NOTE IMDb
6,1/10
17 k
MA NOTE
Lorsqu'un archéologue découvre un étrange crâne dans un pays étranger, les habitants d'une ville voisine commencent à disparaître, ce qui entraîne d'autres événements inexplicables.Lorsqu'un archéologue découvre un étrange crâne dans un pays étranger, les habitants d'une ville voisine commencent à disparaître, ce qui entraîne d'autres événements inexplicables.Lorsqu'un archéologue découvre un étrange crâne dans un pays étranger, les habitants d'une ville voisine commencent à disparaître, ce qui entraîne d'autres événements inexplicables.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 4 nominations au total
Avis à la une
This is silly and not particularly well made, presumably due to budgetary restraints, but it is good fun. Bit slower to get going than I remember on video but some more explicit imagery also than I remember. Everyone seems to have had fun in the making and if the dialogue is a bit hit and miss there is some really nice stuff. I don't think this really fits, as some have suggested, into the , so bad it's good category, but I guess it's headed in that direction. Amanda Donohoe is splendid and Hugh Grant acceptable as ever. Special effects, like the dialogue are not always 'special' but there are great moments and it's always good looking, particularly Amanda Donohoe!
This is a kitschy, sexy and funny movie. Ken Russel(the director of Whore and Track 29)is at his best. Taboos are endless. Scottish rock, demon worship, S&M and the defiling of Christian icons. Amanda Donohoe is luscious as the blood-sucking, dildo wielding Priestess of the Worm.
Catherine Oxenberg is a perfect blonde damsel in distress and Hugh Grant is at his sexy, bored playboy of the manor born. The production value is not the greatest but there are moments when the not-so-special effects lend an aire of underground theater to the proceedings. I highly recommend this film.
Catherine Oxenberg is a perfect blonde damsel in distress and Hugh Grant is at his sexy, bored playboy of the manor born. The production value is not the greatest but there are moments when the not-so-special effects lend an aire of underground theater to the proceedings. I highly recommend this film.
Supposedly based on a novel by Bram Stoker, LAIR OF THE WHITE WORM is an exercise in high camp surrealism for maverick British director Ken Russell. Russell crafts a unique film that mixes a solid mystery narrative with some terribly crude symbolism, some outrageously bad taste moments, and more camp sequences than you can shake a stick at. Quality-wise it's very poor in places, but at the same time it's rather amusing and, dare I say it, fun.
DR WHO star Peter Capaldi plays a youthful Scots archaeologist who digs up the skull of a god in somebody's back garden - as you do. Meanwhile, Hugh Grant is a splendidly upper class toff - what else? - whose ancestor was the chap who killed the Lambton worm. And then there's dangerous seductress Amanda Donohoe, having a ball as a femme fatale hiding a dark secret in the depths of her country pile.
LAIR OF THE WHITE WORM certainly contains some unforgettable moments, most of them involving the moments when Donohoe's true form is revealed; the makeup appears to homage Barbara Steele's character in CURSE OF THE CRIMSON ALTAR. There are some fun special effects here, alongside THOSE unforgettable nightmare sequences which are the stand-out highlights for me. The ending is neatly achieved and there's a nice supporting role for character actor Paul Brooke playing the local copper. Truly this is a one-of-a-kind production that has to be seen to be believed.
DR WHO star Peter Capaldi plays a youthful Scots archaeologist who digs up the skull of a god in somebody's back garden - as you do. Meanwhile, Hugh Grant is a splendidly upper class toff - what else? - whose ancestor was the chap who killed the Lambton worm. And then there's dangerous seductress Amanda Donohoe, having a ball as a femme fatale hiding a dark secret in the depths of her country pile.
LAIR OF THE WHITE WORM certainly contains some unforgettable moments, most of them involving the moments when Donohoe's true form is revealed; the makeup appears to homage Barbara Steele's character in CURSE OF THE CRIMSON ALTAR. There are some fun special effects here, alongside THOSE unforgettable nightmare sequences which are the stand-out highlights for me. The ending is neatly achieved and there's a nice supporting role for character actor Paul Brooke playing the local copper. Truly this is a one-of-a-kind production that has to be seen to be believed.
Before Hugh Grant hit the big-time playing floppy-haired fops in rom-coms, he mostly played floppy haired-fops in costume period dramas; an exception to this was Ken Russell's The Lair of The White Worm (1988), in which Hugh went against type by playing modern-day floppy-haired fop Lord James D'Ampton, who teams up with archaeologist Angus Flint (played by the new Doctor Who, Peter Capaldi) and B&B owner Mary Trent (Sammi Davis) to defeat a pagan snake-woman (Amanda Donohoe) who worships a giant, ancient, subterranean wyrm (another name for dragon).
