Un banlieusard et ses voisins sont convaincus que la nouvelle famille du quartier fait partie d'un culte satanique meurtrier.Un banlieusard et ses voisins sont convaincus que la nouvelle famille du quartier fait partie d'un culte satanique meurtrier.Un banlieusard et ses voisins sont convaincus que la nouvelle famille du quartier fait partie d'un culte satanique meurtrier.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Theodore Gottlieb
- Reuben Klopek
- (as Brother Theodore)
Nicky Katt
- Steve Kuntz
- (as Nick Katt)
Billy Stevenson
- Ricky's Friend
- (as Bill Stevenson)
Avis à la une
The 'burbs is a fun diversion from the usual neighborhood comedies. Joe Dante has a way of combining dark humor and outright horror and make it convincing to a mass audience (see 'Gremlins.') That this film has a lot of dark elements and remains just a light romp at the end is a feat unto itself. All credit goes to Hanks' good natured comedic performance and Dante's fun with the material.
Dante paints a portrait of the neighborhood at the very beginning. Hanks plays Ray, probably the most normal among the neighbors. Art is like a big kid and the first one to suspect the neighbors of foul play. Bruce Dern plays a war vet where Ricky Butler, played by Corey Feldman is the loud teenager. All is well in suburbia until clues pop up that might reveal the new neighbors, the Klopeks, as murderers.
With any other talent behind the film, this could have been a very dark comedy. But instead of playing up the horror, Dante has fun with it, playing up the comedy talents of his performers (notably Hanks and Dern, who take turns chewing scenery). Dante also has fun with visuals, notably in a hilarious dream sequence that Ray has.
Everything comes together to make this film work, including a great score by Jerry Goldsmith, that is part suburban comedy and part horror, complete with organs culled from a funeral march. This film is far from perfect, but it's fun diversional comedy and reminds of the great comic actor that Tom Hanks once was before becoming Oscar's golden boy.
Dante paints a portrait of the neighborhood at the very beginning. Hanks plays Ray, probably the most normal among the neighbors. Art is like a big kid and the first one to suspect the neighbors of foul play. Bruce Dern plays a war vet where Ricky Butler, played by Corey Feldman is the loud teenager. All is well in suburbia until clues pop up that might reveal the new neighbors, the Klopeks, as murderers.
With any other talent behind the film, this could have been a very dark comedy. But instead of playing up the horror, Dante has fun with it, playing up the comedy talents of his performers (notably Hanks and Dern, who take turns chewing scenery). Dante also has fun with visuals, notably in a hilarious dream sequence that Ray has.
Everything comes together to make this film work, including a great score by Jerry Goldsmith, that is part suburban comedy and part horror, complete with organs culled from a funeral march. This film is far from perfect, but it's fun diversional comedy and reminds of the great comic actor that Tom Hanks once was before becoming Oscar's golden boy.
This is a great example of what Tom Hanks was doing in his former career of a comedic actor, before he returned to serious acting.
The story follows three incredibly nosey suburbanites, spying on their new neighbours the Klopek's as they expect them to be murderers.
Winning performances all round, but especially from Hanks. He is well supported by the likes of Carrie Fisher, as his wife, and ex-army man Bruce Dern, with Henry Gibson giving his usual solid performance.
A greatly funny movie which leaves you wondering why Hanks ever turned his back on comedy.
The story follows three incredibly nosey suburbanites, spying on their new neighbours the Klopek's as they expect them to be murderers.
Winning performances all round, but especially from Hanks. He is well supported by the likes of Carrie Fisher, as his wife, and ex-army man Bruce Dern, with Henry Gibson giving his usual solid performance.
A greatly funny movie which leaves you wondering why Hanks ever turned his back on comedy.
Commonly tossed aside as a predictable, poorly plotted film with few laughs, "The 'Burbs" has more to offer than most critics are willing to admit.
This film is not so much about the plot(which is admittedly thin and which the critics are too concerned with) as it is about the characters who become entangled within it. Included in this terrific cast are Tom Hanks, who plays the skeptical neighbor of the new family on the block (a bunch of oddballs who never leave the house); Rick Ducommun, who plays the gluttonous friend of Hanks, who is convinced that the new neighbors are brain sucking murderers; Bruce Dern, the ex-soldier who hasn't quite left his miilitary roots behind him; and last, but not least, Corey Feldman, who plays the dopey teenage neighbor who basically watches the events of the movie unfold from the comfort of his front porch. These characters are so well-acted and so downright wacky that you just have to believe there is a neighborhood somewhere with people like this. The chemistry between everyone of the characters is simply impressive, and much of the humor of the film can be found in the often ludicrous way the director portrays their interactions.
