NOTE IMDb
5,6/10
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MA NOTE
Freddy Krueger revient une fois de plus hanter les rêves des Dream Warriors restants, ainsi que ceux d'une jeune femme qui pourrait peut-être le vaincre pour de bon.Freddy Krueger revient une fois de plus hanter les rêves des Dream Warriors restants, ainsi que ceux d'une jeune femme qui pourrait peut-être le vaincre pour de bon.Freddy Krueger revient une fois de plus hanter les rêves des Dream Warriors restants, ainsi que ceux d'une jeune femme qui pourrait peut-être le vaincre pour de bon.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 9 nominations au total
Avis à la une
A Nightmare on Elm Street 4: The Dream Master, the fourth installment in the Nightmare on Elm Street series. I was lucky enough to get the boxed DVD set of Nightmare on Elm Street series and I just finished all the sequels and while the fourth isn't a bad sequel or continuation of the story, it was pretty silly. It was cool to continue on with the dream warriors who were clever enough to defeat Freddy in the third Nightmare on Elm Street. But Freddy's back and he is more ticked off than ever and you know that's not good. But while the story was a good idea, the way it was executed, I wasn't really that into it, just the acting I think is what killed it for me. The way the movie was made was what made it feel like it was more of a cheesy TV show like on the Sci-fi Channel than an actual movie.
We start off where the third installment of the Nightmare on Elm Street series left off, the kids from the hospital are now grown up and are all on their own. But they are quickly killed off by Freddy hoping to get Kirsten back to help them, but they are too late. But when Kirsten finds a girl, Alice, she finds out that Alice has the same powers as she does. She has the ability to pull other people into her dreams and of course Alice is scared to find out how to use her powers, but she may just have to use them since Freddy is now after her and other kids too.
A Nightmare on Elm Street 4: The Dream Master was a good enough sequel, but it just could have been better. I liked it, but so far it's not my top favorite sequel. Again, we've got some very cool deaths, don't think I could choose one, I think the water bed one was very cool. But once again, I don't wanna spoil it. Of course if you wanna see the Nightmare on Elm Street sequels, this is recommended, but as a horror movie on it's own, it's OK.
6/10
We start off where the third installment of the Nightmare on Elm Street series left off, the kids from the hospital are now grown up and are all on their own. But they are quickly killed off by Freddy hoping to get Kirsten back to help them, but they are too late. But when Kirsten finds a girl, Alice, she finds out that Alice has the same powers as she does. She has the ability to pull other people into her dreams and of course Alice is scared to find out how to use her powers, but she may just have to use them since Freddy is now after her and other kids too.
A Nightmare on Elm Street 4: The Dream Master was a good enough sequel, but it just could have been better. I liked it, but so far it's not my top favorite sequel. Again, we've got some very cool deaths, don't think I could choose one, I think the water bed one was very cool. But once again, I don't wanna spoil it. Of course if you wanna see the Nightmare on Elm Street sequels, this is recommended, but as a horror movie on it's own, it's OK.
6/10
A Nightmare on Elm Street 4: The Dream Master is directed by Renny Harlin and written by Brian Helgeland and Scott Pierce. It stars Robert Englund, Lisa Wilcox, Andras Jones, Tuesday Knight, Ken Sagoes, Rodney Eastman and Brooke Theiss. Music is by John Easdale and Craig Safan and cinematography by Steven Fierberg.
Freddy Krueger (Englund) is back again to finish off the last of the Dream Warriors, but when he enters the dreams of a new girl, Alice Johnson (Wilcox), he gets more than he bargained for...
In spite of part three being something of a return to form for the Elm Street franchise, it still signalled the point where Krueger as a character started to become more fun villain than a terrifying presence. By the time this fourth instalment rolled around, Krueger was iconic for sure, but also he was a marketing tool for merchandise, even getting his own spin-off TV show. Where once was this vile child murderer invading the dreams of children and killing them, now is a guy selling dolls and someone more known for a quip than a kill.