This being a Russell movie, there is plenty of surreal weirdness on offer, with psychedelic dream sequences, Christian-baiting blasphemous imagery, phallic symbolism, and cheap titillation courtesy of Donohoe, who spends a lot of her time naked, and Catherine Oxenberg, who is stripped to her undies as a sacrifice for the creature. However, what could have been extremely controversial actually proves to be rather amusing thanks to the director's tongue-in-cheek B-movie approach (some might call it 'camp') and the tacky special effects; ultimately, this is silly, harmless fun for the cult movie crowd.
6.5 out of 10, rounded up to 7 for the Concorde dream sequence, which is downright trippy.
This being a Russell movie, there is plenty of surreal weirdness on offer, with psychedelic dream sequences, Christian-baiting blasphemous imagery, phallic symbolism, and cheap titillation courtesy of Donohoe, who spends a lot of her time naked, and Catherine Oxenberg, who is stripped to her undies as a sacrifice for the creature. However, what could have been extremely controversial actually proves to be rather amusing thanks to the director's tongue-in-cheek B-movie approach (some might call it 'camp') and the tacky special effects; ultimately, this is silly, harmless fun for the cult movie crowd.
6.5 out of 10, rounded up to 7 for the Concorde dream sequence, which is downright trippy.
I've heard the complaints before, from men of all walks of life: "SHE wants to watch some syrupy romantic slush starring Hugh Grant, I want to watch something with hot, naked, snake-worshipping chicks!"
Well, complain no more! Here's a flick that's got both in one! That's right, England-cum-America's favorite foppish, eye-lid-fluttering sex symbol does battle with naked half-snake-half-human devil worshippers, giant white worms, and the forces of evil!
Well, actually Hugh only kills one snake-human hybrid, and it's an old lady. And he keeps pretty far away from the action-packed finale face-off, letting his odd shut-in pal Angus do all the fighting. But you DO get to see the star of "Notting Hill" slice an old lady in half with a broad sword, and that alone is worth the price of admission!
I enjoyed this movie, what with it's quaint, folksy atmosphere, it's kilt-wearin' heroes, and it's sexy villainess who seduces a hapless boy scout (!) into entering her hot tub of evil. There's even public-access-esque dream sequences where a Sid & Marty Krofft-type snake puppet molests Jesus Christ while nuns are tortured- and who doesn't want to see that?
A very strange movie, to say the least.
Well, complain no more! Here's a flick that's got both in one! That's right, England-cum-America's favorite foppish, eye-lid-fluttering sex symbol does battle with naked half-snake-half-human devil worshippers, giant white worms, and the forces of evil!
Well, actually Hugh only kills one snake-human hybrid, and it's an old lady. And he keeps pretty far away from the action-packed finale face-off, letting his odd shut-in pal Angus do all the fighting. But you DO get to see the star of "Notting Hill" slice an old lady in half with a broad sword, and that alone is worth the price of admission!
I enjoyed this movie, what with it's quaint, folksy atmosphere, it's kilt-wearin' heroes, and it's sexy villainess who seduces a hapless boy scout (!) into entering her hot tub of evil. There's even public-access-esque dream sequences where a Sid & Marty Krofft-type snake puppet molests Jesus Christ while nuns are tortured- and who doesn't want to see that?
A very strange movie, to say the least.
Le saviez-vous
- AnecdotesThe skull of the pagan god Dionin used in the movie was constructed by adding sculpted sections to a real cow skull. The original teeth were pulled and replaced with fabricated ones to simulate the serpent look. Two skulls were fabricated for various scenes in the movie.
- Gaffes(at around 1h 16 mins) When Angus runs out of breath, the pipes shouldn't have stopped because the bag could hold air long enough for him to catch his breath again.
- Citations
Lady Sylvia Marsh: [snatches a harmonica away from Kevin he played that briefly hypnotized her, catching her off-guard] That's enough of that, Kevin! That sort of music freaks me out.
- ConnexionsFeatured in A British Picture (1989)
- Bandes originalesThe D'Ampton Worm
Arranged and Performed by Emilio Perez Machado and Stephen Powys
Violinist Louise Newman
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- How long is The Lair of the White Worm?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- El hechizo de la serpiente
- Lieux de tournage
- Thor's Cave, Manifold Valley, Staffordshire, Angleterre, Royaume-Uni(cave entrance, cave exteriors and some cave interiors, as Stonerigg Cavern)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 1 189 315 $US
- Week-end de sortie aux États-Unis et au Canada
- 22 155 $US
- 23 oct. 1988
- Montant brut mondial
- 1 189 315 $US
- Durée
- 1h 33min(93 min)
- Mixage
- Rapport de forme
- 1.85 : 1
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