Jimmy Reardon

River must have been asleep when he read this script. A young actor known for choosing meaty, meaningful roles, in this instance, he must have been going for cheap publicity. Well, I don't think he made many fans with this one. I'm not even sure what movie this compares to. It went on too long and was hardly worth watching. On a personal note. I will always miss River. He was the best young actor of his generation. And the business of movie making has not been the same without him. He could have reached the top. Goodbye again, young friend.

I only tuned into this film to see Ione Skye. Denise (Ione Skye) and Jimmy (River Phoenix) had an interesting thing going on. Outside of her, I am really not sure what was going on.

Jimmy seemed to be trying to find his own way and not follow what others wanted him to do. Sort of a slacker, he was in constant turmoil with his father until they managed to find something in common to bind them together. :-) He totally screwed things up with his girlfriend, but one suspects that he might have decided to try again as the movie ends. Who Knows?

I really was hoping for a film that would give me an idea of what River was like as an actor. This wasn't it. It really didn't have much going for it except Ione.

I watched this movie when I was younger and enjoyed it, now....it just seems boring. There are no likable characters, the script does a poor job of even letting you get to know anyone but jimmy. It isn't funny, not at all so I'm not sure why it is classified as a comedy. Honestly jimmy just doesn't have that much happen to him, other than lots of sex. Watching this now it just falls flat. There is no lesson learned, no great friendships explored, no amazing love story here. Jimmy doesn't seem to really care about anyone but himself. You get the idea ( due to the narration), that jimmy does indeed become a writer...but that's not explored either. His writing is actually just a side note in the story . It's almost as if somewhere in there a good story existed, but they don't finish telling it or something. It's really just a movie about a selfish person, surrounded by selfish people...who is really nave about life and has no clue what he wants to do, other than girls of course. This movie s devoid of purpose and fairly vapid.

"A Night In The Life Of Jimmy Reardon" is a grinless Coming Of Age film which has been mis-packaged as a comedy. It almost seems as if half the film was in the can before someone on high decided to change the genre... either that or Richert forgot to film a lot of scenes.

River Phoenix is said to have been ashamed of his part in the film, but he is actually not bad, considering the material he had to rise above. Reardon gives us a Phoenix who has not yet become hard-eyed, 'though the character he played was nearly graceless. River still had fuzz on his chin and boyish charm. This was a young man on the cusp of greatness.

The adult actors in this film were dreadful and the other young actors were uneven. I hardly recognized Mathew Perry. Talk about a baby face!

Watching Reardon is like watching kids try to play grownup. The script was originally written for older actors and would have been better if older actors were used. Those used seemed hardly past puberty, and had no idea how to play "sexually jaded" at all.

Overall, I prefer Reardon to "Dogfight" as a River Phoenix vehicle and a comparison of the box-office take shows many others did too.

See it if only to see a still innocent River Phoenix playing a young man far removed from himself.

I kept avoiding seeing "A Night in the Life of Jimmy Reardon" for a while after a disastrous bad impression over its first minutes, can't tell for sure what happened in that first attempt years ago. But without any more River Phoenix films to watch, this was the one missing and I wish I could go without. Almost pointless in what's trying to do, unfunny and presenting what could be one of the most unlikeable and detestable lead characters in a comedy - one cannot do that in a comedy. William Richert's adaptation of his own novel "Aren't You Even Going To Kiss Me Goodbye?" was sufferable through nearly its entirety, with some interesting moments and a decent acting from the cast, but it's beyond salvation.

Deep down in "A Night in the Life of Jimmy Reardon" there's a valid (and cliched) criticism on the final years of the American dream of the 1950's and the loss of innocence of the 1960's. Here, the young title character (Phoenix) is completely lost with a decision he has to make: to enter the college his dad attended (which the kid hates the idea) or join a college he wants with the artful studies he likes. The dad, played by Paul Koslo, is one of those formulaic characters made to yell and scream at wife and kids throughout the movie, but based on the film bookends he changes drastically (with a given reason).

The problem with Jimmy is that he's still trying to understand life, relationships, as he's also a ladies man but also romantically involved with a rich girl (Meredith Salenger) who refuses to go to bed with him - her parents disapproves of the poor young stud, and he's basically used as a boytoy to please the girl's whims (as I kept watching their moments I couldn't help but thinking of a dull song that I like that had such description). The challenge is to get money from all sources possible to have a trip to Hawaii with the girl and countless situations ensues, none of them funny or interesting - except for affair with an older woman (Ann Magnuson).

Had it used the more serious underlined themes and removing the comedy altogether, this might have been a more interesting film. By the time Reardon finds out about the hypocrisy of the adult world and some sense comes to his head, we almost feel sorry for all the troubles he was put. Almost, since he's a completely obnoxious character who makes all the poor decisions possible despite being a smart guy who knows how to get out of situations. The typical teen with countless things over his head, Jimmy Reardon is someone who doesn't know that the word priority must not be used as a plural - the moment you define "priorities" you lose the essence of what really is a priority to be done/solved. But honestly, I couldn't care about the trip, the money, the college or his attempts in fixing a date for his best buddy (Matthew Perry, on his film debut) since Reardon becomes a total annoyance.

Richert's idea in making of River Phoenix a teen hearthrob was a total miss and a major problem. Phoenix could fit such description as he was a great looking young man. But there was more to it. A sensible and talented young actor who could disappear in his roles, with a great complexity and charisma. To have him reduced in being 'what the girls dream and want' didn't help him and he felt that. To the fans, skip this without worry. 5/10.