Une équipe de plongée civile est chargée de rechercher un sous-marin nucléaire perdu et de faire face au danger en rencontrant une espèce aquatique exotique.Une équipe de plongée civile est chargée de rechercher un sous-marin nucléaire perdu et de faire face au danger en rencontrant une espèce aquatique exotique.Une équipe de plongée civile est chargée de rechercher un sous-marin nucléaire perdu et de faire face au danger en rencontrant une espèce aquatique exotique.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 9 victoires et 16 nominations au total
Captain Kidd Brewer Jr.
- Lew Finler
- (as Capt. Kidd Brewer Jr.)
Dick Warlock
- Dwight Perry
- (as Richard Warlock)
Avis à la une
The Abyss was a movie of destiny. First off, this movie either began or was the result of a lifetime obsession James Cameron has the ocean (see later Titanic and his IMAX deep sea movies). The Abyss is also full of echos of claustrophobic thriller/adventure movie Alien, in which Cameron directed the sequel. So combining one of Cameron's old movies with his new obsession, we get The Abyss, a solid sci-fi thriller starring Ed Harris and Mary Elizabeth Mastrantonio. Ed Harris plays Bud, the head of an undersea oil rig where very little actually happens and the people on the rig are only there in case something goes wrong. Well, wouldn't you know it, but an American nuclear submarine patrolling the US coast near the oil rig suddenly sinks, killing the sailors on board. The Americans suspect it's the Soviets, but we know better. Something pink and glowing does something to the submarine causing it to sink. A team of Navy seals, ferried down to the rig by Bud's ex-wife Lindsey (Mastrantonio), boards the oil rig and uses it as a command base for their mission to recover the submarine. And that is when the fun begins. Of course a hurricane has to enter into the plot, in movies like this, there is always a hurricane, but beyond, The Abyss is a solid sci-fi thriller, where the oil rig becomes a character in the movie. Much like the Nostromo in Alien or The Discovery in 2001, the tight spaces adds flavor to the movie, bringing the setting in as another character of the movie. The special effects were groundbreaking at the time and hold up well today. The scene of a column of water snaking its way through the oil rig still creeps me out to this day.
I first saw this in the early 90s on a vhs.
Revisited the 171 mins version recently n completed the movie in one sitting.
Inspite of the runtime, the film is engrossing n visually breathtaking.
The dark trench and Ed Harris' character going down way below is more scary than most horror movies.
James Cameron is a genius n there's no doubt bah it but i am surprised that most fellas havent given credit to H. G. Wells, as he was the first to introduce the notion of a sea alien in his 1897 short story "In the Abyss".
Ed Harris n Michael Biehn both gave memorable performances.
Biehn's character is downright creepy.
The CPR scene is a bit far fetched n melodramatic.
Revisited the 171 mins version recently n completed the movie in one sitting.
Inspite of the runtime, the film is engrossing n visually breathtaking.
The dark trench and Ed Harris' character going down way below is more scary than most horror movies.
James Cameron is a genius n there's no doubt bah it but i am surprised that most fellas havent given credit to H. G. Wells, as he was the first to introduce the notion of a sea alien in his 1897 short story "In the Abyss".
Ed Harris n Michael Biehn both gave memorable performances.
Biehn's character is downright creepy.
The CPR scene is a bit far fetched n melodramatic.
I saw "The Abyss" in the theater (Cinema City, Fresh Meadows, NY) and many times times since. I hadn't watched it in quite a while when I sat down to watch it last night. I won't wait that long to watch it again. "The Abyss" is a rock solid adventure. The action is edge-of-your-seat stuff. The emotional scenes are brutal to watch. The story moves well and the cast is very good. "The Abyss" is not as well known as most of writer/director James Cameron's other movies but it's one of his best.
This movie is extremely well made. Make sure you get the original director's cut, or Special Edition as they are calling it on the DVD. It includes the real ending, along with more than 20 minutes of additional footage. The morons from the studio in Hollywood decided that the public wouldn't want to see a nearly 3-hour underwater adventure, and forced James Cameron to cut it down and change the ending. The ending the studios insisted on is your typical boring old done-a-million-times happy ending, and does not work. It betrays the message of the film, and makes it nothing more than a good underwater shoot-em-up. This movie is much more than that. See the REAL ending to understand why it is so important to this film. As opposed to the canned studio ending, the REAL one makes you think. Well, what did you expect? Hollywood executives make movies for the common herd, they dumb them down to make sure every patron goes away feeling happy. God forbid that anyone actually may have to think a little. At the time, despite a few solid hits (such as the original Terminator), James Cameron wasn't enough of a power in La-La land to force the studios to release the movie as he wanted it to be. After Titanic, they will do whatever he says, so we can now expect some great Cameron films to look forward to, rather than having to wait for the REAL movie to come out years later on a Special Edition DVD.
The Abyss is one of my all-time favorite sci-fi films. It mixes hard science with abject fantasy to make moral and philosophical points about the human condition and our place in the universe without the usual clichés. And it does so with good dialog, strong characterization, and intensely emotional acting. Harris and Mastrantonio are absolutely electric together and dominate the screen, but the entire cast deserves plenty of credit. The production itself is mesmerizing despite its vast scale and tastefully used special effects. The film is long, but worth every second of the experience, and the slightly lengthier, more detailed Special Edition version is even better than the original.
