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5,9/10
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MA NOTE
Ajouter une intrigue dans votre langueA medical-school dropout and a homemaker/mom try to make it as stand-up comedians. They become friends and help each other out at a New York City comedy club.A medical-school dropout and a homemaker/mom try to make it as stand-up comedians. They become friends and help each other out at a New York City comedy club.A medical-school dropout and a homemaker/mom try to make it as stand-up comedians. They become friends and help each other out at a New York City comedy club.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
George McGrath
- Singing Nun
- (as George Michael McGrath)
Ángel Salazar
- Rico
- (as Angel Salazar)
Avis à la une
A reviewer once complained that "Punchline" commits an unforgivable sin by being an unfunny movie about stand up comics. For anyone who agrees, try looking "irony" up in the dictionary - it's an element that's occasionally used outside of the literary world.
The film's deliberately awkward and painful scenes illustrate the point, "Lady, nothing is a joke to me. That's why I'm in comedy. And that's why you're not."
The same reviewer made the hilarious claim that comics never tell jokes out of compulsion or denial, but simply because "they love making other people laugh." newsflash: creative and hysterical people are often highly dysfunctional! :D thank you goodnight!
The film's deliberately awkward and painful scenes illustrate the point, "Lady, nothing is a joke to me. That's why I'm in comedy. And that's why you're not."
The same reviewer made the hilarious claim that comics never tell jokes out of compulsion or denial, but simply because "they love making other people laugh." newsflash: creative and hysterical people are often highly dysfunctional! :D thank you goodnight!
There is something not right about this movie. What is it? I don't know. It could be one, a few or all of many things:
Characterizations change by the minute, with flimsy and/or no explanation. It bounces back and forth and back again between slapstick, light-hearted comedy, gritty drama, and sappiness. It spends painful stretches focusing on comedy acts that are supposed to be funny (everyone on the screen thinks they are) but they really aren't. It runs far too long.
But at the same time, it's okay. Amusing at least, and it has it's decent moments, among the forgettable and awkward ones.
Characterizations change by the minute, with flimsy and/or no explanation. It bounces back and forth and back again between slapstick, light-hearted comedy, gritty drama, and sappiness. It spends painful stretches focusing on comedy acts that are supposed to be funny (everyone on the screen thinks they are) but they really aren't. It runs far too long.
But at the same time, it's okay. Amusing at least, and it has it's decent moments, among the forgettable and awkward ones.
55/100. David Seltzer's direction doesn't guide the film along as it should, he doesn't seem to know what direction to go in. . It jumps from comedy, to satire, heavy drama, romance and back again. Sally Fields and Tom Hanks try, but the material they are working with just doesn't know what it wants to be. The romantic angle is completely out of place, and overall the bitterness of the film is a turn off. Even the stand up comedy scenes shown in the film that are supposed to be good, simply aren't. The ending is not satisfying at all. It is a shame the stars didn't get better material, it could have worked so well in different hands.
Memorable.....but bad memories outweigh good, at least for me, with this movie.
That's my recollection of this film which, frankly, I haven't seen in over a decade. However, this movie left some indelible impressions in my sensitive memory, and perhaps I'll re-visit it again one day.
Tom Hanks was mesmerizing as the haunted comedian, a man with a lot of talent to make people laugh but a guy tormented by the lack of support from his father. There is a scene or two in here with this dad that is so uncomfortable to watch that it has prevented me from seeing this another time.
Too bad, because I do remember some wonderful, funny scenes such as Hanks in the hospital entertaining the patients. Sally Field also gives a touching performance as a housewife trying to break into the business, and John Goodman is likable as her husband.
An interesting film with very emotional scenes you won't forget. It's almost too much for me, for some reason.
That's my recollection of this film which, frankly, I haven't seen in over a decade. However, this movie left some indelible impressions in my sensitive memory, and perhaps I'll re-visit it again one day.
Tom Hanks was mesmerizing as the haunted comedian, a man with a lot of talent to make people laugh but a guy tormented by the lack of support from his father. There is a scene or two in here with this dad that is so uncomfortable to watch that it has prevented me from seeing this another time.
Too bad, because I do remember some wonderful, funny scenes such as Hanks in the hospital entertaining the patients. Sally Field also gives a touching performance as a housewife trying to break into the business, and John Goodman is likable as her husband.
An interesting film with very emotional scenes you won't forget. It's almost too much for me, for some reason.
I cannot say enough good things about this movie. It's one of the most original movies I've seen in a long time.
How often is it that we have this movie plot: boy meets involved girl, girl realizes boy is her true love, girl dumps her lover to marry boy, boy and girl live happily ever after? To say that this is not the case in this movie is a gross understatement.
The stand-up acts are not amazing, but that's not really what the movie's about. It's better if you look at it as a drama. I love how everyone thinks Tom Hanks, a very funny guy in this movie, is a one-dimensional person who is ALL about humor. That's the real point of the movie - he's not. I especially love the line (and I know I'll screw this up somehow):
Field: You're so funny because everything is a joke to you. Hanks: I'm so funny because nothing is a joke to me.
I've seen my share of comedy-dramas, but most I only liked for the comedy aspect. In this one I could just ignore all the stand-up and I'd still love this movie (although the opening scene is very well-done and funny).
I would highly recommend it, it comes on the cable movie channels a lot.
How often is it that we have this movie plot: boy meets involved girl, girl realizes boy is her true love, girl dumps her lover to marry boy, boy and girl live happily ever after? To say that this is not the case in this movie is a gross understatement.
The stand-up acts are not amazing, but that's not really what the movie's about. It's better if you look at it as a drama. I love how everyone thinks Tom Hanks, a very funny guy in this movie, is a one-dimensional person who is ALL about humor. That's the real point of the movie - he's not. I especially love the line (and I know I'll screw this up somehow):
Field: You're so funny because everything is a joke to you. Hanks: I'm so funny because nothing is a joke to me.
I've seen my share of comedy-dramas, but most I only liked for the comedy aspect. In this one I could just ignore all the stand-up and I'd still love this movie (although the opening scene is very well-done and funny).
I would highly recommend it, it comes on the cable movie channels a lot.
Le saviez-vous
- AnecdotesAbout two months before the film started principal photography, Tom Hanks wrote and performed a five-minute stand-up comedy routine at the Los Angeles Comedy Store in California. Hanks once said of this: "It was pure flop sweat time, an embarrassment. That material lasted 1 minute 40 seconds, and it had no theme".
- GaffesWhen Steven and Lilah are riding the #7 subway, the Manhattan terminus of the line is shown as Lexington Avenue. The actual terminus should be 42nd Street/Times Square.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Punchline
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 21 042 667 $US
- Week-end de sortie aux États-Unis et au Canada
- 160 742 $US
- 2 oct. 1988
- Montant brut mondial
- 21 042 667 $US
- Durée2 heures 8 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Punchline (Le mot de la fin) (1988) officially released in India in English?
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