Masquerade

This was an interesting movie and interesting plot twists. I enjoyed Meg Tilly and Rob Lowe, and thought they both added much to the movie. Movies of this time period are pretty much over acted, and seem boring but this one was one that fun to watch and try to figure out what was going to happen next. I have to say I am usually pretty good at seeing plot twists, but I never saw these coming. I enjoyed the scenery and enjoyed the large sail boats and the opening scene with the sail boat race. I found myself looking at the styles of the ladies clothing and hairdos and was enjoying a look back at the styles of twenty years ago and remembering them.

I just read a review that said, basically, that this movie had too many questions. Don't get the wrong idea by reading reviews (even mine--we're all biased): this movie means to keep you guessing. Don't worry--it doesn't leave you confused at the end. It wraps everything up tidily, and ends in a believable fashion, but all through the movie, you never know who is really the bad guy. This is an intelligent, highly underrated movie. It's one of my favorites.

This is one of those movies that I'm glad I saw when it first came out. I remember that the theater was almost empty, but when I was leaving I heard people saying things like, "I never expected to like it that much". Rob Lowe gained credibility as an actor in my eyes with this film(and with another film called Bad Influence).

Masquerade is a nifty tight thriller that's fun, and wonderfully packaged as one with kick, and some real big shocks, nasty twists that sting, all done in an impressive duration of 88 minutes, in an '88 hit surprise, in which so many things happen. Lowe is well cast, and does do the role justice, as a born yachtsman/playboy, trying to work his way up the ranks, by sleeping with hot young wives, and resorting to some deceptive and selfish motives, even graduating to murder. He falls for this young heiress (Tilly) who's very good, hitting the role with honest to god, truth, as an innocent, naive young girl, who's just lost her mother, and is fighting over her fortune with his last pig of a stepfather (excellent, the film's firey star, bedding floozy, Delaney). Yeah, greedy motives, interwoven with jealousy on and betrayal make for this impressive little thriller. Savant is the other second best performance, as the jealous ridden cop, and childhood friend of Tilly's. There's an even aftershock on Lowe's part, an act of retraction, you might say, which was another feature that impressed me like every surprisingly good performance from the cast, in a thriller that's fun, where at the end of the too short duration, we're kind of sad the ride is over.

A handsome gigolo (Rob Lowe) charms his way into the life of a beautiful young woman, heiress to a multi-million dollar fortune. After the loss of her mother, she lives with her selfish and domineering stepfather, a ruthless cad intent on controlling both his stepdaughter's inheritance and her relationships. The local police officer also shows emotional interest in the heiress, having known her since childhood. But who can she really trust?

'Masquerade' was filmed around the time of 'Bad Influence' and Rob Lowe's scandal --- a sometimes underrated actor who, for a while, was typecast as the bad boy (see 'Waynes World', 'Tommy Boy' and 'Austin Powers'). Lowe has nevertheless proved his versatility as an actor with leading roles in films such as Stephen King's 'The Stand' (a deaf mute), Frank and Jesse (as Jesse James) and Stephen King's 'Salems Lot' (2005). He adopts the role of deceptive gigolo with veritable ease, appearing simultaneously charming and devious. It is the script that inevitably lets the film down.

In short it is a dark and moody thriller, which focuses on the themes of money and greed, trust and betrayal. It is reasonably-paced and contains a multitude of twists and turns, though could be a bit more lively in places. Furthermore, it boasts a talented supporting cast that includes Meg Tilly, Doug Savant, John Glover and Kim Cattrall.

Matthew J Lee-Williams, Review.