Ostensibly, this is a film about first contact with non-terrestrial intelligence. But the story allegorically deals with an amazing array of themes common to great dramas - violence, love, capitalism, war, courage and cowardice. The hardest, most obedient soldier in the film, played spectacularly by Michael Biehn, is a coward, and a man who is hopelessly in love with his estranged wife (Harris) turns that love into an act of suicidal heroism which might unintentionally save the world. And yet nothing is exactly as it seems to be, and there are really no spoilers in this review. There are so many subtle and sensitively developed themes in this film that it is hard to imagine a more epically human drama in the sci-fi genre. Even so, this is a film which entertains at every level, and will satisfy the action fan as much as the wannabe film critic. ;-)
Most of the film takes place on an experimental submarine drilling platform owned by a petroleum company. A nuclear sub has been lost in "the abyss" - a subduction trench near the Caiman Islands - after encountering an impossibly fast object. Soon, the US military commandeers the platform and its command ship - The Benthic Explorer - to attempt a rescue mission. As everything begins to go wrong, and the encounters with strange phenomena continue, the Navy SEAL in charge of the rescue attempt begins to crack. Meanwhile, on the surface, accusations concerning the sub are escalating between the USSR and USA, and nuclear war seems immanent. This describes just a small segment of the deliciously complex plot that unfolds in The Abyss. You'll have to see it to enjoy the rest.
Ostensibly, this is a film about first contact with non-terrestrial intelligence. But the story allegorically deals with an amazing array of themes common to great dramas - violence, love, capitalism, war, courage and cowardice. The hardest, most obedient soldier in the film, played spectacularly by Michael Biehn, is a coward, and a man who is hopelessly in love with his estranged wife (Harris) turns that love into an act of suicidal heroism which might unintentionally save the world. And yet nothing is exactly as it seems to be, and there are really no spoilers in this review. There are so many subtle and sensitively developed themes in this film that it is hard to imagine a more epically human drama in the sci-fi genre. Even so, this is a film which entertains at every level, and will satisfy the action fan as much as the wannabe film critic. ;-)
Most of the film takes place on an experimental submarine drilling platform owned by a petroleum company. A nuclear sub has been lost in "the abyss" - a subduction trench near the Caiman Islands - after encountering an impossibly fast object. Soon, the US military commandeers the platform and its command ship - The Benthic Explorer - to attempt a rescue mission. As everything begins to go wrong, and the encounters with strange phenomena continue, the Navy SEAL in charge of the rescue attempt begins to crack. Meanwhile, on the surface, accusations concerning the sub are escalating between the USSR and USA, and nuclear war seems immanent. This describes just a small segment of the deliciously complex plot that unfolds in The Abyss. You'll have to see it to enjoy the rest.
Le saviez-vous
- AnecdotesDuring the rigorous and problematic shoot, the cast and crew began calling the film by various derogatory names such as "Son Of Abyss," "The Abuse," and "Life's Abyss And Then You Dive." Director James Cameron said that he got so tired from working 6 days a week, 10 hours a day (sometimes more), that he would sometimes fall asleep during dinner in bed, waking up in the morning with a half-eaten plate on his chest and clenching a fork in his hand. Mary Elizabeth Mastrantonio reportedly suffered a physical and emotional breakdown because she was pushed so hard on the set, and Ed Harris had to pull over his car at one time while driving home, because he burst into spontaneous crying.
- GaffesAt the depth the crew is diving, they would be breathing a mixture of gases to include helium. Regular conversations while breathing this mix of gases results in the typical "helium speech," like if you breathed in a helium balloon. Normal conversations during the entire film at depth would have been with helium speech, and not regular voices.
- Citations
Virgil 'Bud' Brigman: When it comes to the safety of these people, there's me and then there's God, understand?
- Crédits fousIn the cast list, Super Seal Rover is credited as Big Geek and Mini Rover Mk II is credited as Little Geek. These are the actual models used for the unmanned submarines.
- Versions alternativesThe end credits were famously shortened to run under 5 minutes in 1989 in order to hit a target runtime and maximize daily showings; doing so also made the crawl almost illegibly tiny and fast. The credits on the extended edition were almost 10 minutes, with a bigger and slower crawl, and extended/alternate music. Several home video releases of the theatrical edition on laserdisc and DVD actually use the newer credits, so they are not entirely faithful! One VHS tape (Fox Video Selections 1561), at least, uses the original short credits; though the tape is formatted for 4:3, the credits merely gain picture information above and below the intended window (which, for some reason, is very high up in the frame after the first few names). However the new HD master, which has popped up on a few HDTV broadcasts (like Cinemax) go back to the original shortened credits, plus is in the original theatrical aspect ratio, making it the most faithful version available.
- Bandes originalesWilling
Written by Lowell George
Performed by Linda Ronstadt
Courtesy of CEMA Special Markets and Capitol Records, Inc.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- El secreto del abismo
- Lieux de tournage
- Cherokee Nuclear Power Plant, Gaffney, Caroline du Sud, États-Unis(two tanks - underwater scenes)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 70 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 54 981 151 $US
- Week-end de sortie aux États-Unis et au Canada
- 9 319 797 $US
- 13 août 1989
- Montant brut mondial
- 90 520 202 $US
- Durée
- 2h 20min(140 min)
- Couleur
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