Le Repaire du ver blanc

This movie definitely belongs in the, "it's so bad it's good" category. However, the more times I see it, I'm thinking it's more like, "It's so bad, it's GREAT"! A good movie is in some ways is like a great plate of Italian food. It needs a firm base, some zesty sauce, and just the right amount of cheese.

I first heard about this movie when I was in high school. Everyone around me was catching it on cable except me. Everyone seemed to have the same opinion of the movie, "man, it's so weird". When I finally got to see the movie, we were over at a party at a practical strangers house in a town far from our own at 3 in the morning; an uncomfortable situation. But, when this movie came on, for some reason it made everything alright. I saw it years later in a bargain bin VHS rack and I had to get it. It was by far the best $5 I've ever spent. This is one of those movies that is great to watch late at night with a good buzz on. I'm sure it annoys the hell out of my wife, but this movie makes me laugh like a little kid.

Filmwise, the movie is terribly made (or, if you're a Ken Russel fan, wonderfully made). There's holes in the script, the acting is bad, the props even worse; but there are so many insanely bad puns in this movie that it gets more entertaining each time you see it.

I know I haven't said too much about the movie, but perhaps that's for the best. To sum it all up, it's a great flick if you're in the mood for a real cheesy B grade movie.

I've heard the complaints before, from men of all walks of life: "SHE wants to watch some syrupy romantic slush starring Hugh Grant, I want to watch something with hot, naked, snake-worshipping chicks!"

Well, complain no more! Here's a flick that's got both in one! That's right, England-cum-America's favorite foppish, eye-lid-fluttering sex symbol does battle with naked half-snake-half-human devil worshippers, giant white worms, and the forces of evil!

Well, actually Hugh only kills one snake-human hybrid, and it's an old lady. And he keeps pretty far away from the action-packed finale face-off, letting his odd shut-in pal Angus do all the fighting. But you DO get to see the star of "Notting Hill" slice an old lady in half with a broad sword, and that alone is worth the price of admission!

I enjoyed this movie, what with it's quaint, folksy atmosphere, it's kilt-wearin' heroes, and it's sexy villainess who seduces a hapless boy scout (!) into entering her hot tub of evil. There's even public-access-esque dream sequences where a Sid & Marty Krofft-type snake puppet molests Jesus Christ while nuns are tortured- and who doesn't want to see that?

A very strange movie, to say the least.

Leave it to director Ken Russell to find an obscure Bram Stoker novel and take its most exploitive elements and turn it into a bloodfest of snakes, vampires, virgin sacrifices, phallic symbols, Christian symbolism and more. He throws in some comic book slashings along with some sly humor to create a tacky Gothic horror called THE LAIR OF THE WHITE WORM. It kept me awake until the last shot where the dimwit hero HUGH GRANT is about to find out he's made another mistake before the screen fades to black. This must have been the film that first made Grant known to American audiences.

He plays an aristocrat who is attracted to a new neighbor whom he later learns is a woman (AMANDA DONOHOE) who is keeper of a giant worm waiting to devour people whole if she decides to feed victims to it. She's played with delicious relish by Donohoe, who picks up a scout trudging along a deserted country road and must quickly dispose of him in a bath when Grant knocks on her door.

It's weird stuff from start to finish, but try to look away! It's typical Ken Russell overkill--or should I say overbite--since much of the action involves vampirism and some friendly suburbanites who suddenly grow fangs. Handsomely photographed in color with attractive settings indoor and out, it provides a steady mix of laughter and fright while managing to be entertaining despite the overly weird material.

CATHERINE OXENBERG plays the virginal heroine who falls under the spell of the demonic woman, at her best when forced to assume a vacant expression. PETER CAPALDI is excellent as Hugh's friend who comes to her aid before the white worm can do its work and claim another victim.

Silly stuff, but if you like the work of Ken Russell, you should find it extremely interesting to watch.

Directed & written by Ken Russell and loosely based on Bram Stoker's novel, "The Lair of the White Worm" (1988) chronicles events in England when a young archeologist (Peter Capaldi) uncovers a skull of some unknown beast near a bed & breakfast run by two sisters (Sammi Davis & Catherine Oxenberg). These three and Eve's beau (Hugh Grant) soon stumble upon an ancient snake cult led by the eccentric Lady Sylvia Marsh (Amanda Donohoe), who dwells at a lavish estate nearby.

The movie is a creative and entertaining creature feature reminiscent in tone & theme of "Squirm" (1976), but with Russell's well-known offbeat excesses. The "creatures" are vampire-like snake people plus a gigantic serpent at the close, both of which recall the snake worshipers & giant serpents from "Conan the Barbarian" (1982).

There are some iconic cinematic images, like Donohoe as the vampiric snake lady, not to mention a few well done horror scenes, like a snake woman who's cut in half, but still wiggles with furious intent.

The snake cult is diabolical in an anti-Christ way and I can see why some viewers might find the movie shocking and offensive, like the weird nun-raping flashback. Yet everything's so exaggerated and sometimes cheesy with a bit o' humor thrown in that the film can't be taken very seriously, which negates it from being shocking or disturbing. Fun in a horrific way? Yes. Disturbing? No. Also, keep in mind that horror villains/monsters are SUPPOSED to drip with ee-vil and be shocking. The question is, do they win or do the noble protagonists win?

On the female front, the chief snake lady thinks she's hotter than she really is as Donohoe amusingly hams it up. Meanwhile Catherine Oxenberg as Eve is a semi-highlight, particularly in the last act.

The film runs 1 hour, 33 minutes and was shot entirely in England (Hertfordshire; Manifold Valley, Staffordshire; Peak District National Park; and Derbyshire). Thor's Cave in Manifold Valley is magnificent.

GRADE: B-

'Dr. Who' actor Peter Capaldi plays Angus Flint, an archaeology student who unearths a strange skull from the grounds of a bed & breakfast, where a convent had existed once upon a time. Meanwhile, the seductively sexy young Lady Sylvia Marsh (Amanda Donohoe) returns to her neighboring home, and more weird things are soon happening. It turns out, there is a local legend in the area, of a nobleman who'd vanquished a hideous reptilian beast - not literally a "worm" - centuries ago. Also mixed up in the plot are that noblemans' descendant, James D'Ampton (Hugh Grant), and lovely sisters Mary (Sammi Davis) and Eve (Catherine Oxenberg).

The director is Ken Russell of such classics as "The Devils", and he also produced and adapted the novel by "Dracula" creator Bram Stoker. So we know going in to expect a fair amount of outrageousness. Fortunately, this film never does get out of control, but it combines some sober drama with some very campy and sometimes hilarious horror. Clearly, it's not meant to be taken all that seriously, especially when we consider the crudely done fantasy sequences envisioned by the characters and the audience. (People who are easily offended will undoubtedly be put off by some of this imagery.) The makeup is amusing, but what's really a hoot is the beast itself, Dionin. Excellent location shooting adds atmosphere.

The actors, commendably, maintain serious expressions. Although he's reputed to refuse to talk about this film, Grant does a good, droll job. Capaldi is a decent hero who, at one point, attempts to attract a reptilian presence by putting on a kilt and playing the bagpipes. Oxenberg and Davis look appropriately scared, Stratford Johns is a solid presence as the butler Peters, and Donohoe, often dressed in very sexy outfits, does appear to be having some real fun as the villainess.

A truly frightening film this is not, but it's quite entertaining just the same.

Eight out of 10.