Un détective de la police de San Francisco est contraint d'enquêter sur une série de meurtres avec son ancien commandant qui est son ennemi bien qu'il ait une relation avec sa fille.Un détective de la police de San Francisco est contraint d'enquêter sur une série de meurtres avec son ancien commandant qui est son ennemi bien qu'il ait une relation avec sa fille.Un détective de la police de San Francisco est contraint d'enquêter sur une série de meurtres avec son ancien commandant qui est son ennemi bien qu'il ait une relation avec sa fille.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Avis à la une
Although it's definitely not a top class thriller, more of a low-key crime drama, the final twist in the tale makes it a decent picture. It's got fantastic setting. Peter Hyams, who apart from directing the film also holds a spot as director of photography, shots exteriors stylishly. The slightly cold colours correspond well with Sean Connery's characterisation as a strict man of principles.
In case of Connery it's always as much about the acting as it is about the looks and he looks really good as an MP officer, mostly wearing regular uniforms, prefferably dark blue. If he hadn't succeeded as 007 he would have definitely made a career as a character actor playing officers.
Mark Harmon takes over as an action man from Connery which is a nice change. The chase scene is quite impressive even by today's standards, well done! On the other hand the fight scene with Connery is also well choreographed.
My only complain would be about Meg Ryan's character. She seems too soft, too childish as for a person rised only by a father, who happens to be a rather tough guy, shy of showing emotions. Somehow her character doesn't convince me at all.
In a nutshell: you'll like the film if you like San Francsico and you'll love it if you like Sean Connery. No more, no less.
Although there are some good moments for the main actors - Jack Warden also among them, as Caldwells' longtime friend Ross Maclure - this movie is more entertaining during its murder investigation scenes. It IS played awfully straight, with not much in the way of humour, but then, this is more of a serious thriller than the typical buddy-cop action film. It does also have, however, a ridiculous scene that serves no real purpose to the plot other than to show how bad ass Connery is, as he beats up Rick Zumwalt (as a bully in a bar) with his THUMB. Slickly made, with capable direction by Peter Hyams, who again serves as as his own cinematographer (and does a better job of lighting the proceedings than usual). The location work in SF is excellent, fortunately.
The handsome Harmon is passable as our likable good guy protagonist, but he doesn't have much chemistry with either Connery or Ryan. The supporting cast is solid: Mark Blum, Marvin J. McIntyre, Dana Gladstone, the much too briefly seen Jenette Goldstein, Don Calfa (in a quick cameo), John DiSanti, Robert Lesser, Patrick Kilpatrick, etc., but Connery is the principal reason to watch "The Presidio". His effortlessly strong presence lends itself well to the role of a career military man.
This is easy enough to watch, but also easy enough to forget.
Six out of 10.
Mark Harmon, who for some reason hasn't received many offers to star in big movie roles, plays Jay Austin. He's a cop who used to be an MP at The Presidio, the base at which a murder takes place. Harmon does an excellent job, both as Donna's lover and Caldwell's unwanted partner.
The fact is, the performances are wonderful, the story is fascinating, and the chase scenes create pulse-pounding excitement. If you like action, romance, drama, and a little humor every now and then, I recommend The Presidio.
Le saviez-vous
- AnecdotesThe footage of the aircraft carrier passing underneath the Golden Gate Bridge was subsequently used in the opening title sequence of the first two seasons of NCIS : Enquêtes spéciales (2003), which stars Mark Harmon.
- GaffesWhen Col Caldwell is shooting the guy with the shotgun in the water warehouse, he shoots several times and then a "click" is heard indicating he is out of bullets. When the Colt Model M1911A1 .45 pistol fires the last round in the magazine, the slide locks back (open), so there is no empty click - the .45 Caldwell is holding does not have the slide locked back, so he hadn't fired the last round in the pistol.
- Citations
Lt. Col. Alan Caldwell: What in the hell is "the Dead"?
Jay Austin: You wouldn't understand.
Lt. Col. Alan Caldwell: Try me.
Jay Austin: The Grateful Dead.
Lt. Col. Alan Caldwell: The Grateful Dead?
Jay Austin: Grateful Dead.
Lt. Col. Alan Caldwell: I don't understand.
Jay Austin: [sarcastically] That's a surprise.
- Versions alternativesThe European version and American version each contain different footage:
- In the American version, Donna and Jay kiss longer, about ten seconds longer than the European version.
- In the European version, the sex scene is much longer with Donna moving on top of Ray, about one minute longer than the American version.
- ConnexionsEdited into NCIS : Enquêtes spéciales (2003)
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Presidio
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 20 324 096 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 119 031 $US
- 12 juin 1988
- Montant brut mondial
- 20 324 096 $US
- Durée1 heure 37 minutes
- Couleur
- Rapport de forme
- 2.39 : 1