Dream Master follows the basic Elm Street formula, Krueger returns to kill more kids in their dreams. The methods range from the icky (insect) to the impressive (pizza), and the effects work is mostly enjoyable. The tying up of loose ends shows some modicum of thought in the writing, while the big finale is actually worth the wait. However, the acting away from a perky Wilcox is pretty poor and familiarity of formula does indeed breed contempt. It's just about above average as a whole, thanks in the main to the inventive kills, but as this third sequel coined it in at the box office, with that comes the basic fact that Kruegerville is a town built only for cash purposes. 6/10
Freddy Krueger (Englund) is back again to finish off the last of the Dream Warriors, but when he enters the dreams of a new girl, Alice Johnson (Wilcox), he gets more than he bargained for...
In spite of part three being something of a return to form for the Elm Street franchise, it still signalled the point where Krueger as a character started to become more fun villain than a terrifying presence. By the time this fourth instalment rolled around, Krueger was iconic for sure, but also he was a marketing tool for merchandise, even getting his own spin-off TV show. Where once was this vile child murderer invading the dreams of children and killing them, now is a guy selling dolls and someone more known for a quip than a kill.
Dream Master follows the basic Elm Street formula, Krueger returns to kill more kids in their dreams. The methods range from the icky (insect) to the impressive (pizza), and the effects work is mostly enjoyable. The tying up of loose ends shows some modicum of thought in the writing, while the big finale is actually worth the wait. However, the acting away from a perky Wilcox is pretty poor and familiarity of formula does indeed breed contempt. It's just about above average as a whole, thanks in the main to the inventive kills, but as this third sequel coined it in at the box office, with that comes the basic fact that Kruegerville is a town built only for cash purposes. 6/10
This doesn't have the well-known cast of the previous Nightmare 3 movie but the special effects are still good.....each very different and some of them very funny. They make this perhaps the most entertaining entry in the series.
Memorable scenes include a junkyard, a water bed, a classroom, faces in a pizza, a girl bench pressing and faces coming out of Freddy's flesh. The storyline, however, features its usual dumb and ridiculous theology and has its usual share of unlikable obnoxious teens. Their parents weren't pictured as any better, perhaps worse.
In fact, the kids and parents are so bad you wind up rooting for Freddy to do them in. Perhaps that's the idea!
Memorable scenes include a junkyard, a water bed, a classroom, faces in a pizza, a girl bench pressing and faces coming out of Freddy's flesh. The storyline, however, features its usual dumb and ridiculous theology and has its usual share of unlikable obnoxious teens. Their parents weren't pictured as any better, perhaps worse.
In fact, the kids and parents are so bad you wind up rooting for Freddy to do them in. Perhaps that's the idea!
The original 'A Nightmare on Elm Street' is still to me one of the scariest and best horror films there is, as well as a truly great film in its own right and introduced us to one of the genre's most iconic villains in Freddy Krueger. It is always difficult to do a sequel that lives up to a film as good as 'A Nightmare on Elm Street' let alone one to be on the same level.
While the best of the sequels from personal opinion is the third, the fourth one is another one of the series' better sequels. Like the third film it is not on the same level as the original, a very difficult feat, but it does have enough of what is a large appeal of the original and why it works so well. Not perfect, but a lot of very good things.
'The Dream Master' is not without its flaws. With a couple of exceptions, the acting is largely wooden (while not the worst offender as such, Tuesday Knight is no Patricia Arquette) and the beginning rock song is really cheesy and feels out of place. The story at times gets a little silly.
However, Lisa Wilcox is a winning lead and Robert Englund continues to terrify as the iconic character that epitomises "what nightmares are made of". 'The Dream Master' is to me the second best directed sequel, courtesy of Renny Harlin, giving a potentially clichéd premise freshness and imagination.
Special effects are neatly executed. The humour is darkly comic and very funny and there are some wickedly cracking one-liners. The scares are aplenty and they are legitimately creepy with some cool deaths (the water bed one is a strong example) and amazing dream sequences thrown into the mix. Alice being flung into the on-screen action from the cinema balcony is one of the series' most marvellous highlights.
