Pleine lune sur Parador

This is one the few movies I can watch over and over. If you've never seen it, give it a shot. Richard Dreyfus and Raoul Julia are wonderful together and although the movie amuses me greatly, it reminds me of Julia's untimely demise. It is a good opportunity to sit back and laugh at the international intrigue that is too much with us in these time of terror and fear.

I enjoyed this film. It was funny, cute, silly, and entertaining. Had a fine cast and really got hammered by some critics for reasons that I truly don't understand. No, it wasn't "The Grapes of Wrath" or "Casablanca" or even "Moonstruck", but it was an enjoyable film.

Julia was excellent playing the psychotic 'man behind the man'. The story is a little silly to be sure, but it this isn't high drama, folks. I happened to see a review of the film, probably the only good one it got and then ran into it one night when looking for a movie. I never heard it was supposed to stink until after I saw it, and I'm glad I saw it. Eventually bought the VHS tape on the bargain pile, and I watch it a couple times a year.

As a community theater actor who works hard at it but doesn't take acting too seriously, I'm always amused by those who treat it as Great Art. This movie skewers the "Actor's Craft" mercilessly while dishing up a lot of good laughs.

A ham actor on location for a movie bears a resemblance to the dictator. When the dictator dies of a heart attack from too much drink and food, the actor is kidnapped and forced to play "the part of a lifetime" by the neo-Nazi head of the secret service. He plays it to the hilt, gets the dictator's girlfriend to fall in love with him and vice versa, and turns the tables on his captors beautifully.

Lots of great shtick by the leads, lots of good work by some unknown supporting actors, particularly the household staff and two members of the palace guard, and fun little cameos abound. Sammy Davis Jr. makes light of himself, Jonathan Winters plays a semi-retired American businessman with something else going on, and Raul Julia, Sonia Braga, and above all Richard Dreyfuss are exceptional.

This is a dumb movie, but it has lots of beautiful locations (in Brazil), a humorous script, and good actors doing their thing and looking like they're actually having fun and not going through the usual existential angst about what is only play-acting!

This little-appreciated movie is one of my favorites. I can watch it over and over. Dreyfus and Braga are masterful, but Raul Julia steals the show! A tongue-in-cheek, menacingly humorous Gomez Addams, with just the right tone for this irreverent spoof of this oft-told story.

Generally untrumpeted and unappreciated, Moon Over Parador allows you to check out of reality and join the fun going on up on the screen. Two thumbs up!

MOON OVER PARADOR, Paul Mazursky's follow-up to the brilliant 'social class' comedy, DOWN AND OUT IN BEVERLY HILLS (1986), reteams the director with star Richard Dreyfuss, in one of the funniest 'Look-alike on the Throne' comedies of the past two decades.

The theme (a stand-in replaces an incapacitated or unavailable leader) has been a popular subject in film for years (THE PRINCE AND THE PAUPER, THE PRISONER OF ZENDA, I WAS MONTY'S DOUBLE, THE EAGLE HAS LANDED, and DAVE are just a few examples), but Mazursky gives it a novel twist by making the 'hero' a ham actor of epic proportion (and NOBODY plays an egotistical actor better than Dreyfuss!), and the 'villain', a ruthless advisor who is a frustrated director, as well (Raul Julia, who is wickedly funny in the role).The comic chemistry between the pair works so well that you could easily mistake the film as being written by Neil Simon!

Parador, a tiny Caribbean nation where English is the national language, and revolution, the national pastime, is ruled with an iron hand by President Simms (Dreyfuss, with a moustache, paunch, and swarthy complexion). A larger-than-life, womanizing scoundrel, Simms is controlled, in turn, by opportunistic Secret Police chief Roberto Strausmann (Julia). Making a social visit to a American movie set, the dictator meets the picture's star, Jack Noah (Dreyfuss, again), who is goaded by his castmates into doing his popular over-the-top impression of the leader (fortunately for Noah, Simms finds it amusing).

After the shooting wraps, Noah, encouraged by a local American 'businessman' (Jonathan Winters, in a funny cameo), decides to stay for a few days to indulge at a national festival. Meanwhile, Simms is being soundly condemned by Strausmann for his public affair with Madonna, a notorious prostitute (played by Sonia Braga), as well as for his unhealthy lifestyle...and the dictator keels over and dies!

Things look bad for Strausmann, until he remembers the American...and Jack Noah is about to be 'drafted' to play the role of his career...

Full of humorous references to Broadway (Strausmann has reviews of EVERY play Noah had ever appeared in...and quotes some of the more 'colorful' ones, to the actor's chagrin), sight gags (Noah, as Simms, starts the befuddled household staff on a program of aerobics), and cameos (Sammy Davis Jr. sings Parador's 'National Anthem', and Mazursky, himself, appears in drag, as Simm's mother), MOON OVER PARADOR is a comic gem, with an over-the-top climax (which would be 'lifted' for Ivan Reitman's 'American President' comedy, DAVE), and a bittersweet ending that will certainly bring a smile to all but the most jaded viewer.

This film is DEFINITELY a keeper!