Un monde à part

If this is indicative of things to come, Jodhi May will be one strong actress to reckon with. Barbara Hershey has never been better, but Jodhi May steals the show as her neglected daughter struggling with terms of identity and growth in South Africa pre-Apartheid. This one is truly a gem. I highly recommend seeing it at any opportunity. I have a copy of it I taped off the television years and years ago. I'm hoping one day it is released on DVD.

Jodhi May deserved an Oscar for her work. All told, this is one of the finest coming-of-age stories I've ever seen filmed. And its ending is one of the saddest and most powerful ever - alongside "At Play in the Fields of the Lord."

Jodhi May doesn't pay attention to what's going on about her in South Africa. That is, until her father, Jeroen Krabbe, flees the country, labeled a communist traitor, her mother, Barbara Hershey, is thrown into prison, and the girls at her private school start tormenting her.

It's one of several movies about the impact of South African apartheid in the late 1980s, but this one is a bit different. Instead of being centered more on the struggle itself, Miss May, the viewpoint character, is more an unwilling witness to the fact that while it's nice to be well-to-do, not everyone can blithely accept that, especially the disenfranchised and those with a sense of justice. The performances are excellent, but even though Miss May's journey from an easy childhood to a committed adulthood is a difficult one, it hardly raises my sympathy, as it clearly is meant to.

I saw this film in 1988 when it first came out. I was looking forward to seeing it on DVD but I must confess I was very disappointed. I found it excessively slow, with few dialogues, and in fact, plain boring. It should be at least 1/2 hr shorter.

True, there are moments of real poignancy in "A world apart" and Jodhi May is an excellent actress but there just doesn't seem to be much going on for most of half the film. Maybe the fact that apartheid has been defeated and that so much has happened in S. Africa since makes it less momentous.

For anyone interested in S. Africa, I recommend watching "Cry Freedom", "A white dry season" or even "The power of one" instead. These films at least seek to explain their characters involvement with the anti-apartheid movement. In "A world apart", there's no such character growth so far as the mother is concerned. Her involvement has to be taken for granted.

An important and recurring film trend in the 1980's was to deal with the apartheid in South Africa, which brought to the world a deep understanding of what the British were doing in that nation with their racial politics of segregation. The world got deeply involved with that, protested in every possible way and when the 1990's came, it was all over, South Africa was free again even though it took some time to reach peace and to develop politics for blacks and whites. The film trend had films like "Cry Freedom", "A Dry White Season" and this one directed by Chris Menges, best known as cinematographer of many classics. What makes "A World Apart" to differ from those besides the quality (the mentioned films are far better) is that it's a story that seemed designed to educate younger audiences about the apartheid reality. Commendable initiative but the ambition is so big that the movie falls short of accomplish something with such difficult task.

In the 1960's Johannesburg, the 13 year-old Molly (Jodhi May) tries to understand the world around her, a world of segregation where whites have everything and blacks don't have anything but following the racist laws created by the British where rights are denied, no public meetings are allowed, protests are deemed illegal and people are sent to jail to long sentences or die in suspicious circumstances. Those facts hit her closely when her father (Jeroen Krabbé) leaves the house to never return and her dedicated mother (Barbara Hershey) is arrested under a new law that allowed authorities to sent suspect people to jail for a 90-day period without trial. Molly's parents are leftist journalists who support the black South Africans in their quest for freedom and social rights. What follows is Molly's perspectives about this harsh reality as a young girl growing up, having to face life without the presence of her parents, taking care of her younger sisters, without any help from her friends who turned away from her when they heard about the mother's politics and imprisonment.

The film is good. The idea, though lacking and confusing, makes the film something worth seeing and almost important. However, Shawn Slovo's screenplay isn't all that great and neither deserving of the many accolades it received (a Bafta win included). I thought everything was taken too lightly, tension is built then fades away. Little is known about the activism of Molly's parents and Jeroen as the father has only one scene and we never get the chance to know why he was so important to the cause, and what really happened to him. It's the kind of script that ends up treating its adult audience as children, and if the concept was schemed to bring kids to it, then it failed a lot cause they don't offer a background neither a summary to the events taking place in South Africa and they'll feel lost.

Gladly, some scenes are very convincing, there's a good drama that sometimes unfolds with some bumps, those happen more because of the acting than the script itself. I know a lot of people are head over heels Jodhi as Molly but I frankly thought it was one of the strangest performances I've seen in a child actor. In quiet/moderate scenes she owns the role, and you cheers for her character, always wanting to see her overcome the obstacles life thrown at her. But when it's time to break down, cry and yell, or act different than her sweet almost naive way, she felt so forced, so over-the-top I couldn't relate with the girl anymore. Yes, Molly is supposed to be spoiled and ungrateful towards her caring mother (she truly believes she can change the world around her, to the point of enduring all those days in prison) but the sentimentalism she brings with that, just make her intolerable. Barbara Hershey carries the film in a good way, too bad the movie wasn't focused directly on her. Tim Roth's role is brief but it's a class act; David Suchet always deserves credit whenever he plays a villain, it's a subtle bad guy who appears to be good.

Can I say the movie is positive for the cause of education? Yes, I can. But if you really can show to your children the films I mentioned earlier, then move on with the history books, documentaries or even "Invictus", this one more contemporary. 7/10