.
The spectacle does dwarf the story which is the only real criticism I can make of The Abyss. What the submarine made accidental contact with is some incredible alien life form which I can't go into further because that's the whole point of the film. Of course Biehn still believes it's all a Russian plot of some kind and therein lies the conflict exacerbated by the extreme paranoia he develops.
Unlike Cameron's Titanic, the spectacle at the end just overwhelms the human players in this film. But it was those special effects that go The Abyss its Academy Award recognition. The Abyss was also nominated for Sound and Art&Set Direction and Cinematography. It could have been a winner in any of those categories. In fact the biggest mistake you can make which is the one I did make, to see The Abyss on the small screen and formatted. This film is what IMAX was developed for.
Though the story does get lost somewhat in the special effects the point is still made about man being ready and open to all kinds of possibilities of life that can exist anywhere. See The Abyss, but wait for a revival showing at a theater.
I saw "The Abyss" in the theater (Cinema City, Fresh Meadows, NY) and many times times since. I hadn't watched it in quite a while when I sat down to watch it last night. I won't wait that long to watch it again. "The Abyss" is a rock solid adventure. The action is edge-of-your-seat stuff. The emotional scenes are brutal to watch. The story moves well and the cast is very good. "The Abyss" is not as well known as most of writer/director James Cameron's other movies but it's one of his best.
Le saviez-vous
- AnecdotesDuring the rigorous and problematic shoot, the cast and crew began calling the film by various derogatory names such as "Son Of Abyss," "The Abuse," and "Life's Abyss And Then You Dive." Director James Cameron said that he got so tired from working 6 days a week, 10 hours a day (sometimes more), that he would sometimes fall asleep during dinner in bed, waking up in the morning with a half-eaten plate on his chest and clenching a fork in his hand. Mary Elizabeth Mastrantonio reportedly suffered a physical and emotional breakdown because she was pushed so hard on the set, and Ed Harris had to pull over his car at one time while driving home, because he burst into spontaneous crying.
- GaffesAt the depth the crew is diving, they would be breathing a mixture of gases to include helium. Regular conversations while breathing this mix of gases results in the typical "helium speech," like if you breathed in a helium balloon. Normal conversations during the entire film at depth would have been with helium speech, and not regular voices.
- Citations
Virgil 'Bud' Brigman: When it comes to the safety of these people, there's me and then there's God, understand?
- Crédits fousIn the cast list, Super Seal Rover is credited as Big Geek and Mini Rover Mk II is credited as Little Geek. These are the actual models used for the unmanned submarines.
- Versions alternativesThe end credits were famously shortened to run under 5 minutes in 1989 in order to hit a target runtime and maximize daily showings; doing so also made the crawl almost illegibly tiny and fast. The credits on the extended edition were almost 10 minutes, with a bigger and slower crawl, and extended/alternate music. Several home video releases of the theatrical edition on laserdisc and DVD actually use the newer credits, so they are not entirely faithful! One VHS tape (Fox Video Selections 1561), at least, uses the original short credits; though the tape is formatted for 4:3, the credits merely gain picture information above and below the intended window (which, for some reason, is very high up in the frame after the first few names). However the new HD master, which has popped up on a few HDTV broadcasts (like Cinemax) go back to the original shortened credits, plus is in the original theatrical aspect ratio, making it the most faithful version available.
- Bandes originalesWilling
Written by Lowell George
Performed by Linda Ronstadt
Courtesy of CEMA Special Markets and Capitol Records, Inc.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- El secreto del abismo
- Lieux de tournage
- Cherokee Nuclear Power Plant, Gaffney, Caroline du Sud, États-Unis(two tanks - underwater scenes)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 70 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 54 981 151 $US
- Week-end de sortie aux États-Unis et au Canada
- 9 319 797 $US
- 13 août 1989
- Montant brut mondial
- 90 520 202 $US
- Durée
- 2h 20min(140 min)
- Couleur
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