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1939

  • 1989
  • 3h 13min
NOTE IMDb
6,1/10
1,1 k
MA NOTE
Helene Egelund, Helena Bergström, and Per Morberg in 1939 (1989)
BiographyDramaHistoryWar

La Seconde Guerre mondiale à travers les yeux d'une serveuse de Stockholm.La Seconde Guerre mondiale à travers les yeux d'une serveuse de Stockholm.La Seconde Guerre mondiale à travers les yeux d'une serveuse de Stockholm.

  • Réalisation
    • Göran Carmback
  • Scénario
    • Brasse Brännström
    • Catti Edfeldt
    • Kjell Sundstedt
  • Casting principal
    • Helene Egelund
    • Helena Bergström
    • Per Morberg
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,1/10
    1,1 k
    MA NOTE
    • Réalisation
      • Göran Carmback
    • Scénario
      • Brasse Brännström
      • Catti Edfeldt
      • Kjell Sundstedt
    • Casting principal
      • Helene Egelund
      • Helena Bergström
      • Per Morberg
    • 11avis d'utilisateurs
    • 1avis de critique
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos14

    Voir l'affiche
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    Rôles principaux66

    Modifier
    Helene Egelund
    • Annika
    Helena Bergström
    Helena Bergström
    • Berit
    Per Morberg
    Per Morberg
    • Bengt Hall
    Ingvar Hirdwall
    Ingvar Hirdwall
    • Annikas far
    Anita Ekström
    Anita Ekström
    • Annikas mor
    Per Oscarsson
    Per Oscarsson
    • Farfar Isak
    Keve Hjelm
    Keve Hjelm
    • Alfred Hall - Bengts far
    Anita Wall
    Anita Wall
    • Cecilia Hall - Bengts mor
    Johan Ulveson
    Johan Ulveson
    • Harald Persson
    Gunilla Larsson
    • Elin Zetterberg
    Krister Henriksson
    Krister Henriksson
    • Rickard Zetterberg
    Tomas von Brömssen
    Tomas von Brömssen
    • Kommissarie Eriksson
    Mats Bergman
    Mats Bergman
    • Köpman Rhöse
    Anders Lönnbro
    • Köksmästaren
    Wallis Grahn
    • Spritkassörskan
    Per Grytt
    • Gunnar - Annikas bror
    Stefan Larsson
    • Hans Zetterberg
    Willie Andréason
    Willie Andréason
    • Gustaf Persson
    • Réalisation
      • Göran Carmback
    • Scénario
      • Brasse Brännström
      • Catti Edfeldt
      • Kjell Sundstedt
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs11

    6,11K
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    Avis à la une

    10jobboersma

    Great!!!!

    Just take the time to really watch this movie. Great acting and styling. 5.6 rating is ridiculous.
    7ulicknormanowen

    A female friendship .

    The title is a misnomer ,for the story spans the whole WW2 till the allies' victory.

    "1939" is essentially a chronicle ,in a country that maintained their policy of neutrality ,but breached it in favor of the German , later the allies ;these troubled time are seen through the eyes of a young blond girl (Helene Egehund ) and the best thing in this sometimes sprawling slow-moving work is the depiction of a female friendship ,a subject much less broached than the male one) ; the marvelous Helena Bergström almost steals the show from the principal ,and although their relationship is pure and platonic, it sets a pattern for today's women who live with a child (when Peter is stricken by croup ,both girls show that the baby has two moms: when Berit speaks to the thespian , in the background , the director does not use the usual code).

    Churchill once said that the country "played both sides for profit ";it is certainly true for Bengt's family whose business with the Germans was thriving but who was searching new markets when the Nazi 's star faded ;the sames goes for the owner of the chic restaurant where "Arbeit macht frei ". But it also happened in occupied countries where there were collaborators too.

    Too bad the other side ,represented by the heroine's cousin ,a socialist who 's sent to a labor camp ,is underwritten .

    Bengt , Annika 's husband certainly embraced the Nazi's obnoxious ideology ,when he lets his friends check if his wife is really an Aryan .Annika will always be an intruder in her family-in-law (the scene of the restaurant where she works and where her future father-in-law snubs her is revealing); when she leaves him and Berit does not let the brute in , they take a rebel stand at a time feminism did not exist ;as I wrote , the Berit/Annika relationship is the raison d'être of the film .
    9elizabetekruz

    A beautiful, aesthetic and emotional historical film

    The Swedish historical drama "1939" was released in 1989 directed by Göran Carmback. "1939" is, in my opinion, a hidden jem that made me feel many emotions, while at the same time being fairly educational.

    As the title tells, the movie set in the 20th century, capturing the whole war two timeline. The movie begins in 1939, the day Germany invade Poland, and ends the day germany surrenders, the day the world War ends. Containing the theme of the war, the movie isn't terribly graphic, even if the Nazis are in fact mentioned and shown, none of the crimes are shown and gone into the details of. It is notable that the movie is set in Sweden, and, Sweden being neutral, there aren't many mentions of the war's brutality, especially outside Sweden. The movie isn't mainly orientated around World War II, but it's represented in the way that affects swedes and their stance on the countries neutrality. I would definitely not call this movie a war movie, but it is historically accurate and informative to those that know little to nothing of Sweden during the war.

