Le flic ne porte pas de costard

I wouldn't give this movie an overall good mark, but I think in its niche it well deserves its average. To be an eighties movie it contains enough for the younger viewer to enjoy. I quite liked the small poetry incorporated. One thumb up!

This a movie that stuck with me, with the odd line of dialogue, or the iconographic facial expression popping into my head unsolicited for years later. The humour is constant, but understated; the acting was all well-done, and the plot carried itself. The viewer sees Nick start off clumsily, and practically cheers when he starts to be affected by the kids he's never got along with as he starts to understand them.

Nick looks more developed than the bullies who try to intimidate him, but he always carries himself with a casually awkward air that could fit right in with a group of teens. His and Ms. Torrence's attraction to one another is carefully done - believable, but not overwhelming, so you forgive other characters missing it.

It is not easy playing a 'quirky' character in a movie like this. The cast had to walk a line, never going so far that the movie became slapstick (the script would not have supported that), and did an excellent job. Check out Diane Ladd, for instance: her implication that a by-the-book persona covered a passionate nature was perfectly done. And Abe Vigoda, with that fantastic face - looks like a basset hound when serious, like a game show host when smiling! Often he does both within a few seconds of each other. Seymour Cassel, Robert Stack, George Wendt, Suzy Amis, and Jackie Gayle all showed great comedic delivery.

The minimal violence and sex was well-done, as well. Often such things are better implied than shown, and although there was some (it IS a murder mystery, and there are romantic entanglements to deal with), it was appropriate. The music, montages, costuming and settings were all make for a believable a late-80s high school, although the dialogue was overblown for comedic effect.

There was a slight glitch in the characterization when it is at first implied Nick (like his brother) has a hair-trigger temper, and then spends most of the more tense, humiliating scenes acting like he has (more than) adult control. It worked for the plot, though. The clues dropped for the mystery are often disguised as humour; I do not think the audience will have an "Aha!" moment like Nick apparently does, but it worked well in this context.

More than one fan has said they want this on DVD - well, me, too! But I do not see a way to suggest it on Paramount's home page, so I will try to make do with a deteriorating VHS copy. If anyone wants to tell me how to make my vote known, I would welcome it! _Plain Clothes_ on digital! With any extras you can dig up after two decades! PLEASE!

(And, as an aside, what a useless title: when I tried to find this movie, the title was the thing I never remembered about it.)

All said, a fun, light-hearted movie, full of human nature, nostalgia, and quotable lines.

A sweet little film that's fun to watch. Arliss Howard's comedic talent is unappreciated and underestimated. He is assisted by fine veteran actors who look as if they are having a whale of a good time. The writing is surprisingly good for a low-budget flick.

Arliss Howard (looking at home) stars in this enjoyably offbeat mystery comedy, which he plays a cop who goes undercover at his brother's high school when he's accused of stabbing a teacher. Because how young he looks no one believes he's a cop, so why not go back to school to figure who committed the murder and helping is his partner (a terrific Seymour Cassel) who pretends to be his father. But there's no escaping the daily grind of high school.

Kind of surprised this is not more well known, bestowing an excellent ensemble cast (George Wendt, Diana Ladd, Suzy Amis, Larry Pine and Robert Stack) giving decent performances by presenting an odd assortment of characters and sharing great chemistry (especially Howard and Cassel). The story moves between trying to connect the dots throwing out possible leads and red herrings (in predictably daft way), while also adjusting to school life. These are the usual things (bullying, popularity and crushes), but it remains charming, authentically atmospheric and lightly humorous. There's a certain mock seriousness attitude abound and there's neat running gag involving amusing quips over the school PA system and a memorable little poetry reading to explain the word metaphor. It has snappy energy and frequent humour, while low-key it does balance out nicely against its murder mystery angle.

Pleasing under-the-radar late 80s comedy.

'Plain Clothes' is not great comedy, though it does, at least subtly, attempt stupid humor (such as the running gags with the school announcements and the Springsteen jokes). And, as a b-comedy with a relatively unknown cast leading with Arliss Howard and Seymour Cassell (who is great, but doesn't often act in the mainstream circuit), this may be one obscure 80s comedy that could only really be best enjoyed by us fans of obscure 80s movies. Familiar, name-escaping faces, a different story, high school in the 80s, it just might have what you're looking for.

Plain Clothes is the story of a babyface young cop (Arliss Howard) who's younger brother is prime suspect in a teacher's unusual murder at his high school. Convinced that his brother is telling the truth when he claims to be innocent, the cop goes undercover as a high school student to investigate. Only, what he discovers is much more than just a murder. You have your typical 80s teen movie elements, since this does take place in a high school and our main character does pose as one of the more interesting students. Love triangles and social scuffles mixed with the suspense/action of the cop story angle. It does quite a bit of shifting and does, as another viewer commented, culminate in a rather confusing climax.

For this bit of narrative game playing and mild comedy treatment, this movie is perfect for just a certain kind of audience (if you love obscure b-80s movies) and a certain kind of day (lazy weekend noons are probably best). By the way, Max Perlich fans should not miss him in his trademark leather jacket and buzz cut when he shows up (briefly) as Carter, one of the kids who befriends the undercover cop.