Ajouter une intrigue dans votre langueSharon Newton (Cassie Stuart) leads the uncooperative James Richards (Charles Dance) into a world of misplaced government secrets, capitalistic artists and bungling secret agents.Sharon Newton (Cassie Stuart) leads the uncooperative James Richards (Charles Dance) into a world of misplaced government secrets, capitalistic artists and bungling secret agents.Sharon Newton (Cassie Stuart) leads the uncooperative James Richards (Charles Dance) into a world of misplaced government secrets, capitalistic artists and bungling secret agents.
- Réalisation
- Scénario
- Casting principal
Michael Müller
- Boyce
- (as Michael Mueller)
Avis à la une
One of the better British films of the last 20 years and criminally neglected - it doesn't appear to be currently available on video let alone DVD.
Intriguing (and somewhat unsettling) plot. Sensible portrayals - no overacting, Unusual settings - a London rarely seen either in life or on screen. Well constructed - the atmosphere builds beautifully.
All in all, it puts so much of recent British cinema to shame.
And we go and bury it.
Intriguing (and somewhat unsettling) plot. Sensible portrayals - no overacting, Unusual settings - a London rarely seen either in life or on screen. Well constructed - the atmosphere builds beautifully.
All in all, it puts so much of recent British cinema to shame.
And we go and bury it.
I am another one who can't understand the good reviews. Maybe you have to be British to like it. I'm not so, I don't. Why did Charles Dance's character keep following the girl around? Tell her to give you the money she promised for ripping your jacket then tell her to go away. Movie over.
Instead we get, I'll take you here but I'm not going in. Next scene, he's in. Okay I'll take you there but I'm not going in. Next scene, he's in. He shows no interest in what she's looking for. Why keep following her? Does he really need the money to fix his jacket? She did steal his book too. Call the cops, have her arrested, end of bad movie.
Instead we get, I'll take you here but I'm not going in. Next scene, he's in. Okay I'll take you there but I'm not going in. Next scene, he's in. He shows no interest in what she's looking for. Why keep following her? Does he really need the money to fix his jacket? She did steal his book too. Call the cops, have her arrested, end of bad movie.
10samwise2
I loved this film for two reasons.
Firstly, it was well written and the direction was strong which is something often lacking in a British film.
Secondly, the scenes of London were fantastic; especially those parts of the city not always open to the public eye.
Firstly, it was well written and the direction was strong which is something often lacking in a British film.
Secondly, the scenes of London were fantastic; especially those parts of the city not always open to the public eye.
Of all Poliakoff's work on film, this is probably the most underrated and often missed , and is one of his two best works from the 1980s.
This is an interesting and thoughtful look at the workings of one aspect of modern government, which was well-received at the time and premiered at the Venice festival, but has become criminally and unjustly difficult to find. A proper DVD reissue is long overdue here.Charles Dance produces a typically strong performance with direction, performances and casting all solid ; this was a part of the important Film on Four strand that helped keep British cinema alive during some of its lowest points of the 1980s.
This is an interesting and thoughtful look at the workings of one aspect of modern government, which was well-received at the time and premiered at the Venice festival, but has become criminally and unjustly difficult to find. A proper DVD reissue is long overdue here.Charles Dance produces a typically strong performance with direction, performances and casting all solid ; this was a part of the important Film on Four strand that helped keep British cinema alive during some of its lowest points of the 1980s.
'Hidden City' has become another good example how British films of the eighties have disappeared without a trace. Having found a rare video copy this film I have had the chance to reassess this possible lost gem. Cassie Stuart plays Sharon, a mysterious girl who turns up in the life of lecturer, Charles Dance with a mysterious piece of film placed at the end of fifties public information film. What unfolds is a genuinely interesting look at how Governments have so many secrets they can sometimes get lost. What is also interesting is how this gives an insight in to the early work of writer Stephen Poliakoff and how he still follows many of these theme in his later work more critically acclaim work. Unfortunately 'Hidden City' has dated in it's look and the plot just fails to hit the target. However it is certainly worth looking out for because just like the two leading characters the viewer is drawn into the film's theme of intrigue and mystery hidden in the bowels of London.
Le saviez-vous
- AnecdotesMichelle Fairley is of Scottish ancestry.
- Citations
Sharon Newton: [holds up her bag] It's in here what I've got to show you.
James Richards: Oh you have it with you, how convenient.
- ConnexionsFeatures Horror (1985)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Die geheime Seite der Stadt
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 48min(108 min)
- Couleur
- Mixage
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