NOTE IMDb
6,2/10
30 k
MA NOTE
Après un accident tragique, un homme évoque un démon vengeur appelé Pumpkinhead afin de détruire un groupe d'adolescents sans méfiance.Après un accident tragique, un homme évoque un démon vengeur appelé Pumpkinhead afin de détruire un groupe d'adolescents sans méfiance.Après un accident tragique, un homme évoque un démon vengeur appelé Pumpkinhead afin de détruire un groupe d'adolescents sans méfiance.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 nominations au total
John D'Aquino
- Joel
- (as John DiAquino)
George 'Buck' Flower
- Mr. Wallace
- (as Buck Flower)
Lee de Broux
- Tom Harley
- (as Lee DeBroux)
Peggy Walton-Walker
- Ellie Harley
- (as Peggy Walton Walker)
Chance Michael Corbitt
- Eddie Harley
- (as Chance Corbitt Jr.)
Dick Warlock
- Clayton Heller
- (as Richard Warlock)
Avis à la une
The Good: I remember visiting the Canadian side of Niagara Falls as a kid, and going through Madame Tussaud's Wax Museum, and every single time, being utterly terrified of the "horror section" of the museum. Of all the wax figures, Pumpkinhead always scared me the most.
Since then, I guess childhood fear and literally thousands of other options meant I never ended up watching Pumpkinhead. Now that I have, I can say this movie really surprised me. I really liked the folksy, dark fantasy aesthetic, I think it begs for the movie's universe and lore to be expanded on. I left the movie wondering about how many other human dramas Pumpkinhead intervened in. I wonder about where he came from and how the townsfolk knew about him. That's the sign of a great horror concept.
Lance Eriksson is phenomenal here; he grounds the movie in a sort of realism and pathos that you don't often get with these types of movies. The relationship between his character, Ed, and his son, Billy is sweet and effective; you understand the man from the first 5 minutes, and can immediately understand the depth of his pain. Which, makes his summoning of the demonic avenger Pumpkinhead at least seem...understandable.
I also liked the tension generated by the tragic incident, where a group of (mostly) insufferable teens accidentally kill Billy. I like how there's another layer of the story, namely, how these people are going to figure it out and what they're going to do to fix the situation. Maybe I expected them to be a bunch of bodies for Pumpkinhead to kill or something, but I found the film way more interesting because of how their story develops.
But of course, Pumpkinhead himself. He has such screen presence, viewed so terrifying by everyone around him, there's no way you don't buy into him and get a little spooked yourself. He's treated as all powerful, unstoppable, and I can totally see why he's a key figure in the horror pantheon.
The Bad: Stan Winston's weaknesses as a director do kind of show here. There's some truly baffling acting at times, a lot of bad editing, and the first portion of this movie just feels...off. There are moments that end unexpectedly, where the music is too loud and inappropriate...just little aesthetic things that annoyed me throughout the movie. It definitely gets better as the movie goes on though.
I also felt the music needed a more ethereal and fantastical than it ultimately was. I couldn't help but feel the Hellraiser music would work super well here.
I also hate to say this, but as cool as Pumpkinhead is, the technical limitations the filmmakers had in 1988 means that we often can't or don't see Pumpkinhead kill anyone. He often seems like he's standing above or around people, but clearly not interacting with them, if that makes sense? I know it's not really fair, but being so used to contemporary CG, where you see fantastical creatures interact with regular people all the time, it's just kind of distracting.
This movie has the longest opening credit sequence I've seen in a long time. It's not only long, but it's really bad too.
The Ugly: Pumpkinhead, as I mentioned before, should've been a bigger and better franchise than it ended up being. The studio, MPCA, did not have confidence in the film and literally released it the same weekend as another film THEY PRODUCED, called...Child's Play. One became a major horror franchise that continues today, and the other never really got a chance to be.
Instead, Pumpkinhead has a direct-to-video sequel and two TV movies. All, i have been told, are pretty trash. It sucks because there's a lot of potential with this franchise and I wish there was more to it, honestly.
But it's also a testament to this film's quality that despite having ONE good (if imperfect) film to its name, Pumpkinhead is still considered by horror nerds to be one of the most iconic movie monsters ever.
Since then, I guess childhood fear and literally thousands of other options meant I never ended up watching Pumpkinhead. Now that I have, I can say this movie really surprised me. I really liked the folksy, dark fantasy aesthetic, I think it begs for the movie's universe and lore to be expanded on. I left the movie wondering about how many other human dramas Pumpkinhead intervened in. I wonder about where he came from and how the townsfolk knew about him. That's the sign of a great horror concept.
Lance Eriksson is phenomenal here; he grounds the movie in a sort of realism and pathos that you don't often get with these types of movies. The relationship between his character, Ed, and his son, Billy is sweet and effective; you understand the man from the first 5 minutes, and can immediately understand the depth of his pain. Which, makes his summoning of the demonic avenger Pumpkinhead at least seem...understandable.
