Tequila Sunrise
- 1988
- Tous publics
- 1h 55min
Un ancien trafiquant de drogue de Los Angeles essaie de filer droit. Mais son passé et ses relations avec la pègre le mettent au centre de l'attention de la DEA, des autorités mexicaines et ... Tout lireUn ancien trafiquant de drogue de Los Angeles essaie de filer droit. Mais son passé et ses relations avec la pègre le mettent au centre de l'attention de la DEA, des autorités mexicaines et des cartels de la drogue mexicains.Un ancien trafiquant de drogue de Los Angeles essaie de filer droit. Mais son passé et ses relations avec la pègre le mettent au centre de l'attention de la DEA, des autorités mexicaines et des cartels de la drogue mexicains.
- Nommé pour 1 Oscar
- 2 victoires et 3 nominations au total
- Arturo
- (as Garret Pearson)
- Sin Sister #2
- (as Lala)
- Woody
- (as Kenneth C. Moore)
Avis à la une
I like this film, I really do. Okay so it now looks dated, but the rest of the film is extremely good. Mel Gibson plays a big time Drug Dealer now trying to go straight but seemingly lined up for one final big deal, or so the Police think, and his old school friend who is now the Chief of Police in the same city, Kurt Russell. Russell rocks, he really does, and they play off each other so perfectly. Michelle Pfieffer is the female caught between them who falls for one, and then the other, each playing the reverse of what you think their character may be and each, in their own way, using her to gain information on the other. That plot device alone makes the movie work for me and I love watching the dynamics between all three characters.
Although a couple of plot turns need a little twist of the imagination, it's still very well written and carried through to the screen with these actors giving good performances to take it there. I still have a soft spot for this movie.
Gibson plays a drug dealer with, if not a conscience, at least a code of some sort of ethics. He is raising a son and wants to retire from illegal activities so that he may be a good role model.
Russel plays a narcotics cop bucking for a promotion. In order to get his promotion he needs to bust the area's most notorious dealer... guess who. Problem: he and Gibson and childhood mates.
Pfeiffer is a woman caught between them, each one wanting her for different reasons. Raul Julia and J.T. Walsh complete the central players in a fine ensemble on people with agendas that may be worth sacrificing the alliances they have made along the way.
As the various subplots tie themselves into impossible-to-unravel knots, every character will be forced to question what it is he or she holds sacred. Tough and even regretted decisions are made. Friendships are made and dissolved, hearts are broken, revenges plotted...
Gibson is at his best here, Pfeiffer brings great depth to what could easily have been little more than a trophy role. Walsh and Julia are so poker-faced that an audience member who succeeds in reading all the angles should account himself no more than a lucky guesser as they leave you very few clues to work with.
Ironically, despite the desires of Gibson and Towne, the ending had to be altered to please test audiences. Later critics would harp severely on the final shot, the reviews keeping away significant audience. While the ending may be unsatisfying to the typically cynical noir fan, it does not change the fact that this a far-above-average genre flick with an excellent cast and a superb script.
Worth a watch, worth several.
I was real disappointed by the movie its script. While '80's police movies also aren't exactly know for their great or original stories but this story is even worse than usual. In the end you just stop carrying about anything that is happening in this movie or for any of its characters, since the movie has dragged along for far too long. The movie is lacking a certain depth with its story. In all honesty the movie really didn't started off too bad but its one of those movies that gets worse by the minute. In the end it makes you regret you've ever watched it.
It's sad that not even the great cast could put some life into the movie and its story. It's also a rather unknown movie from each of the movie its actors. They still try their very best but no, I can't really say it helps much. Although it of course is certainly true that the presence of actors such as Mel Gibson, Michelle Pfeiffer, Kurt Russell, Raul Julia and J.T. Walsh still uplifts the movie. I mean, with a totally different and unknown cast the movie would had been far worse for sure.
What the movie is lacking is some good action. It would at least had made the movie more interesting to watch. And when you have an '80's action-star such as Mel Gibson in your movie, why not use that? Instead now the movie feels like a movie done action-crime-thriller movie style but without any action in it and also without much thriller elements, since the movie is just not exciting or original enough to allow any of these elements to completely work out.
The movie also suffers from an horrible '80's music curse; the '80's music! It's so dreadful, hearing constantly some idiot playing his saxophone as loud as he can, with an occasional guitar and drums joining in. It's a score you can normally expected in a bad porn-flick.
Oh well, it's not exactly as if this is THE worst movie ever made but it also isn't exactly a movie I would recommend to anyone, despite the presence of some good big names in it.
5/10
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Le saviez-vous
- AnecdotesThe hot tub was not built properly or chlorinated. Michelle Pfeiffer, her double, and Mel Gibson got skin rashes and splinters from the wood. Production shut down for a few days while Pfeiffer recovered from her rash.
- GaffesWhen Pfeiffer is at the police station getting her chef released, Russell pulls up and parks directly in front of her car. When they leave the station, his car isn't there and Pfeiffer is able to drive away unobstructed.
- Citations
Carlos: You son of a bitch! How could you do this? Friendship is the only choice in life you can make that's yours! You can't choose your family, God damn it - I've had to face that! And no man should be judged for whatever direction his dick goes - that's like blaming a compass for pointing north, for Christ's sake! Friendship is all we have! We chose each other. How could you fuck it up? How could you make us look so bad?
- Crédits fousAs the end credits roll, the color of the text changes from dark orange (at the bottom of the screen) to yellow (at the top), mirroring the colors of a Tequila Sunrise cocktail.
- Bandes originalesSurrender to Me (Love Theme from 'Tequila Sunrise')
Performed by Ann Wilson & Robin Zander
Courtesy of Capitol Records, Inc. & Epic Records
Produced by Richie Zito
Written by Richard Marx & Ross Vannelli
Meilleurs choix
- How long is Tequila Sunrise?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Tequila Sunrise - Eine gefährliche Mischung.
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 23 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 41 292 551 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 350 974 $US
- 4 déc. 1988
- Montant brut mondial
- 41 292 551 $US
- Durée1 heure 55 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1