Punchline (Le mot de la fin)

A reviewer once complained that "Punchline" commits an unforgivable sin by being an unfunny movie about stand up comics. For anyone who agrees, try looking "irony" up in the dictionary - it's an element that's occasionally used outside of the literary world.

The film's deliberately awkward and painful scenes illustrate the point, "Lady, nothing is a joke to me. That's why I'm in comedy. And that's why you're not."

The same reviewer made the hilarious claim that comics never tell jokes out of compulsion or denial, but simply because "they love making other people laugh." newsflash: creative and hysterical people are often highly dysfunctional! :D thank you goodnight!

Memorable.....but bad memories outweigh good, at least for me, with this movie.

That's my recollection of this film which, frankly, I haven't seen in over a decade. However, this movie left some indelible impressions in my sensitive memory, and perhaps I'll re-visit it again one day.

Tom Hanks was mesmerizing as the haunted comedian, a man with a lot of talent to make people laugh but a guy tormented by the lack of support from his father. There is a scene or two in here with this dad that is so uncomfortable to watch that it has prevented me from seeing this another time.

Too bad, because I do remember some wonderful, funny scenes such as Hanks in the hospital entertaining the patients. Sally Field also gives a touching performance as a housewife trying to break into the business, and John Goodman is likable as her husband.

An interesting film with very emotional scenes you won't forget. It's almost too much for me, for some reason.

55/100. David Seltzer's direction doesn't guide the film along as it should, he doesn't seem to know what direction to go in. . It jumps from comedy, to satire, heavy drama, romance and back again. Sally Fields and Tom Hanks try, but the material they are working with just doesn't know what it wants to be. The romantic angle is completely out of place, and overall the bitterness of the film is a turn off. Even the stand up comedy scenes shown in the film that are supposed to be good, simply aren't. The ending is not satisfying at all. It is a shame the stars didn't get better material, it could have worked so well in different hands.

Look at the poster. "Laugh!" It says. That is an ill conceived promotion material for this movie that is sold everywhere as a comedy when it's not. Viewers and reviewers get the wrong expectation and you see this huge amount of frustrated reviews. I didn't laugh once and I'm not mad.

It competently sells the illusion of a successful and a bomb act. We can see the increasing confidence of Sally's character as a performer and clearly see Hanks' confidence on-stage and inner turmoil as the movie goes.

The problem with this movie is that it's a small story in a sense that all we get are small victories and losses. I never felt that those characters were truly pursuing their passions by doing sacrifices. The polar extreme of this is De Niro's character in The King of Comedy, also struggling to break in this business.

It's a good movie, but incapable to make you laugh or cry.

Tom Hanks performs the "Singing in the Rain" umbrella/street dance number like you'd never imagine it could be. I loved him in this movie. Probably more than the vast majority of his others. His portrayal of an emotionally tormented and lost young man blessed with a tremendous and natural talent for comedy - dark as it may be - broke my heart. I wasn't crazy about Sally Fields as his leading lady - the match up just didn't work for me. But as individuals they were both excellent.

I would recommend it highly. It's not really a comedy as the title might suggest. It is, as I said dark, but with some very warm feelings about giving. I gave it an 8