Willow

At a stormy and dark night in the bowels of a stronghold whose owner results to be a nasty witch Queen called Bavmorda : Jean Marsh, there takes place the birth of a baby. According to a prophecy, as the innnocent child grows, it means the end of her rule . Howewer, a basket containing the baby carries her at the Munchkins land and darf Willow : Warwick Davis, meets her. Willow carries out his fate by sheperding the abandoned baby on a risked journey to fulfil his destiny as a saviour for good . As Willow discovers that the founded girl is actually a sacred infant who is destined to overthrow the ominous queen and rule the land . On the quest her parents, Willow falls with a plausible roguish adventurer called Madmartigan : Val Kilmer . Both of whom join and set out to destroy the power of evil, the heinous witch : Jean Marsh and her daughter : Joanna Whaley. Along the way they are helped by two small men : Rick Overton, Kevin Pollack.

This epic fantasy picture has more than a few elements in common with Bible's innocents massacre , Moises history, Tolkien's Lord of the Rings, and fairytales as Snow White. This is a great adventure movie with too much action-packed, though strangely predictable and the bulk of plot concerns Willow's mission who is assigned the task of returning a child her security , while attempting to free her from the claws of the evil hag and give the baby to the good witch . The picture contains a lot of weird creatures as Death Dogs, Faeries, Brownies, Trolls, dwarfs and a two-head, fire-breathing dragon . Breathtaking climax full of struggles , muscle and magic, providing a thrilling final confrontation . As you can expect from executive producer George Lucas, there is much action and plenty of high-quality FX made by specialists Dennis Muren and Phil Tippet, in addition, stop-motion monsters by Dave Allen. Cast is pretty good with some dwarf actors as Warwick Davis, Billy Barty, David Steinberg, Tony Cox. And popular actors as Val Kilmer and Joanna Walley Kilmer, marriage at the time . As well as a nice secondary cast, such as : Jean Marsh, Gavan O'Herlihy , Kevin Pollack, Rick Overton, Pat Roach and Patricia Hayes as good witch.

The film displays a breathtaking, enjoyable, and, nowadays classic, musical score by the great James Horner. Colorful and brilliant cinematography by Adrian Biddle. The motion picture was well directed by the famous actor and director Ron Howard. From his starts as an actor, as he played George Lucas' American Graffiti , he's had a long career, as he went on as a filmmaker, shooting successfully, his film debut was Grand thef auto, following other hits, such as : Night shift, Splash, Cocoon, Gung Ho, Parenthood, Backdraft , Far and away, The Paper , Apollo13, Ransom , EdTv, The Grinch, A beautiful mind, Cinderella man, The Da Vince Code , Frost/Nixon , among others. Rating 7/10. The yarn will appeal to fantasy fans and Sword/witchery genre buffs.

All the people who are complaining that it's "too much like Lord of the Rings?" How much fantasy have you read? Have you read viking sagas or Greek myths? How about the bible? There are no new stories, just new ways of telling them. It's called Archetypal Criticism and it's one of the most popular ways of looking at literature. And George Lucas and Ron Howard managed to do that excellently in Willow.

I'd rather watch Willow yell at Madmartigan and call him stupid than watch Sam and Frodo "Just hold on a little longer, because everything will be happy because of LOVE!"

There's betrayal, redemption, action, the scariest dragon I've ever seen in my life, love, purposfully corny poetry and lots of jokes. The characters despair, but fight against it rather than just wandering around listlessly saying "woe is me!" People are allowed to be petty and shallow without being influenced by The Greatest Evil Known To Man (tm). There's no one hanging around with no other purpose than to be encouragement- everyone claims Willow won't succeed but he still fights on, and wins everyone over to his side. In my mind that makes him a lot more admirable than Frodo McAngstypants who only keeps on going because Sam keeps telling him he's fantastic and he thinks he's going to die anyway.

It's one of those films they starting SUPER GREAT and you saying "Oh my God, what a gem I found"... and as the film continues its getting less better and ends almost bad.

To me, the first 40 minutes are AMAZING, probably equal to "Lord of the Rings" trilogy!!!! Trust me, THAT GOOD! And then... the plot/scenario does a HUGE drop/fall, its getting quite boring and the finale (the last battle) is almost hilarious/joke/comedy!

But... its a remarkable fantasy film, left a mark to the fantasy universe of movies.

I attended a screen writing class once, and the teacher said that the worst movie ever made was "Willow" ... he also defended "White Chicks" (in the same class) as being some sort of underrated theatrical gem.

What an idiot. Obviously, this man has no soul.

