Le Messager de la mort

I'd watched this movie in october 1996 for first time on television, in that time l'd rated 5/10 but now on full length DVD with original audio it's seem much better, Cannon made a lot of movies during the 80' action movies and J. Lee Thompson was really good director of this kind of movies, Messenger of Death has Charles Bronson as newspaper's reporter an unusual role to the "Stone Face", the plot is totally improbable.

However is around two Mormons families whom are in clash after women and children massacre, although Bronson suspicious that the real reason is a Water Company, apart the plot the amazing Colorado landscape is breathtaking and the music score is properly fine, as always Bronson never disappoints his fans.

Thanks for reading.

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First watch: 1996 / How many: 2 / Source: TV-DVD / Rating: 6.5.

Wifes and children of the Mormon Orville Beecham (Charles Dierkop) become victims of a slaughter in his own house . The police believes the massacre had a religious motive . Orville doesn't give any comment on the investigation and he is taken into protective custody . Tough 'Denver Tribune' crime reporter Garret Smith (Bronson , he was about sixty-six years of age when he appeared here) persuades him to help him in the case of the slaying of his family . As there is an extreme feud between different Mormon sects , one being led by Willis Beecham (Jeff Corey) and the other led by his brother Zenas Beecham (John Ireland) . Smith , helped by Jastra Watson (Trish Van Devere) , uncovers a strange conspiracy around old-rich real state .

This light entertainment and standard Bronson movie is full of action , thrills , and disturbing scenes . Here Bronson rules in his usual stoic acting and displays efficiently his weapons , killing mercilessly nasties . The meaning and relevance of this movie's title is that it refers to a drawing featuring an avenging angel of death that is left at a crime scene at the beginning of the flick . The title also suggests that Bronson is a 'Messenger of Death', the word messenger also being a play on words with this, as his character is a reporter , a job which involves writing news articles , they being "messages" in a sense . In the film there is frantic action , thrilling car/trucks pursuits , shootouts , intrigue , little bit of violence and including a twisted as well as suspenseful finale . Based on a book and scripted by Paul Jarrico , as its source Rex Burns novel 'The Avenging Angel' was first published in 1983 , though the film has little in common with the novel it is based on . From the beginning until ending the action-packed and fast moving is continued and that's why the picture results to be entertaining . This is one of the last films (last movie was Kinjite) Charles Bronson made for Cannon Films and it represents the ninth and final of ten teamings between producer Pancho Kohner and star actor Bronson . Charles Bronson acting is wooden as being habitual in his roles as an investigator/executioner . Here he plays a reporter who carries out an investigation and finds out about economic motives for a massacre . This journalist evokes the crime writer character he played in St. Ives (1976) , the first movie he made with Thompson . The great spotlights of the film are the spectacular chases , car crashes between Bronson's car and the big juggernaut as well as the ending confrontation that's stimulating and moving . Nice and wide support cast , such as : Daniel Benzali , Marilyn Hasset , John Cedar , Penny Peyser , Tom Everett and Gene Davis who starred a heinous killer in ¨10 to midnight¨ by Thompson . Special mention for Laurence Luckinbill who gives an overacting with quite gesticulation . And the elders of this movie's religious groups are played by three stars of old Western movies : Charles Dierkop , Jeff Corey and John Ireland . It packs and evocative and adequate cinematography by Gideon Porath . Atmospheric soundtrack by Robert O. Ragland , including stirring choral score in the title and final credits composed in ¨Jerry Goldsmith's Omen¨ style .

The fare was regularly directed by J. Lee Thompson , though he fell ill during the making of this film , the picture was then finished by the first and 2nd unit director : Robert C. Ortwin Jr. and George Van Noy . It's narrated understanding as well as hardly . This movie represented the eighth and penultimate of nine teaming of director 'J Lee Thompson' with star actor Charles Bronson . This Thompson movie was theatrically released between his pictures Death Wish 4: The Crackdown (1986) and Kinjite (1989) , both of them starred by Bronson . Thompson previously had a nice track record in the English cinema from 1950 until 1961 , directing good Western (McKenna's gold , White Buffalo) and all king genres as Sci-Fi (Conquest and Battle of planet of apes), terror (reincarnation of Peter Proud , Eye of the devil), adventures (Flame over India , Kings of the sun , Taras Bulba , Tiger Bay) and Warlike ( Guns of Navarone, Von Braun , Chairman , The passage). His two biggest successes turned out to be ¨Guns of Navarone¨and ¨Cape Fear¨. Thereafter , the filmmaker's career subsided in a morass of slickly realized but middling films. He moved into the field of international spectaculars , at which point his filmmaking seemed to lose its individuality . J. Lee Thomson working from the 50s in England, finished his career making Chuck Norris (Firewalker) and Charles Bronson vehicles (Caboblanco , Evil that men do, Messenger of death, Death Wish 4 : Crackdown, Caboblanco, St Ives). Firewalker rating : Mediocre but passable , but it will appeal to Charles Bronson fans