I urge anyone who has seen this film before to watch it again, this time paying little attention to the story and focusing on the superbly acted characters.
This film is not so much about the plot(which is admittedly thin and which the critics are too concerned with) as it is about the characters who become entangled within it. Included in this terrific cast are Tom Hanks, who plays the skeptical neighbor of the new family on the block (a bunch of oddballs who never leave the house); Rick Ducommun, who plays the gluttonous friend of Hanks, who is convinced that the new neighbors are brain sucking murderers; Bruce Dern, the ex-soldier who hasn't quite left his miilitary roots behind him; and last, but not least, Corey Feldman, who plays the dopey teenage neighbor who basically watches the events of the movie unfold from the comfort of his front porch. These characters are so well-acted and so downright wacky that you just have to believe there is a neighborhood somewhere with people like this. The chemistry between everyone of the characters is simply impressive, and much of the humor of the film can be found in the often ludicrous way the director portrays their interactions.
I urge anyone who has seen this film before to watch it again, this time paying little attention to the story and focusing on the superbly acted characters.
Okay, I know Tom Hanks has done some greater than great work. Forest Gump, Saving Private Ryan, and The Green Mile are truly American classics. For some reason (maybe I AM a weirdo) this is my favorite movie of his. It has a simple plot, a light tone, shades of horror, and some GREAT one-liners that have stayed in my memory since I was nine years old. This is one of those movies that never gets old. I especially like Corey Feldman as Ricky Butler. He played the best burn-out I have ever seen and he truly is an underrated actor. Rick Duccoman is great as the obnoxious neighbor, Art and his laid back manner continues to bring a smile to my face. Bruce Dern is flat-out awesome as the war-crazed vet who has all the right gizmos for the job, but always fails miserably. Almost every line out of his mouth is memorable and his response when he steps in a pile of dog crap is a classic quote.
Obviously this is a satire on Suburban life and nosey neighbors, but I could care less about all that. This is a classic that ranks (in my mind) with the likes of "The Goonies" and "Smokey and the Bandit".
If, for some reason, you missed this one, PLEASE see it. You have no clue what you're missing.
Obviously this is a satire on Suburban life and nosey neighbors, but I could care less about all that. This is a classic that ranks (in my mind) with the likes of "The Goonies" and "Smokey and the Bandit".
If, for some reason, you missed this one, PLEASE see it. You have no clue what you're missing.
Le saviez-vous
- AnecdotesWalter's toy poodle Queenie was played by the same dog that played Precious in Le silence des agneaux (1991).
- GaffesAt the end of the film, Ray comments on Carol's shorter haircut. In her last scene, her hair is back to its original length.
- Citations
Mark Rumsfield: Klopek... what is that, Slavic?
Reuben: No!
Mark Rumsfield: 'Bout a nine on the tension scale, Reub.
- Crédits fousAfter the Universal Studios logo appears, the camera zooms into Earth and to where the film takes place.
At the end of the film, the effect is played in reverse.
- Versions alternativesThere were three filmed endings to the movie. The first is the one that is in the normal release of the movie both domestic and international. The second, available as the 'alternate ending' on the DVD version, follows the path of the first one, but is slightly different and does not contain the sequence in which the ambulance crashes into the house or the part where Mark Rumsfield slide tackles Hans Klopek. It does have a few more scenes which include Hans being interrogated by the police, Dr. Werner Klopek giving a speech to the police on what is wrong with the suburbs, and Ruben telling Ray that he was going to enjoy having him over for their final dinner. The third (and most downbeat) ending, which has not been released in any form officially, is supposed to have Ray get killed in the ambulance by Werner, the Klopeks are pronounced innocent, and garbage bags are found bound and gagged in the Klopek's car trunk. The last ending follows the original ending contained in the script.
- ConnexionsFeatured in Siskel & Ebert & the Movies: Oscar Surprises for 1988 (1989)
- Bandes originalesMachine
Written by Alex Mitchell, Ricky Beck Mahler & Gary Sunshine
Performed by Circus of Power
Courtesy of RCA Records
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- How long is The 'Burbs?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- S.O.S., vecinos al ataque
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 18 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 36 601 993 $US
- Week-end de sortie aux États-Unis et au Canada
- 11 101 197 $US
- 20 févr. 1989
- Montant brut mondial
- 49 101 993 $US
- Durée
- 1h 42min(102 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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