    The movie "1939" is about three hours long, which is much more than the average movie. Although it feels like it should have been longer. The first hour and a half is orientated towards the main character's, Annika, life at home, her family, her own character, and, simply, her life. The first half of the movie allows the viewer to get to know the timeline, Annika and that people closest to her. However, the second half of the movie introduces the viewer to her later life, most importantly her blooming relationship. Here appear more personal issues, during which you can see the characters change, for some, mature. After watching Annika's and Bergt's early relationship and young love, it is shocking and even heartbreaking to watch their now married live's love shift. This toxic relationship of theirs, I feel like, is well represented, even roping the viewer into it. Here comes the benefit of the movie being so long, because of the previous two hours the viewer has gained some sort of attachment to the films characters, being able to feel emotions such as empathy, anger, or frustration, sadness and, of course, happiness as well. So far in the movie you've been able to memorise characters and recognise them throughout the movie since some reappear and then disappear again. I feel like this movie was incredibly beautiful. The scenery and atmosphere, the contrast between the big city of Stockholm and the farm, at the very edge of the country, at Wärmland, make the film beautiful. The film has many atmosphere scenes, with beautiful music and gorgeous Swedish views, not really contributing to the plot. These scenes are just enough and help you really get into the movie, it's atmosphere and themes. This movie felt slightly rushed in the end, however, it was still worth watching. This flaw can be overlooked by the beauty and the mixed themes of the movie. "1939" shows well represented days of womanhood, together with well written friendships. "1939" shows how a friendship forms develops and in the end matures. The friendship between two girls in cinema is rarely represented well, if even shown, however this movie does the job of representing two females being close friends really well. The movie shows the true colours of a complicated and toxic relationship without romanticising it. Together with a toxic relationship, in my opinion, also comes a slide theme of women's rights during the time of the movie.

    When beginning to watch the movie, I originally thought it would be more World War II orientated, but I wasn't disappointed. For someone like me, that knows almost nothing about Sweden, I felt fairly educated after watching this movie. There are some scenes of Swedish people spreading their own opinions about the war or spreading their ideologies, helping you understand the country during World War II. Overall, I believe that this is a solid 9 out of 10 movie. I believe that this movie is incredibly beautiful and in its own way very well made, especially for its time, however I do feel like at the end it was slightly rushed.
    10upandatem-13248

    Give this film a go

    This is a slow burner for sure. But it rewards a bit of patience so stick with it. The performances and casting are excellent and the characters are all three dimensional. In the course of three hours you get to know them and understand the changing world through their eyes. All of which makes one scene particularly shocking. It's always a good sign when a film stays with you after the credits roll and this one has. Maybe the slow pace matches the mood of lockdown but I thoroughly enjoyed it.
    8Dan-342

    Of transition and of being forced to grow up

    1939 was a major project in the Swedish film industry. The Swedish people were invited to send in short descriptions of their own experiences during the war. The events depicted in the film are based on these stories. The main character, Annika, is based on a woman in real life, who travelled from Värmland to Stockholm to start a new life.

    The film does create plausible images of what went on in Sweden during the war. The film also illustrates a time of transition, both for the world (from the old, safe environment to a new, unsecure one with prospects and dangers) and for the young people, who were forced to grow up quickly during this violent period of time. Everyone had to decide how to relate to the new world and what to do about their personal roots and beliefs. This is why I find the film so interesting.

    I agree that 1939 can be considered slow at times, but I also happen to think that it is a tempo which suits the tale that is told. In my book, the key line is during one of the slower moments, when Annika's father says to Annika something along the lines of: "I am afraid of what's coming. Don't forget the old ways, Annika. Don't forget the way we used to live." Looking out over the meadows of his home, he realises that he is being left behind by the development, and that Annika and her peers are left at the helm. For me it is a thoroughly moving moment in the film. With the fast pace that we are living today, we would all do well to heed his plea.

    This film didn't get the credit I think it merited, and at least for us Swedes 1939 should be considered an important film.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Feature film debut of both Helene Egelund and Per Morberg.
    • Gaffes
      When Annika travels home to her parents for Christmas, you see an aerial view of the train going through the woods. In the lower right corner of the screen you can see a part of the landing railing of the helicopter from which the scene was filmed.
    • Crédits fous
      The closing credits include an unusual job description: "Helena Olofsson-Carmback (as Helena Carmback) .... Shouting and whispering"
    • Connexions
      Edited into Max Manus (2008)
    • Bandes originales
      1939
      Music by Anders Berglund

      Lyrics by Ture Rangström

      Performed by Louise Hoffsten

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    FAQ14

    • How long is 1939?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 3 mars 2021 (France)
    • Pays d’origine
      • Suède
    • Langues
      • Suédois
      • Norvégien
      • Danois
    • Lieux de tournage
      • Båtviken, Bengtsfors, Dalsland, Suède(location)
    • Sociétés de production
      • Svensk Filmindustri (SF)
      • Svenska Filminstitutet (SFI)
      • SVT Drama
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 30 000 000 SEK (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      3 heures 13 minutes
    • Mixage
      • Dolby Stereo
    • Rapport de forme
      • 1.66 : 1

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    Helene Egelund, Helena Bergström, and Per Morberg in 1939 (1989)
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    By what name was 1939 (1989) officially released in Canada in English?
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