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Ajouter une intrigue dans votre langueA couple of creative losers accidently become big shots in the video music industry.A couple of creative losers accidently become big shots in the video music industry.A couple of creative losers accidently become big shots in the video music industry.
- Réalisation
- Scénario
- Casting principal
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I can't explain why but I've watched this a hundred times and I keep laughing, alongside Cusack's Better Off Dead. John Cusack and Tim Robbins were still playing losers and became good friends off camera when they made Tapeheads, as they play bumbling would-be music video makers. In order to get their boyhood heroes The Swanky Modes (played by real-life singers Sam Moore and Junior Walker) the gig of all gigs, they scam and plug their way through unpaid work, Roscoe's chicken and waffles, relentless hitmen and a vengeful politician. Great character acting by Jessica Walter, Don Cornelius and Clu Gulager. Cameos by a ton of folks, including executive producer Michael Nesmith (from the Monkees), Jello Biafra, Fishbone and the Nuge. Along the way are all kinds of catchy little jokes that you either like and remember forever or. just don't like. "We love Menudo." "On spec." The mounting parking tickets. At least watch it for Cusack and Robbins passing the Brothers Against Drunk Driving (BADD) alcohol test: going through the alphabet backwards with your eyes closed, skipping all the vowels and giving the hand sign for each letter.
The DVD is letterboxed and has a strong analog track with Nesmith, director Bill Fishman and production designer Catherine Hardwicke. Much of the time it is as light-hearted as the movie and interesting. Unfortunately, Fishman brings up tons of scenes that were deleted from the film but aren't included on the DVD. I'm sure there's some reason for this, maybe they just weren't available, but it's kind of frustrating - they actually sound funny instead of the usual deleted scene that deserved to be cut out and forgotten. I was surprised that so much stuff was actually cut out, and that Cusack and Robbins wanted to play the opposite roles when they auditioned. But, this ain't the high theater either. At times the analog track has some of those "Remember when that happened" stories, that only work if you really really like the film. But then, why else would you watch the whole thing with the analog track on?
The DVD is letterboxed and has a strong analog track with Nesmith, director Bill Fishman and production designer Catherine Hardwicke. Much of the time it is as light-hearted as the movie and interesting. Unfortunately, Fishman brings up tons of scenes that were deleted from the film but aren't included on the DVD. I'm sure there's some reason for this, maybe they just weren't available, but it's kind of frustrating - they actually sound funny instead of the usual deleted scene that deserved to be cut out and forgotten. I was surprised that so much stuff was actually cut out, and that Cusack and Robbins wanted to play the opposite roles when they auditioned. But, this ain't the high theater either. At times the analog track has some of those "Remember when that happened" stories, that only work if you really really like the film. But then, why else would you watch the whole thing with the analog track on?
"Tapeheads", a scrappy, intermittently funny spoof of the music video business, might have been the perfect comedic short, and stars John Cusack and Tim Robbins are effortlessly in the swing of the nonsensical chaos involved. They play two semi-savvy security guards in Los Angeles who start their own company, Video Aces, making hilarious videos for rock groups, parties, and one deathbed star. It's too bad the filmmakers had to invent a dim side-plot to pad the running time (shenanigans involving a crooked politician and his henchmen which doesn't do much except take away from the movie's primary strength, sending-up the music culture of the late-'80s). Still, Cusack and Robbins create a couple of originals here: nerdy but loose, street-smart without being hipsters or posers, these guys are on the same nutty wavelength, and they never put each other down. They're the real thing in buddy-comedies. **1/2 from ****
This oddball comedy delivers an arguably valid comment on the booming music video culture of the 1980s, with John Cusack and Tim Robbins playing two underachievers dreaming of making it big as video producers. The direction is so unskilled and the writing so erratic that the film almost becomes a gaudy curiosity deserving of a cult following. But just almost. If watched with low expectations, it has its moments. Look for 1980s music parody phenomenon "Weird Al" Yankovic in a small role as himself. The director Bill Fishman subsequently continued his career as a music video director, but also directed a few other feature films during the 1990s.
Looking back at 'Tapeheads' all these years later is a strange trip! John Cusack is now a respected leading man and Tim Robbins is Mr. Credibility. Back in the day they were two zany dorks up for just about anything. This movie is sometimes surreal, sometimes silly. Very uneven with some segments just falling flat on their face. But there is more than enough unhinged invention on show to make it something unique.