It's a beautifully photographed film, particularly the dream sequences, and is the most unique-looking 'A Nightmare on Elm Street' sequel with its European art-horror visual style. The production design is both dream-like and nightmare while the music is suitably haunting.
Overall, good sequel and one of the series' better ones. 7/10 Bethany Cox
While the best of the sequels from personal opinion is the third, the fourth one is another one of the series' better sequels. Like the third film it is not on the same level as the original, a very difficult feat, but it does have enough of what is a large appeal of the original and why it works so well. Not perfect, but a lot of very good things.
'The Dream Master' is not without its flaws. With a couple of exceptions, the acting is largely wooden (while not the worst offender as such, Tuesday Knight is no Patricia Arquette) and the beginning rock song is really cheesy and feels out of place. The story at times gets a little silly.
However, Lisa Wilcox is a winning lead and Robert Englund continues to terrify as the iconic character that epitomises "what nightmares are made of". 'The Dream Master' is to me the second best directed sequel, courtesy of Renny Harlin, giving a potentially clichéd premise freshness and imagination.
Special effects are neatly executed. The humour is darkly comic and very funny and there are some wickedly cracking one-liners. The scares are aplenty and they are legitimately creepy with some cool deaths (the water bed one is a strong example) and amazing dream sequences thrown into the mix. Alice being flung into the on-screen action from the cinema balcony is one of the series' most marvellous highlights.
It's a beautifully photographed film, particularly the dream sequences, and is the most unique-looking 'A Nightmare on Elm Street' sequel with its European art-horror visual style. The production design is both dream-like and nightmare while the music is suitably haunting.
Overall, good sequel and one of the series' better ones. 7/10 Bethany Cox
"Nightmare on Elm Street 4" is one of the best entries in the series. Okay, the first is considered a classic, maybe because it had a feeling of poetic surrealism that is indeed lost here. But, come on, it is the FOURTH Freddy film, did you REALLY expect it to be scary? Freddy delivers indeed too many puns, however some of them actually hit the mark. After all, the quality of a slasher film doesn't depend exclusively on how "serious" and "vicious" the killer is - he was more serious in "Part 2", which was an embarrassment, he was less serious in "Part 3", which was an imaginative, entertaining film. As for "Part 4", it has way-above-average acting, a polished look (just compare it to some early "Friday The 13th" cheapies) and some gruesome, stunning visual effects. Above all, the movie exploits more possibilities about the links between reality and dreams than the "classic" original did. It is worth seeing.
Le saviez-vous
- AnecdotesFirst film in the franchise where Robert Englund received top billing in the opening credits.
- Gaffes(at around 22 mins) When a headphone cord is unplugged from a stereo, the stereo does not turn off. The stereos speakers would turn on.
- Citations
Freddy Krueger: Welcome to Wonderland, Alice.
- Crédits fousA text before the opening credits reads as follows: "When deep sleep falleth on men, fear came apon me. And trembling which made all my bones to shake" -Job IV, 13-14
- Versions alternativesThe UK cinema version was cut by 56 secs to delete footage of nunchakus from two scenes, and the cuts were expanded to 1 min 7 secs for the video release. The cuts were fully restored in the 15 rated 2001 DVD.
- ConnexionsEdited into KPDX Fox 49, Award Video: Freddy's Holiday Party Contest (1988)
- Bandes originalesLove Kills
Performed by Vinnie Vincent Invasion
Written by Vinnie Vincent
Produced and Arranged by Dana Strum and Vinnie Vincent
Published by Vinnie Vincent Music/Rare Blue Music, Inc. (ASCAP)
From the Chrysalis LP "All Systems Go"
(played on jukebox in diner)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Pesadilla en la calle del infierno 4
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 6 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 49 369 899 $US
- Week-end de sortie aux États-Unis et au Canada
- 12 833 403 $US
- 21 août 1988
- Montant brut mondial
- 49 369 899 $US
- Durée
- 1h 33min(93 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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