Boy, this is a mess. This is one of those films that, on paper, look like they have a lot going for them but, when they put it on the screen, nothing meshes. There's a decent cast – Bronson, van Devere, Benzali, Ireland, Corey – and an intriguing setting, but the plot is fatally anaemic and the direction, considering it comes from an old trooper like Thompson, is surprisingly shoddy. Much of the acting is second-rate at best, while characters perform abrupt about turns for no explicable reason. For instance, Orville Beecham (Charles Dierkop), a clean-living Mormon farmer, is crazy for revenge after mysterious intruders murder his wives and children and yet is full of forgiveness after the rest of his family is wiped out in a gunfight.

The film opens well, with an atmospheric prologue in which two mysterious gunmen massacre the wives and children, although why the gunmen's identities are concealed is something of a mystery as they disappear for the next thirty minutes and are immediately confirmed as the killers when they re-appear. Anyway, from this neatly paced opener, the film goes rapidly downhill. Charles Bronson plays a Denver reporter who gets involved with the warring Mormon clans who go to war over the killings, and he's pretty bad here. He was 67 when the film was made, and he looks bloated and tired. On top of that, he's saddled with an awful script and a frankly ludicrous storyline – which is a crime really because the unusual subject matter here deserves much better writing than that offered by 73-year-old writer Paul Jarrico. Director J. Lee Thompson manages a couple of effective scenes, and there is a good sequence in which two water tankers attempt to crush Bronson's vehicle on a winding country road, but for the most part his direction is flat and uninspired and the story simply fails to engage.

Bottom line: give this one a miss.

One of the things that bugs me most about the later Charles Bronson-movies is that so many of them flaunt a terrible supporting cast. Don't get me wrong, it's great to see Stephen Elliott ham it up as Bronson's boss in "Assassination" or Juan Fernandez as a creepy pimp in "Kinjite: Forbidden Subjects" but aside from one or two OK performances good old Charlie was too often surrounded by grade-C actors or good but uninspired actors, the last two decades of his career.

"Messenger of Death" however, is an exception.

Here the legendary action-hero is surrounded by the likes of Jeff Corey, Daniel Benzali, John Ireland, Charles Dierkop (Police Woman) and given likeable female support from Trish Van Devere. The story itself is just average, but certainly not as ludicrous as the paper-thin material in movies like "Assassination" and "Death Wish 4" and "5" and you know where I'm going.

British veteran director J. Lee-Thompson (Cape Fear, The Guns of Navarone) did an impressive nine movies with Bronson, and "Messenger of Death" was their 8th teaming. It opens with a horrifying scene where a large family is executed in cold blood (the entire scene is brilliantly done and much better than what one would expect from someone who just did "Death Wish 4" and "Firewalker"). The movie then delivers a lot of beautiful scenery, a smashing action-scene with some trucks and a likeable finale where the guilty party is unmasked.

Compared to most Bronson-fare at the time this is better-than-average, much thanks to the afore mentioned good supporting cast. But don't expect mindless vigilante action, Bronson plays a reporter but he still gets to kick some ass, and he does a nice job considering he was in his late sixties at the time.

A movie where Charles Bronson doesn't kill anyone. Despite the title. Despite the poster or the video cover. There are indeed deaths, in a Mormon family, where children and women are massacred (this is the beginning of the film). Charles Bronson is a journalist who investigates to understand why a family of Mormons has been decimated. He conducts the investigation on his own, at his own pace, independently of the police, supported by his newspaper, which wants to create a sensation.

The documentary side of the film presents us with the thought patterns of these Mormons, where God's will (which explains everything) and vengeance go hand in hand, in a country where guns are freely available. The messenger of death is the killer who decimated the family, unrelated to the character of Charles Bronson who investigates. Or, the journalist through his investigation, who will indirectly provoke reprisals between Mormon families.

Another interesting element of the film is the natural settings of Colorado. Let's add a superb music that can make us think of a horror movie: the composer, Robert O. Ragland is unknown to us, but has signed many film scores. This one is interesting, because it suits the suspense and horror.

The film ends with evil capitalists and politicians greedy for money.

The film can be watched without any problem. The scenes in the city (Denver, the capitalists, the important people) are the perfect counterpoint to the scenes in the countryside where Charles Bronson investigates and ends up putting the pieces of the puzzle together in the Mormon farms.