Rain Man
- 1988
- Tous publics
- 2h 13min
À la mort de son père, Charlie apprend que toute sa fortune a été léguée à un hôpital psychiatrique. Désireux de comprendre, il se rend sur place et découvre l'existence de son frère autiste... Tout lireÀ la mort de son père, Charlie apprend que toute sa fortune a été léguée à un hôpital psychiatrique. Désireux de comprendre, il se rend sur place et découvre l'existence de son frère autiste qu'il kidnappe pour récupérer son héritage.À la mort de son père, Charlie apprend que toute sa fortune a été léguée à un hôpital psychiatrique. Désireux de comprendre, il se rend sur place et découvre l'existence de son frère autiste qu'il kidnappe pour récupérer son héritage.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 4 Oscars
- 27 victoires et 26 nominations au total
- Dr. Bruner
- (as Jerry Molen)
Avis à la une
Four directors, six screenwriters, two cinematographers, eight producers, writers strikes, crew change, and a studio fighting for its life.
All of the above are common knowledge but it doesn't hurt to remember these facts when viewing the award wining triumph of a movie that stands the test of time today. The film is so simple in structure it really needed something special to pull it out of the prospective banality of being "just another road movie about finding oneself", Rain Man achieves something special by tackling its subjects with very sensitive hands and splicing a believable human concept into the story via the incredible shows from its two leading men.
Dustin Hoffman gives a magical moving performance as the Autistic Savant Raymond, the ultimate complement I can pay the performance is that it really is believable, both moving and clever rolled into one artistic result. Tom Cruise is equally as great in a role that called for drastic layer changes, a role that demanded much conviction from the actor taking it on, and Cruise gives the role much depth as he goes from shallow bastard to a very emotive and feeling human being, it's a great show that stands up to reevaluation these days. A performance that seems to have sadly been forgotten in light of Hoffman's film stealing show. With a film such as this you pray that the ending can do it justice, and I'm glad to say that there is no pandering here, it's an ending that says so much because it doesn't cop out, I thank god for those rewrites because the endings to the original scripts would of had me booting the TV set out of the window.
Essential cinema. 10/10
8/10
The film is built around its two assured central performances. Hoffman gives an excellent portrayal of a man with autism, totally unable to comprehend the real world around him. Cruise is no less impressive. While he is essentially playing to type, his character's attitude changes so gradually throughout the film that you barely notice, and without Cruise's subtle performance this transformation would be much less credible.
This is a highly commendable film, which, despite tackling a tricky subject, refuses to succumb to sentimentality. In giving autism such publicity, the film has hopefully helped to lessen the stigma brought on by ignorance of this condition.
Rain Man's great success is that it shows the way forward for issue driven movies in Hollywood. Its success at the box office demonstrates that taking a risk can pay off in spades, provided that the film is good enough.
When the selfish yuppie Charlie Babbitt hears that his father has left behind a fortune after his death, but that he won't get it, he is furious. He has never had a good relationship with his father, who threw him out as a teenager, but he sure hoped for more than a now antique convertible. And to make things worse for Charlie, he hears that all the money goes to Raymond, an autistic man who he has never seen before in his life, but who appears to be his brother. And if that shock isn't yet big enough, the man also appears to be able to calculate complicated mathematical problems in his head with great speed and accuracy, but doesn't even understand what money can be used for. Enraged by all this 'injustice', Charlie kidnaps Raymond from his residential home, but then finds out how difficult it is to live with a man who only can live with his fixed routines...
This wouldn't have been a typical eighties movie if there hadn't been a selfish yuppie in it of course, but I must say that it didn't bother me this time. The main reason for that is because it accentuates the contrast between the two men even more. Charlie has nothing else but money on his mind, while Raymond doesn't even know what money is. That's without any doubt a very smart idea which makes this movie work. And that's not the only good thing about this movie. The acting for instance is also very good. Especially Dustin Hoffman is excellent, but that has of course much to do with the role that he is playing. Still, his performance is very believable and remarkable. And even though I'm not a huge Tom Cruise fan, I must say that he was really very good in this movie. The role he was playing seemed to be written for him.
All in all this is a very good movie that sure deserves to be seen. The acting and the story are far above average and give a good idea of what it must be like to live with an autistic person. I'm convinced that this movie certainly doesn't deserve a rating lower than 7.5/10.
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
Le saviez-vous
- AnecdotesFor in-flight viewing, several airlines deleted the sequence in which Raymond Babbitt reels off statistics on airline accidents, except Qantas. They even promoted one of the movie's writers to first class once when he travelled on their airline.
- GaffesThroughout the movie, several cars are seen tailgating the Buick trying to get into the shot, and their positions vary from scene to scene.
- Citations
Charlie: Who took this picture?
Raymond: D-A-D.
Charlie: And you lived with us?
Raymond: Yeah, 10962 Beachcrest Street, Cincinnati, Ohio.
Charlie: When did you leave?
Raymond: January 12, 1965. Very snowy that day. 7.2 inches of snow that day.
Charlie: Just after Mom died.
Raymond: Yeah Mom died January 5, 1965.
Charlie: You remember that day. Was I there? Where was I?
Raymond: You were in the window. You waved to me, "Bye bye Rain Man", "Bye bye."
- Crédits fousThroughout the movie, Raymond is taking pictures. The pictures that he takes are shown as the background for the credits.
- Versions alternativesAll the home media releases released between 1997 and 2001 feature the 1994 United Artists logo as the sole opening logo.
- ConnexionsEdited into 5 Second Movies: Rain Man (2008)
- Bandes originalesIko Iko
Written by Rosa Lee Hawkins, Joe Jones, Barbara Ann Hawkins (as Barbara Hawkins), Sharon Jones, Joan Marie Johnson (as John Johnson), Marilyn Jones, and Jessie Thomas
Performed by The Belle Stars
Courtesy of Stiff Records
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Cuando los hermanos se encuentran
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 25 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 172 825 435 $US
- Week-end de sortie aux États-Unis et au Canada
- 7 005 719 $US
- 18 déc. 1988
- Montant brut mondial
- 354 825 435 $US
- Durée
- 2h 13min(133 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1