Tu récolteras la tempête

Weakest of the three versions of the story of the Scopes Trial this version suffers from shortening, rewriting and worst of all commercials.

This isn't to say its bad, its not. The problem is that compared to the original Spencer Tracy film this film comes off as a good summer stock to the originals Broadway show case.

The cast is game. Kirk Douglas is perhaps a bit odd at first as the William Jennings Bryan character, but after a few minutes he slips into the groove and all is fine. Jason Robards' is excellent, unfortunately there is something about the way this was put together for TV that kills his momentum in the home stretch.

Seeing this with out commercials doesn't help since the pauses still are there.

If its on try it, but if you must see some version of this go for one of the other two.

Not nearly as good as the 1960 original. Jason Robards performance as Henry Drummond stands out clearly as the highlight of the picture. If your going to watch this version include Stanley Kramers 1960 classic and make it a double feature.

I loved the original Inherit the Wind. Fredric March gave one of the best film performances of all time, as the evangelical lawyer Matthew Harrison Brady in 1960. I knew going into it that the remake probably wouldn't be as good as the original, but I wanted to give it a chance, for Kirk Douglas's sake. He tried very hard, and had he not been following Fredric March, he would have given a great performance. But if you've seen the original, no one else can play Matthew Harrison Brady.

In case you haven't seen the original, the story is an adapted version of the famous Scopes Monkey trial in the 1920s. A teacher in America's Deep South, teaches his students about Charles Darwin, and he's arrested. The majority of the film takes place in the courtroom, as two legendary lawyers battle the issue. So, if you don't like one of the two lead actors, it will greatly affect your enjoyment of the film. I'm not a Spencer Tracy fan, but with Jason Robards taking his place in the remake, I began to appreciate Spence's performance better. I know there are some people out there who are Jason Robards fans, but I'm not one of them. He's just not likable, and he always seems tired, bored, slightly angry, and wishing he was anywhere but on a film set.

If you really like Kirk Douglas, you'll probably want to see this movie, but it's not nearly as good as the original. Jean Simmons plays Kirk's wife, and even though she gives a good performance, there was nothing really wrong with her predecessor, Florence Eldridge. Watch the original, and if you really enjoy the story and like Kirk Douglas, then you can rent this one.

My thoughts on this remake of Inherit The Wind and the slant that it was given arise from one thing only, the possibility in early 1988 that Pat Robertson would be a presidential candidate. The main difference between the classic 1960 version and this television one is that Matthew Harrison Brady is considering yet a fourth run for the presidency. To bring the country back to God, or at least his version of God. Listening to Kirk Douglas as Brady and remembering the times that this television film was made, the context is essential to understand what was going on.

In real life of course William Jennings Bryan was thoroughly cured of the presidential bug by 1925. He was still very much an influence in the party, especially in rural areas such as Eastern Tennessee where the Scopes Trial took place. In real life Bryan would have been 68 in 1928 had he lived and I'm willing to bet he'd have fought mightily against the nomination of the Roman Catholic Alfred E. Smith.

In this version a lot of business is eliminated including the contempt citation that defense lawyer Henry Drummond is given and a favorite scene of mine where Brady is holding court for the press in the hotel restaurant, enjoying heaping helpfuls of roast beef and mashed potatoes while Drummond sits in the foreground with a tuna sandwich and a glass or milk.

The confrontation climax with Brady and Drummond is still basically the same with the added dialog about Brady maybe running for president again to bring the USA back to God. Again written for the 1988 television audience.

Jason Robards, Jr. is far closer to the truth of Clarence Darrow in his Henry Drummond than Spencer Tracy. Darrow was not as noble a creature as Tracy makes him out, but his performance did get him an Academy Award nomination. Robards is a lot more sneaky, still for me the best interpretation of Clarence Darrow is Orson Welles as Jonathan Wilk in Compulsion.

Kirk Douglas gets reunited with his Spartacus co-star Jean Simmons playing Mrs. Brady. By all accounts the real Mrs. Bryan was a very wise woman capable of a brake on her high flying husband when needed.

When I wrote a review for the 1960 Inherit the Wind which I did see in theaters back in the day, I said that the film was done from a quaint nostalgia point of view about what silly things we believed and fought over and how America had grown up in the interim. In 1960 who would have believed that fundamentalist Christianity would have a stranglehold on one of our major parties. This version of Inherit The Wind sadly takes that into account.

This made for TV film version of the famous Lawrence and Lee Broadway success is a very enjoyable presentation, and captures two splendid veteran actors doing exceptional work in the twilight of their careers. During the years since its original theatrical release, there have been two more made for TV film versions of Inherit the Wind (IW). Each of the four performances has champions and critics. All of them are interesting and worth seeing. None is dull and to be avoided. That in itself is rather remarkable. The four versions are:

(1) 1960 theatrical film starring Fredric March and Spencer Tracy.

(2) 1965 made for TV film starring Ed Begley and Melvyn Douglas.

(3) 1988 made for TV film starring Kirk Douglas and Jason Robards.

(4) 1999 made for TV film starring George C. Scott and Jack Lemmon.

Something very interesting happens when these four versions are considered as one body of work. Let me explain. For simplicity, I'll refer to each version by its indicated number.

Item: Three of the eight actors who played leading roles in the four versions of IW also played the identical leading roles in either a theatrical or TV film version of Dr. Jekyll and Mr. Hyde. They are Fredric March (1), Spencer Tracy (1) and Kirk Douglas (3).

Item: Two actors who had principal roles in one version of IW also appeared in Days of Wine and Roses. The man starred in the theatrical movie version, and the woman originated the female leading role in the earlier TV version. They are Jack Lemmon (4) and Piper Laurie (4).

Item: Two actors who had principal roles in one version of IW also appeared as co-stars in the film Spartacus. They are Kirk Douglas (3) and Jean Simmons (3).

Item: Two actors who had principal roles in one version of IW also appeared as co-stars in the film The Hustler. They are George C. Scott (4) and Piper Laurie (4).

Item: Two actors who had principal roles in two different versions of IW also appeared as co-stars in the film The Hustler. They are George C. Scott (4) and Murray Hamilton (2).

Coincidence? Of course. But interesting? You bet!