It might on the surface seem like the precursor to Bill and Ted and Wayne and Garth et al, but there is an underlying subversive, almost punk attitude, that puts it closer in spirit to 'Roadside Prophets' (which also featured Cusack) or even some of the movies of Alex Cox. Cox has no direct involvement with 'Tapeheads', but like his 80s cult classic 'Repo Man' it was produced by ex-Monkee Mike Nesmith, and several Cox regulars appear - Sy Richardson, Zander Schloss, Xander Berkeley, Bobcat Goldthwait, and even (an uncredited) Courtney Love.
The plot doesn't matter all that much, at times it's just an excuse for music video parodies, pop culture in-jokes, and cameos by an almost endless parade of musicians, familiar TV faces, and other oddballs, everyone from Jello Biafra to Connie Stevens. It's like channel surfing while tripping and listening to oldies radio. Just the sight of seeing 'The Killers' Clu Gulager being spanked by Courtney Love while cult favourite Susan Tyrrell urges her on (blink and you WILL miss it!!), is almost worth watching this alone for. 'Tapeheads' may not be THE great lost 80s cult movie, but it does deserve to be rediscovered. There's no other movie QUITE like it! And it will put a smile on your face, guaranteed.
It might on the surface seem like the precursor to Bill and Ted and Wayne and Garth et al, but there is an underlying subversive, almost punk attitude, that puts it closer in spirit to 'Roadside Prophets' (which also featured Cusack) or even some of the movies of Alex Cox. Cox has no direct involvement with 'Tapeheads', but like his 80s cult classic 'Repo Man' it was produced by ex-Monkee Mike Nesmith, and several Cox regulars appear - Sy Richardson, Zander Schloss, Xander Berkeley, Bobcat Goldthwait, and even (an uncredited) Courtney Love.
The plot doesn't matter all that much, at times it's just an excuse for music video parodies, pop culture in-jokes, and cameos by an almost endless parade of musicians, familiar TV faces, and other oddballs, everyone from Jello Biafra to Connie Stevens. It's like channel surfing while tripping and listening to oldies radio. Just the sight of seeing 'The Killers' Clu Gulager being spanked by Courtney Love while cult favourite Susan Tyrrell urges her on (blink and you WILL miss it!!), is almost worth watching this alone for. 'Tapeheads' may not be THE great lost 80s cult movie, but it does deserve to be rediscovered. There's no other movie QUITE like it! And it will put a smile on your face, guaranteed.
starting with the opening credits with the song "bet your bottom dollar on me" and the line "dad put his fingers in it!" i knew this was a cult classic in the making. this film should not only be awarded posthumous awards for sheer, naked drop dead funny lines ("work time's over, drinkin' times begun") to obnoxiously funny music video parodies (can anyone forget the feathers in "my baby doll"?) to bobcat goldthwait as a pre-tony robbins influential speaker (cash-flow, cash-flow, cash-flow). my best friend and i watched this movie for years, and now a dvd release...to hell with extras, this is TAPEHEADS... btw, if anyone has the soundtrack....
Le saviez-vous
- AnecdotesThe band Ranchbone in this movie is portrayed by the real life ska-punk band Fishbone. Both John Cusack and Tim Robbins are big fans of the band in real life. Robbins can even be seen wearing a Fishbone t-shirt in a scene in the movie Duo à trois (1988) released earlier that same year.
- Citations
Ivan Alexeev: Josh, losing those jobs is the best thing that ever happened to us! We're free to pursue our destiny!
Josh Tager: What, abysmal failure?
Ivan Alexeev: Negativity festers in you, man!
- Crédits fousAfter the final credits, there is one minute of video static with the following superimposed text: Oh ... and by the way, the next time you're passing through Santa Monica, CA., stop in at Renee's Courtyard Cafe.
- Versions alternativesThe 1990 UK video was cut by 48 secs by the BBFC to remove all footage of nunchakus and butterfly knives. The 2002 release is uncut.
- ConnexionsReferenced in Un monde pour nous (1989)
- Bandes originalesBetcher Bottom Dollar
Performed by The Swanky Modes
Written by Brian Adler
Produced and Arranged by Bob Rose
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- How long is Tapeheads?Alimenté par Alexa
Détails
Box-office
- Budget
- 3 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 343 786 $US
- Week-end de sortie aux États-Unis et au Canada
- 133 330 $US
- 23 oct. 1988
- Montant brut mondial
- 343 786 $US
- Durée
- 1h 33min(93 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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