Tu récolteras la tempête

I'm a little unusual as far as movies and books go. I will love a horrible story or movie for one good idea, one good scene or one good actor.

This was that film. I saw it when it was first aired when I was 14 and it made an impression on me. We had read the play a year earlier in 7th grade but it was Jason Robard's portrayal of the playfully witty grumpy grandpa who made the movie.

If you like Robards this movie cannot be missed. His portrayal of an ideal Atheist is good, even if it the reality of Clarence Darrow's personality. The way he gives sage advise to Cates about "Golden Dancer" - "Bert, whenever you see something bright, shining, perfect-seeming—all gold, with purple spots—look behind the paint! And if it's a lie—show it up for what it really is!" - cannot be beat. Robard's perfect rendition of this epic metaphor for a young man to follow in his hard and often lonely search for truth is what makes this film.

As an adult now, I have seen the classic version of this but there are benefits to this old made for TV movie - if you can find it, see it - and also drop me a line about where I can find it - I had my old VHS for years but can't find it!

Not nearly as good as the 1960 original. Jason Robards performance as Henry Drummond stands out clearly as the highlight of the picture. If your going to watch this version include Stanley Kramers 1960 classic and make it a double feature.

I thought Jason Robards was good as Darrow even if he didn't erase the memory of Spencer Tracy from my mind but I thought the usually fine Kirk Douglas was miscast as William Jennings Bryan (who was a glutton, not a movie star!) and didn't come close to Frederic March who even looked like Bryan. (Admittedly, Spencer always looked like Spencer.) He was reduced to playing the part as if it was Elmer Gantry and when Jason said that "a giant once lived in that body!" I didn't believe him for one second.

And where the old black and white version suggested the oppressive heat and humidity of Dayton, Tennessee, this one didn't even come close. Darren McGavin who played H. L. Mencken was quite good though and easily erased the memory of Gene Kelly in the original. And I've always adored Jean Simmons in most of what she did. Kyle Secor was the Scopes character (I mistook him for Matthew Broderick) and was very adequate.

I'd be interested to see (again?) the 1965 TV version with Melvyn Douglas and Ed Begley but I don't remember it at all if I did see it.

I consider this the most entertaining of the three versions. Though I am a bigger fan of George C. Scott than of Kirk Douglas, I think that Douglas, supported consummately by Jason Robards, makes a far better Matthew Brady. I do like the original play, but I find that fidelity to an old original in many cases does not work well in making an entertaining movie. Now I hope someone will make a movie of the Intelligent-Design case in Pennsylvania recently. Inherit the Wind is based only very loosely on the actual Scopes Trial, which was "set up" as a test case by the ACLU (to which I gladly belong, nonetheless); the Pennsylvania case appears to have been a genuine spontaneous phenomenon, complete with elements of deceit, comedy, and sex!

This made for TV film version of the famous Lawrence and Lee Broadway success is a very enjoyable presentation, and captures two splendid veteran actors doing exceptional work in the twilight of their careers. During the years since its original theatrical release, there have been two more made for TV film versions of Inherit the Wind (IW). Each of the four performances has champions and critics. All of them are interesting and worth seeing. None is dull and to be avoided. That in itself is rather remarkable. The four versions are:

(1) 1960 theatrical film starring Fredric March and Spencer Tracy.

(2) 1965 made for TV film starring Ed Begley and Melvyn Douglas.

(3) 1988 made for TV film starring Kirk Douglas and Jason Robards.

(4) 1999 made for TV film starring George C. Scott and Jack Lemmon.

Something very interesting happens when these four versions are considered as one body of work. Let me explain. For simplicity, I'll refer to each version by its indicated number.

Item: Three of the eight actors who played leading roles in the four versions of IW also played the identical leading roles in either a theatrical or TV film version of Dr. Jekyll and Mr. Hyde. They are Fredric March (1), Spencer Tracy (1) and Kirk Douglas (3).

Item: Two actors who had principal roles in one version of IW also appeared in Days of Wine and Roses. The man starred in the theatrical movie version, and the woman originated the female leading role in the earlier TV version. They are Jack Lemmon (4) and Piper Laurie (4).

Item: Two actors who had principal roles in one version of IW also appeared as co-stars in the film Spartacus. They are Kirk Douglas (3) and Jean Simmons (3).

Item: Two actors who had principal roles in one version of IW also appeared as co-stars in the film The Hustler. They are George C. Scott (4) and Piper Laurie (4).

Item: Two actors who had principal roles in two different versions of IW also appeared as co-stars in the film The Hustler. They are George C. Scott (4) and Murray Hamilton (2).

Coincidence? Of course. But interesting? You bet!