L'ensorceleuse

Just seeing a 25-year-old Kelly Preston makes this movie worth watching, and, boy, do we get to see her.

Jeff (Tim Daly) apparently finds the girl of his dreams (Preston), and things are going great until her friends show up looking for her. She has a past that she hasn't explained.

Soon, they are battling a coven of witches that want her back. It all builds up to the night of the Winter Solstice.

The twist at the end caught me by surprise, and really made the movie.

You have to give props to writer Tracy Tormé, who really stacked some surprises in this film.

Around the late 1980s, the ailing MGM studios made or acquired a number of movies that they didn't give much of (if any) a theatrical release. This pickup is one of them, and it's pretty easy to see why for several reasons. It's a pretty flat-looking movie for one thing - while it has elements that got it an "R" rating, aside from those elements the movie feels like it was made for television. The script has a number of problems as well. It does have an ending that is somewhat expected (though is somewhat hard to swallow when you think back of every event that happened before it), but most of the movie is a bunch of boring chat. Worse of all, actor Cary-Hiroyuki Tagawa is wasted, given only three or so brief scenes. A movie so unremarkable for the most part, one has to wonder why it was thought to be worth making.

Jeff Mills (Tim Daly) is a likable, good looking nice guy lawyer in L.A. who's tired of the dating scene. He chances to meet a gal named Miranda Reed (gorgeous Kelly Preston) in a parking lot one night, and brings her home to his pad, soon striking up a relationship with her. Unfortunately, his impulsiveness turns out to be a bad mistake, as Miranda's past then catches up with them. It turns out that she was part of a witches' coven, and that they "want her back" because they need a human sacrifice for the winter solstice, which is coming up. Blinded by his love for her, he goes out of his way to try to keep her safe, and to deal with her scummy associates, including Aldys (big haired Anthony Crivello) and the deceptively cheery Mrs. White (Audra "Mrs. Roper" Lindley).

The solid supporting cast of nicely chosen actors also features Diana Bellamy as Jeffs' loyal (and intuitive) secretary Grace, Cary-Hiroyuki Tagawa as somber faced police detective Lt. Lee (an expert in occult related crimes), Julian Christopher, Kyle T. Heffner, and the amiable Rick Rossovich as Jeffs' circle of friends, and the very amusing M.C. Gainey as lively survivalist Brock. Overall, the movie is nothing special in terms of presentation, with competent but undistinguished direction by Janet Greek, but it does have its moments (the best occurs when a bunch of mysterious people gather at a window), and isn't totally without atmosphere. The story, written by Tracy Torme (son of Mel), who went on to script one more feature ("Fire in the Sky") and work for television series ranging from 'Star Trek: The Next Generation' to 'Sliders' to 'Carnivale', is pretty absorbing, and does have some effective twists near the end.

It's a good movie in general, and is worth a look for 80s horror fans who want to check out everything that the decade has to offer.

Seven out of 10.

Some of the commentators have ragged on this movie for it being predictable, and some parts of it are, but some parts of the ending really surprised me. Again, I saw this movie originally when I was about 19, so maybe what would be obvious now weren't so obvious to me back then. Anway, given the context of the late 80ies when Spellbinder was made there was all this talk about Satanism, most of which later proved to be just urban legend type of stuff, probably made the movie for me a little more spooky in the 80ies then say if someone just randomly saw it now. Anyways, the movie I thought had a pretty cool plot that had some surprises, the acting was good, Kelly Preston was hot, and the movie freaked me out a little back in the day, so I'm giving the movie 8 out 10 stars. I haven't found it on DVD yet, if I did I would buy it and add it to my collection.

Jeff Mills, is an Los Angeles lawyer who one night encounters a young woman who gets in a very heated argument with one very creepy man. But Jeff rescues her, and offers her a lift home, but she ends staying with him at his house and romantic bliss, blossoms between Miranda and Jeff. Although the man did warned him about crossing his path and he finds out the hard way, that there's a murderous cult who want Miranda back and they will do anything in doing so.

Where have you been hiding?! Now I didn't really know anything at all about this feature. The actual title simply caught my eye and I was up for something new, and the gamble definitely worked out for the best. I'm just really surprised that this gem of a occult thriller is very under-appreciated and got a somewhat below-average rating on here. Sure, the story's structure is far from original, but I couldn't help but be fascinated by this mysteriously, well-drawn up and tightly knitted premise. Tracy Torme's cracking story plays it's the audience like a yo-yo and we are kept intrigued by it's real dreariness, supernatural currents and sinister happenings. The way the stimulating script unravels just leaves you hanging there, until it reaches its very familiar, but unsettling climax that still packs a sting. But what happens after that, makes it even more cunningly cold and compelling. Director Janet Greek paints a slow-burn and highly atmospheric tone with a great touch of finesse and gripping suspense. Fluently lush cinematography and a swirlingly moody score really adds to the elegantly mysterious and damn right eerie outset. The acting is way above-average and how can you go pass the sensually luscious Kelly Preston, who is quite bewitching as the very enigmatic young woman, Miranda. Timothy Daly is convincingly likable as the yuppie lawyer Jeff. While, there are strong support roles by Rick Rossovich, Anthony Crivello, Cary-Hiroyuki Tagawa and Diana Bellamy. It doesn't seem to be moving at a great pace, but with the constant surprises and unsteady developments within this satanic set-up, it really knows how to keep you alert to the possible hints.

A well-conceived, bleak thriller that has a certain, spellbinding appeal about it. Recommended.