I also liked the tension generated by the tragic incident, where a group of (mostly) insufferable teens accidentally kill Billy. I like how there's another layer of the story, namely, how these people are going to figure it out and what they're going to do to fix the situation. Maybe I expected them to be a bunch of bodies for Pumpkinhead to kill or something, but I found the film way more interesting because of how their story develops.
But of course, Pumpkinhead himself. He has such screen presence, viewed so terrifying by everyone around him, there's no way you don't buy into him and get a little spooked yourself. He's treated as all powerful, unstoppable, and I can totally see why he's a key figure in the horror pantheon.
The Bad: Stan Winston's weaknesses as a director do kind of show here. There's some truly baffling acting at times, a lot of bad editing, and the first portion of this movie just feels...off. There are moments that end unexpectedly, where the music is too loud and inappropriate...just little aesthetic things that annoyed me throughout the movie. It definitely gets better as the movie goes on though.
I also felt the music needed a more ethereal and fantastical than it ultimately was. I couldn't help but feel the Hellraiser music would work super well here.
I also hate to say this, but as cool as Pumpkinhead is, the technical limitations the filmmakers had in 1988 means that we often can't or don't see Pumpkinhead kill anyone. He often seems like he's standing above or around people, but clearly not interacting with them, if that makes sense? I know it's not really fair, but being so used to contemporary CG, where you see fantastical creatures interact with regular people all the time, it's just kind of distracting.
This movie has the longest opening credit sequence I've seen in a long time. It's not only long, but it's really bad too.
The Ugly: Pumpkinhead, as I mentioned before, should've been a bigger and better franchise than it ended up being. The studio, MPCA, did not have confidence in the film and literally released it the same weekend as another film THEY PRODUCED, called...Child's Play. One became a major horror franchise that continues today, and the other never really got a chance to be.
Instead, Pumpkinhead has a direct-to-video sequel and two TV movies. All, i have been told, are pretty trash. It sucks because there's a lot of potential with this franchise and I wish there was more to it, honestly.
But it's also a testament to this film's quality that despite having ONE good (if imperfect) film to its name, Pumpkinhead is still considered by horror nerds to be one of the most iconic movie monsters ever.
Most critics (who actually get PAID to critique films, unlike me, HA!) really hated this movie, dismissing it as yet another "brainless teen" slaughterfest and slamming it with either one star or a big fat turkey. I've never really understood this. Okay, it's not ever going to win an Academy Award, some of the acting is atrocious and much of the incidental music was cheesy and had me rolling my eyes, but the basic story is quite good. Six city teens on a vacation in either the Appalachians or the Ozarks, make the mistake of running over a little hillbilly boy with a motorcycle. 5 of them want to do the right thing and call the police, but the 6th, a hulking moron with a police record, takes his friends hostage. By the time he comes to his senses, it's too late. The dead boys father has been to see the local Witch, who in turn has summoned the Demon of Vengeance: Pumpkinhead.
There's really not a lot of gore here, and no sex whatsoever. The "typical teens" here actually appear to be in their early twenties, and are hardly the faceless victims you usually find in these kinds of films. The real menace lies with the hill folk, many of whom look like the genuine article; inbred and dangerous. Lance Henriksen turns in a great performance as the dead boys father, blinded (most understandably) by grief and anger, yet still compassionate enough at last to try and reverse what he has done. The monster, Pumpkinhead, is really cool looking, created as it was by special effects man Stan Winston, who also directed. The atmosphere and mood of this movie are constantly menacing, even in the bright light of day, and Pumpkinhead seems to bring an aura of electrical storms with him wherever he goes, the sound of cicadas and the flashing of heat lightening most unsettling. The Witches cabin in particular is a magnificent set piece. Worth seeing at least once. The "professional" critics are NOT always right.
PS - Don't bother watching "Pumpkinhead 2: Blood Wings." I've never seen a more horrible sequel with a more annoying cast of arrogant teenagers who deserved to be killed. Banal, moronic waste of film.
There's really not a lot of gore here, and no sex whatsoever. The "typical teens" here actually appear to be in their early twenties, and are hardly the faceless victims you usually find in these kinds of films. The real menace lies with the hill folk, many of whom look like the genuine article; inbred and dangerous. Lance Henriksen turns in a great performance as the dead boys father, blinded (most understandably) by grief and anger, yet still compassionate enough at last to try and reverse what he has done. The monster, Pumpkinhead, is really cool looking, created as it was by special effects man Stan Winston, who also directed. The atmosphere and mood of this movie are constantly menacing, even in the bright light of day, and Pumpkinhead seems to bring an aura of electrical storms with him wherever he goes, the sound of cicadas and the flashing of heat lightening most unsettling. The Witches cabin in particular is a magnificent set piece. Worth seeing at least once. The "professional" critics are NOT always right.
PS - Don't bother watching "Pumpkinhead 2: Blood Wings." I've never seen a more horrible sequel with a more annoying cast of arrogant teenagers who deserved to be killed. Banal, moronic waste of film.
