Ajouter une intrigue dans votre langueA plump loser, after being left at the alter by his fiancee, is invited to Christmas dinner by a beautiful woman, but her family are cannibals who intend to have *him* as the main course.A plump loser, after being left at the alter by his fiancee, is invited to Christmas dinner by a beautiful woman, but her family are cannibals who intend to have *him* as the main course.A plump loser, after being left at the alter by his fiancee, is invited to Christmas dinner by a beautiful woman, but her family are cannibals who intend to have *him* as the main course.
- Réalisation
- Scénario
- Casting principal
William Morgan Sheppard
- Pa
- (as Morgan Sheppard)
Philip Arthur Ross
- Ike Jr.
- (as Phillip Arthur Ross)
Avis à la une
I immediately love the delightfully playful score composed between Tom Jenkins and Michael Tavera, and it's very noteworthy that practiced writer of spoofs Pat Proft also penned this picture. That Anthony Perkins directed, of all people, is itself a small joy. Humor alternately cheeky and dark is always clever (if also at times a little crude), and greets us from the very start. Joe Alaskey impresses right away as he embraces the readily sympathetic lead role, and all of hapless Ron's heartbreak, excitability, and pep, with fantastic delivery and comedic timing. Though perhaps a little too over the top at times, and even juvenile as it bears elements of slapstick, 'Lucky stiff' is nonetheless generally funny and entertaining.
It needs to be said, there's a content warning on hand for suggested incest, and fatphobia. Less critically but also inelegant, there's some green screen shenanigans at play in the production. But the screenplay is broadly smarter than its lowest moments, and a tiny tad of tawdry trifles are less prevalent than fine attention to set pieces, hair and makeup, costume design, props, and other such details. Dialogue, characters, and scene writing, all built for comedy, are strong in their own right, and feed well into an engaging and well considered narrative. And renowned as Perkins is for his acting, he nonetheless demonstrates an able hand as director in realizing Proft's screenplay; one rather regrets that more projects didn't come to him in that capacity, that he could continue to grow.
Alaskey steals the show, but the rest of the cast is just as capable. Donna Dixon portrays beautiful and conniving Cynthia with admirable grace and allure, and Barbara Howard is charming as Frances. Meanwhile, all the actors rounding out the Mitchell clan are duly creepy and subtly threatening in their portrayals, with William Morgan Sheppard a great anchor as the patriarch of the family.
I'm not sure that all the jokes quite land - especially whenever the film leans into the utmost cartoonish ridiculousness - nor the entirety of the narrative as it presents. Still, for whatever problems there may be with the picture, it only ever aims to be a silly, fun romp, and it succeeds to a much greater extent than not. More than that, the strength of Alaskey's lead performance, and adept scene writing, help to elevate the feature above its weaker instances. Not necessarily an essential must-see, 'Lucky stiff' is a good time all the same. Don't go out of your way, but this is enjoyable and worthwhile if you come across it.
It needs to be said, there's a content warning on hand for suggested incest, and fatphobia. Less critically but also inelegant, there's some green screen shenanigans at play in the production. But the screenplay is broadly smarter than its lowest moments, and a tiny tad of tawdry trifles are less prevalent than fine attention to set pieces, hair and makeup, costume design, props, and other such details. Dialogue, characters, and scene writing, all built for comedy, are strong in their own right, and feed well into an engaging and well considered narrative. And renowned as Perkins is for his acting, he nonetheless demonstrates an able hand as director in realizing Proft's screenplay; one rather regrets that more projects didn't come to him in that capacity, that he could continue to grow.
Alaskey steals the show, but the rest of the cast is just as capable. Donna Dixon portrays beautiful and conniving Cynthia with admirable grace and allure, and Barbara Howard is charming as Frances. Meanwhile, all the actors rounding out the Mitchell clan are duly creepy and subtly threatening in their portrayals, with William Morgan Sheppard a great anchor as the patriarch of the family.
I'm not sure that all the jokes quite land - especially whenever the film leans into the utmost cartoonish ridiculousness - nor the entirety of the narrative as it presents. Still, for whatever problems there may be with the picture, it only ever aims to be a silly, fun romp, and it succeeds to a much greater extent than not. More than that, the strength of Alaskey's lead performance, and adept scene writing, help to elevate the feature above its weaker instances. Not necessarily an essential must-see, 'Lucky stiff' is a good time all the same. Don't go out of your way, but this is enjoyable and worthwhile if you come across it.
LUCKY STIFF is probably one of the most unworkable comedies I can remember watching. The story is about an all-American nuclear family who just so happen to be cannibals. Hungry for their next feast, they send out their attractive daughter to hunt for suitable villains, and she soon discovers one in the form of the obese and loathsome Ron Douglas.
For most of the running time, LUCKY STIFF plays out as a ridiculous romantic comedy with all manner of lame situations and bizarre interludes. The aim is to deliver something quirky and humorous, but the effect is excruciating; I can't imagine anyone would have found this funny at the time, let alone now. Joe Alaskey's hammy turn as the lead is embarrassing and at no point do any of the cast members try any form of restraint.
