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À bout de course

Titre original : Running on Empty
  • 1988
  • 12
  • 1h 56min
NOTE IMDb
7,6/10
19 k
MA NOTE
River Phoenix, Christine Lahti, and Judd Hirsch in À bout de course (1988)
Regarder Official Trailer
Lire trailer1:18
1 Video
69 photos
CriminalitéDrameMusiqueRomanceLe passage à l'âge adulte

Le fils aîné d'une famille fugitive devient majeur et veut vivre sa propre vie.Le fils aîné d'une famille fugitive devient majeur et veut vivre sa propre vie.Le fils aîné d'une famille fugitive devient majeur et veut vivre sa propre vie.

  • Réalisation
    • Sidney Lumet
  • Scénario
    • Naomi Foner
  • Casting principal
    • River Phoenix
    • Christine Lahti
    • Judd Hirsch
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,6/10
    19 k
    MA NOTE
    • Réalisation
      • Sidney Lumet
    • Scénario
      • Naomi Foner
    • Casting principal
      • River Phoenix
      • Christine Lahti
      • Judd Hirsch
    • 133avis d'utilisateurs
    • 58avis des critiques
    • 67Métascore
  • Voir les informations de production sur IMDbPro
    • Nommé pour 2 Oscars
      • 5 victoires et 8 nominations au total

    Vidéos1

    Official Trailer
    Trailer 1:18
    Official Trailer

    Photos69

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 61
    Voir l'affiche

    Rôles principaux32

    Modifier
    River Phoenix
    River Phoenix
    • Danny Pope
    Christine Lahti
    Christine Lahti
    • Annie Pope
    Judd Hirsch
    Judd Hirsch
    • Arthur Pope
    Jonas Abry
    • Harry Pope
    Martha Plimpton
    Martha Plimpton
    • Lorna Phillips
    Ed Crowley
    Ed Crowley
    • Mr. Phillips
    L.M. Kit Carson
    L.M. Kit Carson
    • Gus Winant
    Steven Hill
    Steven Hill
    • Donald Patterson
    Augusta Dabney
    Augusta Dabney
    • Abigail Patterson
    David Margulies
    David Margulies
    • Dr. Jonah Reiff
    Lynne Thigpen
    Lynne Thigpen
    • Contact at Eldridge St.
    Marcia Jean Kurtz
    Marcia Jean Kurtz
    • School Clerk
    Sloane Shelton
    Sloane Shelton
    • Mrs. Phillips
    Justine Johnston
    • Librarian
    Herb Lovelle
    Herb Lovelle
    • Hospital Clerk
    Bobo Lewis
    Bobo Lewis
    • Home Ec Teacher
    Ronnie Gilbert
    • Mrs. Taylor
    Leila Danette
    • Maid
    • Réalisation
      • Sidney Lumet
    • Scénario
      • Naomi Foner
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs133

    7,619K
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    10

    Avis à la une

    8cathcacr

    Really liked this one

    Why this has an average rating of only 7.3 is beyond me. This is really darn good, maybe not a "masterpiece" as some of the other reviews have stated, but one of those criminally underrated and overlooked movies. And, heck, starring River Phoenix for crying out loud. Why had I never heard of it? Yeah, it's got a touch of cheesy '80s things about it (music, clothing, etc.) but I've learned to overlook that sort of thing if it's actually a good story. Take this and another coming-of-age movie, _This Boy's Life_ (starring Robert De Niro and Leonardo DiCaprio -- why hadn't I ever heard of that one either?), and you have a couple of the best great-but-underrated movies in recent memory. I'd love a good explanation for why this should only get a 7.3 out of 10, given the quality of a bunch of material with a higher average rating. (I thought 6.9 was the average rating here. This isn't even close to just average.) Compared to the body of Sidney Lumet's work, this has got to rank right up near the top, doesn't it?
    10Euphorbia

    A joy to watch, every time.

    I have dozens of movies on videotape, but if I could only keep one, Running on Empty would be it. I've lost count how many times I've watched it. It works on every level. Emotionally, you cannot help caring about the characters, all of them. The premise, living "underground" in ordinary American suburbia, is brilliant and instantly engaging. The story, coming of age on the lam, flows effortlessly, with hardly a slow spot, and keeps me engaged, even after umpteen viewings. The romance, of love and loss and dedication, brings a tear every time, even just thinking about the birthday party as I write this.

    Plus -- I was a 'red diaper baby' who became a conservative republican 35 years ago, and this film touches every button of my past. A lot of those reds were, in person, truly decent people, just a bit deranged and extremely delusional and dogmatic, all of which Judd Hirsch conveys with perfect pitch. No special FX, pretty tame action (mostly involving music and dancing), only six main characters, but a great entertaining and inspirational film.

    Rated 9.9 out of 10, in case something better ever comes along.

    P.S. I just got the DVD. Even better than the tape. Elsewhere I have read complaints about its technical quality, but I can see nothing wrong with it.
    pdlp

    Outrageous!!!!

    I am not gonna say too much, but this is one of the best movies ever made, River Phoenix, deserved the award a lot more than Kevin Kline. Maybe River was young and they thought he will have many other chances to do it, unfortunately you never know and now River is no longer with us. So I think that the members of the Academy should consider this, like when Leo DiCaprio was nominated for Gilbert Grape. Anyway, this is a MUST see movie, it´s definitely a classic!
    9SnobbyDude

    Doesn't make the mistake of glorifying crime

    This is a fantastic movie. Definitely one of the 5 best I've seen in recent memory. Someone that wrote a review here felt that the two parents are placed upon a pedestal by the film makers, but I don't think this is the case at all. They are accountable for their actions and know what they did was wrong. They have to pay for their actions throughout their lives and will likely turn themselves in as soon as they can be assured that their kids will be safe. The kids are the ones I feel sorry for, not the parents.

    I think the main point of the movie is to make people aware of how the actions/decisions they make can hurt other people, including themselves. People often make rash decisions without thinking about the long term consequences their actions cause for themselves and other people.
    9ccthemovieman-1

    A Well-Acted, Powerful Story

    I thought this was a powerful movie about '60s radicals on the lam for 14 years and a crisis that develops when the family's 17-year-old son is talented enough to enter Juliard School Of Music which means , because of identity problems, they may never see him again. Judd Hirsch and Christine Lahti play the husband and wife and River Phoenix and Jonas Abry are their kids.

    There is excellent acting in this film and particularly by young Phoenix. The story shows us a good portrait of what it must be like to live in hiding. Politically, people will view this movie as they think (conservative or liberal) because it could be viewed a number of ways.

    To me, it showed the worst of what could have happened to young people in the '60s who believed they were doing the right thing but broke the law....and paid the consequence. The sad part, as this shows so vividly, is how it affects the rest of the family and others. I think the most powerful scene in the film is when Lahti meets her dad after 14 years in hiding: very, very emotional stuff and one of the most intense short talking scenes I've ever seen on film.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Director Sidney Lumet writes in his book "Making Movies" about an argument between River Phoenix and writer Naomi Foner. A scene in the movie concerns the character played by Phoenix being interrupted while practicing a classical piano solo. In the script, when he is caught, he breaks into a jazz riff to cover his "embarrassment" at being caught doing something serious. Phoenix fought hard against this, feeling that his character would never be embarrassed about working at the piano. Lumet was so impressed by the point Phoenix made, he shot the scene the way Phoenix wanted it.
    • Gaffes
      During Danny's Juilliard audition, one of the school's admissions officers stated that he needed to supply them with SAT scores. Juilliard does not, and never has, required applicants to submit standardized test scores.
    • Citations

      Arthur Pope: [Last Lines] Get the bike out of the back.

      [pause]

      Arthur Pope: Now, get on it.

      Michael: What are you talking about, dad...

      Arthur Pope: Get on the bike. You're on your own, kid. I want you to go to Juilliard.

      Michael: But, dad, I want to go with you.

      Arthur Pope: We'll see you again. You can be sure.

      [pause]

      Arthur Pope: Your mother has arranged things with your grandfather, alright- call him. And I think you have some friend's around here.

      Annie Pope: I love you, baby.

      Arthur Pope: We all love you. Now, go out there and make a difference. Your mother and I tried. And don't let anyone tell you any different.

      Harry Pope: [the family car circles 'Michael' before exiting down the road] Bye, Danny!

    • Connexions
      Featured in Siskel & Ebert & the Movies: Betrayed/Stealing Home/The Last Temptation of Christ/Married to the Mob/Hero and the Terror (1988)
    • Bandes originales
      Fire and Rain
      Performed by James Taylor

      Words & Music by James Taylor

      ©1970 Blackwood Music, Inc. and Country Roads Music. All Rights Reserved.

      Courtesy of Warner Bros. Records Inc.

      By arrangement with Warner Special Products

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    FAQ20

    • How long is Running on Empty?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 26 octobre 1988 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Al filo del vacío
    • Lieux de tournage
      • 89 Highwood Avenue, Tenafly, New Jersey, États-Unis(Lorna Phillips residence)
    • Sociétés de production
      • Double Play
      • Lorimar Film Entertainment
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 7 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 2 835 116 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 215 157 $US
      • 11 sept. 1988
    • Montant brut mondial
      • 2 847 941 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 56min(116 min)
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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