Anyway, it must have been this sort of "I'm too good for that" attitude that killed "Willow" in the theaters. I remember seeing previews for it when I was a kid, and there was nothing more in the world that I had wanted to watch. I was raised on "The Neverending Story," "Legend," "Krull," "The Beastmaster," and "The Dark Crystal." So, sure, I loved fantasy. It was my favorite genre. And even though many will say that "Lord of the Rings" is better, I have to disagree. "The Lord of the Rings" is a good melding of drama, real-life struggle and fantasy, but's it not fun to watch. "Willow," on the other hand, is a blast to watch.

The music from Horner's great ... I can still whistle the adventure theme song, and often do sometimes. Val Kilmer as Madmartigan was a great rogue hero, who had plenty of great lines, laughs. Sorcia was by Joanne Whalley, was hot as hell ... a fiery redhead who just refused to be ordered or commanded. General Kael (who was supposedly based on one of Lucas' critics) is awesome. His look spawned an entire decade of me thinking that people with skull masks were horribly cool. The woman who played Fin Razel (sp?) was great. The Brownies were hysterical. And last but not least, give it up for Billy Barty and Warwick Davis, little people with big roles. I think little people probably thank Mr. Lucas and Ron Howard for making them stars for once, for giving them a showcase piece. Davis really had no better role in his life than this one. And he shined in it.

Well, if that particular teacher is reading this by any chance, I hope you go back and re-watch this as a kid. For me, and obviously many others on this website, the movie was more than a fun, little escape ... it was almost a genre-leading film. If there's one thing that pre-prequel George Lucas was good at, it was at giving the audience a good time ... Indiana Jones, Willow, Star Wars ... the best adventure/fantasy films ever to come out. Each of them with charming heroes, obvious bad guys, magic, swords, and humor.

"Pirates of the Carribbean" resurrected this sort of cinema, I think, and the American public responded to it with verve. I still remember hard-nosed critic Lisa Schwarzbaum giving "Pirates" a D rating in Entertainment Weekly. I bet she about choked on her own vomit when she saw how much fun everyone had with the film.

And "Willow" is the same thing. It's pure magic. Pure escape. Especially good for children, but good for the adults, too. If you can't have fun with this one, than you better go get your laughs from movies like "White Chicks" ... just don't be surprised when the kids come out making jokes about d*cks and p*ssies afterward.

When Willow was released in 1988, I was in my mid-teens and though I think I did see it not long after that and have watched it once or twice in the years since, it's not a film that had stuck in my memory or affections. However, with an imminent new Disney+ sequel series, I thought I'd give it another shot and was pleasantly surprised to find more to like than I'd recalled.

The story, written by George Lucas, is a pick-'n'-mix of fantasy genre staples. We have evil sorceror Queen Bavmorda, played by Jean Marsh as though she's in panto, who is seeking a new-born child prophesied to become empress Elora Danan and end her evil reign. We see the baby placed in a river and found by the children of farmer and aspiring sorceror Willow (Warwick Davis), who sets out on a quest to return her to her people, encountering on the way swordsman Madmartigan, who is a kind of fantasy Han Solo played by Val Kilmer, sorceress-turned-possum Raziel (Patricia Hayes), Bavmorda's daughter and general (Joanne Whalley), and some irritating if occasionally amusing brownies (Kevin Pollak and Rick Overton).

But while the story elements aren't original, the film is self-aware enough to realise this and have fun with the tropes. It's not as comedic in intent as near-contemporary fantasy classics The Princess Bride (1987) and Labyrinth (1986), but nor does it take itself seriously, and it has heart in bucketloads.

Warwick Davis, who was 17 during filming, is way too young to play a convincing father of two, and it's a slightly puzzling decision to make him one when apparently the role was written with him in mind after George Lucas had been impressed by his performance in The Return of the Jedi. But I guess I can see dramatic reasons for such a choice, and Willow's journey from farmer to a sorceror who has the courage, if not necessarily the skill, to face Bavmorda is compelling. His relationships with mentor Raziel, reluctant hero Madmartigan and baby Elora Danan feel authentic and are the heart of the film.

Madmartigan is a scoundrel and selfish womaniser and, like Joanne Whalley's Sorsha, you'd quite like to kick him in the face in the early parts of the film. But he's played with such charm by Val Kilmer that, also like Sorsha, you can't help falling in love with him. Whalley herself is great as Sorsha, ruthless and strong but still showing us vulnerability and torn loyalties. There are also some memorable minor characters, such as as Willow's friend Meegosh (David Steinberg) and Madmartigan's sort-of-friend Airk (Gavan O'Herlihy).

Some of the special effects have held up reasonably well but others have dated, and by today's standards the production values are a bit shoddy. And while the film has a sense of humour, it's not quite witty enough to carry off its rather clichéd premise.

Despite this, it's a charming, heart-warming adventure that is still worth a watch, particularly if you're planning to follow the Disney+ series that picks up the story a couple of decades later.