In the countryside, the quiet hick Ed Harley (Lance Henriksen) raises his beloved son Billy alone, working in his grocery on the side of the road. When three couples from the big city stop off at his store to buy some supplies, their leader Joel (John D'Aquino) accidentally kills Billy with his motorcycle and he does not allow his friends to call for assistance. In his hatred, Ed visits the evil witch Haggis (Florence Schauffler) that conjures the demon avenger Pumpkinhead to destroy the teenagers. Later Ed regrets and tries to call off the deal but he finds the price to be paid.
"Pumpkinhead" is a great slash movie of a demon called Pumpkinhead that is summoned by someone to revenge the death of another person. It is interesting to note that the boy is accidentally killed and five teenagers try to do the right thing, but the question is not to be fair or not: the boy's father is blind by his feeling of revenge, and only after calming down, he unsuccessfully tries to call off the deal, but it is too late. Therefore there is a good message about the danger of a revenge in the end. My vote is seven.
Title (Brazil): "Sangue Demoníaco" ("Demoniac Blood")
"Pumpkinhead" is a great slash movie of a demon called Pumpkinhead that is summoned by someone to revenge the death of another person. It is interesting to note that the boy is accidentally killed and five teenagers try to do the right thing, but the question is not to be fair or not: the boy's father is blind by his feeling of revenge, and only after calming down, he unsuccessfully tries to call off the deal, but it is too late. Therefore there is a good message about the danger of a revenge in the end. My vote is seven.
Title (Brazil): "Sangue Demoníaco" ("Demoniac Blood")
A group of young adults heading to a cabin for the weekend accidentally run over and kill the son of country storekeeper Ed Harley (Lance Henriksen) and then drive away. Driven by grief, Ed goes to a witch for help raising a demonic creature known as Pumpkinhead to wreak vengeance upon his son's killers. Directed by special effects wizard Stan Winston, Pumpkinhead is one of the most original and underrated horror films of the last thirty years. Lance Henriksen is terrific, as is John Carpenter favorite George Buck Flower. The best scenes go to the witch Haggis, played by Florence Schauffler under a ton of makeup. Every scene involving the witch is gold. On the minus side, the kill scenes are not terribly inventive and are done with a minimum of suspense, despite the terrific atmosphere Winston has set up with the dark and misty backwoods locale. And, of course, praise should go to Winston and his special effects crew for creating a unique creature like Pumpkinhead to begin with. I'm sure the dream of every special effects artist who grew up idolizing Jack Pierce, Willis O'Brien, or Ray Harryhausen would be to create a memorable monster of their own. Winston did just that with this film.
Pumpkinhead is a criminally overlooked 80's horror movie that stands up there as one of my favorites of the entire decade. It is exceptionally well made by first time director Stan Winston who shows more skill behind the camera than one might expect from someone primarily known for special effects. Most of the lead actors do a very good job, with a few exceptions, however Lance Henriksen brings an enormous amount of credibility to the whole thing. I have great respect for character actors such as Lance and this is some of his best work. The creature itself is well conceived however it is hidden in shadows throughout most the picture which allows the actors and the story to take center stage, much to the film's benefit. Overall this is one of the best Halloween movies ever made as that is the perfect time of year to watch this movie. It's dark, it's Gothic, and it's damn cool.
Le saviez-vous
- Anecdotes'Fun' was, in fact, the prevalent mood on the Pumpkinhead set. Despite many additional burdens and responsibilities, Winston brought the same sense of humor and lighthearted spirit to directing Pumpkinhead as he had to his creature effects assignments. "Stan was a blast as a director," recalled Alec Gillis. "He was fun and completely relaxed on the set, as if he didn't have a care in the world. I remember one day when we were in this cramped cabin set, and I was very tense and tired because Shane and I had just spent three hours applying makeup to the actress playing the witch. But then I looked over and saw Stan standing across the room, staring at me, with his glasses cocked at a weird angle on his head -- just to make me laugh. There was my director, making an idiot of himself for nobody's benefit but mine. That isn't something most directors would do!"
- GaffesIn the scene where Pumpkinhead is entering the burned out church, he takes several steps where you can clearly see that he's wearing Nike shoes. (FULLSCREEN ONLY).
- Crédits fousInspired by a poem by Ed Justin
- Versions alternativesPost-1997 prints split up the MGM/UA Communications Co. and United Artists. The latter is plastered with the 1990s variant and is shown first before MGM/UA Communications Co. while the 2008 DVD removes the logo completely and added the opening and closing MGM logos in addition to the silencing the fanfare in the MGM/UA Communications Co. logo.
- ConnexionsEdited into Pumpkinhead III : Les Condamnés (2006)
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- How long is Pumpkinhead?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Venganza diabólica
- Lieux de tournage
- Kelly Gulch - 1801 N. Topanga Canyon Boulevard, Topanga, Californie, États-Unis(cabin in which the group holds up in while hiding out)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 4 385 516 $US
- Week-end de sortie aux États-Unis et au Canada
- 686 567 $US
- 16 oct. 1988
- Montant brut mondial
- 4 385 516 $US
- Durée1 heure 26 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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What is the Italian language plot outline for Pumpkinhead : Le Démon d'Halloween (1988)?
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