La nuit bleue

It's basically a 90 minute music video. There are a number of striking visuals. The original score is quite good at times.

However, the acting is mostly bad. Gérard Darmon comes across as the best of the bunch and comparatively acts circles around most of these clowns. Virginia Hey's scenes are hit or miss. She has some good moments.

The film itself is a strange mix of erotica and murder mystery set in a futuristic setting. The futuristic setting was the most interesting aspect of the film and also was the least explored in the film. For example, there is a laser gun, but it is only shot once, and it misses and hits a wall. That's it.

The weakest component was the murder mystery. I figured out the killer within the first half of the film before the big clue is revealed. There is very little in terms of gore or special effects here.

It's hard to say who this movie was actually made for.

OK, I admit it: I rented this movie only because it has Eva Grimaldi in it; well, Eva has only a minor, virtually non-speaking part, and the film is far from the conventional erotic thriller you might expect based on the video box promotion. It's really not a very good movie, but it's unlike anything you've ever seen before. Part kinky soft-core sex film, part murder mystery, set in a vaguely futuristic world, it is a very strange, very arty film, with some bizarre music ("The Man I Love"!) and casting (female bodybuilder Teagan as...herself) choices. It's obvious that one of the goals of this movie was to create (with limited means) its own world; it succeeded admirably. By the way, did the person who said that "it wants to be like "Basic Instinct"" bother to check out its production date? (**)

My review was written in March 1989 after watching the film on Imperial Entertainment video cassette.

This thriller is an excellent example of a recent Italian genre little-known Stateside: the glamorous horror/fashion pic. Direct-to-video release should generate interest in other pasta couture shriekers.

Pic aroused interest in Europe last year (and was featured in photo spreads in "Lui" and other magazines) under the title "Pathos". Helmer Piccio Raffanini has adapted the style of Jean-Jacques Beineix' "Diva" (and cast Beineix' regular thesp Gerard Darmon) to this tale of decadent photographers using high-tech equipment to stylize erotic fashion photos.

Virginia Hey is the antiheroine, whose sexy models are being murdered. Identity of the assailant is possible to figure out, and getting to the bottom of the mystery is made exciting by an excellent musical score, vivid pastel-lit photography by Romano Albani and a very attractive cast (frequently nude).

Hey, an Aussie thesp in tv series "Dolphin Cove", is solid s the shutterbug with a sadistic streak, while Teagan Clive and Carin McDonald offer diverting beauty as muscular femme models. August Darnell, Kid Creole of the vocal group, pops up in a small role.

Gabriele Ducros' hypnotic background score is augmented by well-chosen songs, including Chrissie Hyde's "Private Life", sung by Grace Jones. Tech credits, including English postysynch, are way above average.

This film is packaged as a run of-the-mill sex thriller, however theres a lot more to it than meets the eye. The video box neglects to mention that this is a sci-fi adventure. The photography is absolutely magnificent, gorgeous, and well thought out. Sureal and surprising. It's everybit a 'Barberella' for the eighties

Yes, it takes place in the future, but I think that's just because the producers had access to a futuristic car and wanted to work it into the plot. In reality, it is a conventional erotic thriller, but it's a fairly worthy one. Alone worth the price of admission is an absolutely stunning brunette in one of the supporting roles. She and Virginia Hey get into a little romantic tryst that absolutely revolutionized my adolescent fantasy life when I saw this picture back in the 80's.