Yes, there's a little macabre humour here and there, and some action at the climax, but for the most part LUCKY STIFF is as dull as it is unfunny. Believe it or not, PSYCHO star Anthony Perkins directed this, which was my main reason for watching; sadly he has about as much interest in the material as the viewer does. Watch out for THE WALKING DEAD actor Jeff Kober (he played the lead Claimer in the hit zombie show) in an early role.
For most of the running time, LUCKY STIFF plays out as a ridiculous romantic comedy with all manner of lame situations and bizarre interludes. The aim is to deliver something quirky and humorous, but the effect is excruciating; I can't imagine anyone would have found this funny at the time, let alone now. Joe Alaskey's hammy turn as the lead is embarrassing and at no point do any of the cast members try any form of restraint.
Yes, there's a little macabre humour here and there, and some action at the climax, but for the most part LUCKY STIFF is as dull as it is unfunny. Believe it or not, PSYCHO star Anthony Perkins directed this, which was my main reason for watching; sadly he has about as much interest in the material as the viewer does. Watch out for THE WALKING DEAD actor Jeff Kober (he played the lead Claimer in the hit zombie show) in an early role.
Portly nice guy falls for a luscious blonde; she likes him, too...in a way. Little-seen black comedy from writer Pat Proft features very good performances by Joe Alaskey and Donna Dixon, yet it makes no lasting impact. It's just a pop-crack quickie helmed by Norman Bates himself, Anthony Perkins. Even on the level of B-comedies, the somewhat-similar "Eating Raoul" is a better bet. There's definitely an amusing set-up here; unfortunately, the picture has nowhere to go in its second act. An interesting try, but it misfires. *1/2 from ****
A strange mix of traditional-80s, smartassy, Chevy Chase-type, "every-ten-lines-you-get-a-funny-one" farce and sickie black comedy. Mildly amusing in spots, but utterly tasteless. There is a skiing sequence that includes the fakest-looking back-projections since "On Her Majesty's Secret Service". (**)
Lucky Stiff is a nonsensically cheesy dark 80's comedy, with a beautiful young woman acting as the honeytrap for a family of incestual cannibals.
And she attempts to groom an unlucky-in-love loser to be the guest of honour at their Christmas dinner feast.
Desperate- and thinking he has hit the jackpot- he goes along with the ruse...until he meets her family...which s when things start getting especially weird.
Little does he suspect that he's the one on the menu.
While the family prepares for the upcoming festivities...he takes the oppourtunity to enjoy the company of the only other non-family member that they've allowed in their inner circle- the wife of the young woman's brother.
Together, they unwittingly start to clue in on the family's dark secret...and plan to escape...if it's not already too late.
If you can manage to tolerate the nonsensically cheesy 80's humour (like you'd find in the worst of today's popular comedies)...then you will probably enjoy this.
The main antagoness (Donna Dixon) is an actual Goddess...which leads to some confusion...
Because, the other woman (Barbara Howard...also a total babe) is on the poster- in a sexually provocative way- when her role is not in any way shape or form like that...whereas Donna Dixon's character, Cynthia, would be more fitting of being positioned in such imagery, you'd think.
Just a weird observation.
Anyways, that sort of comedy isn't really my type of comedy...but it's decent for what it is.
And that shootout at the end is a hick of a good time!
4.5 out of 10.
And she attempts to groom an unlucky-in-love loser to be the guest of honour at their Christmas dinner feast.
Desperate- and thinking he has hit the jackpot- he goes along with the ruse...until he meets her family...which s when things start getting especially weird.
Little does he suspect that he's the one on the menu.
While the family prepares for the upcoming festivities...he takes the oppourtunity to enjoy the company of the only other non-family member that they've allowed in their inner circle- the wife of the young woman's brother.
Together, they unwittingly start to clue in on the family's dark secret...and plan to escape...if it's not already too late.
If you can manage to tolerate the nonsensically cheesy 80's humour (like you'd find in the worst of today's popular comedies)...then you will probably enjoy this.
The main antagoness (Donna Dixon) is an actual Goddess...which leads to some confusion...
Because, the other woman (Barbara Howard...also a total babe) is on the poster- in a sexually provocative way- when her role is not in any way shape or form like that...whereas Donna Dixon's character, Cynthia, would be more fitting of being positioned in such imagery, you'd think.
Just a weird observation.
Anyways, that sort of comedy isn't really my type of comedy...but it's decent for what it is.
And that shootout at the end is a hick of a good time!
4.5 out of 10.
Le saviez-vous
- AnecdotesAfter Psychose III (1986), this was the second and final film directed by Anthony Perkins.
- Bandes originalesChristmas Time Is Here
Written by Tom Jenkins & Gary Falcone
Sung by Tyler Jenkins & Francesca Falcone
Publisher Charted Course Music (ASCAP)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Lucky Stiff?Alimenté par Alexa
Détails
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant