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IMDbPro

God Bless the Child

  • Téléfilm
  • 1988
  • Not Rated
  • 1h 33min
NOTE IMDb
7,2/10
498
MA NOTE
Mare Winningham and Dorian Harewood in God Bless the Child (1988)
Drame

Ajouter une intrigue dans votre langueSingle mother Theresa Johnnson becomes homeless, loses her job, and tries to survive with her young daughter Hillary through charities and public shelters.Single mother Theresa Johnnson becomes homeless, loses her job, and tries to survive with her young daughter Hillary through charities and public shelters.Single mother Theresa Johnnson becomes homeless, loses her job, and tries to survive with her young daughter Hillary through charities and public shelters.

  • Réalisation
    • Larry Elikann
  • Scénario
    • Dennis Nemec
  • Casting principal
    • Mare Winningham
    • Grace Johnston
    • L. Scott Caldwell
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,2/10
    498
    MA NOTE
    • Réalisation
      • Larry Elikann
    • Scénario
      • Dennis Nemec
    • Casting principal
      • Mare Winningham
      • Grace Johnston
      • L. Scott Caldwell
    • 28avis d'utilisateurs
    • 2avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 1 nomination au total

    Photos7

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    Rôles principaux37

    Modifier
    Mare Winningham
    Mare Winningham
    • Theresa Johnson
    Grace Johnston
    Grace Johnston
    • Hillary Johnson
    L. Scott Caldwell
    L. Scott Caldwell
    • Althea Watkins
    Obba Babatundé
    Obba Babatundé
    • Raymond Watkins
    Dorian Harewood
    Dorian Harewood
    • Calvin Reed
    Jennifer Leigh Warren
    Jennifer Leigh Warren
    • Sharee Watkins
    Davenia McFadden
    • Kathleen
    Yasiin Bey
    Yasiin Bey
    • Richard Watkins
    • (as Dante Terrell Smith)
    Jose Soto
    Jose Soto
    • Bobby Gifford
    Shawana Kemp
    • Tracy Watkins
    Charlayne Woodard
    Charlayne Woodard
    • Chandra Watkins
    • (as Charlain Woodard)
    Akuyoe Graham
    • Charlesletta
    • (as Akuyoe)
    Nicholas Podbrey
    • Kenny
    Brenda Denmark
    • Elizabeth
    Kate Lynch
    Kate Lynch
    • Carrie
    Jayne Eastwood
    Jayne Eastwood
    • Mrs. Prentice
    Kelly Ricard
    Lorena Gale
    Lorena Gale
    • Rosalie Davis
    • Réalisation
      • Larry Elikann
    • Scénario
      • Dennis Nemec
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs28

    7,2498
    1
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    5
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    7
    8
    9
    10

    Avis à la une

    ketchkev

    A very Hard-Hitting Film!

    I watched this movie on Lifetime about eight years ago, and it still left an impression on me even still today. The struggle with homelessness is not a fun one, for I know first hand. Mare Winningham gives and excellent and very, very sad performance in this film. It just seems that all the odds are against her, and she's left to make some very rash decisions. You just want so much to help people like this out in the time of need, but have to stand by as helpless as they are. This movie should be recommended as a standard for all to watch, as we are all one paycheck away from the shelter, or even the doorways in our streets. This should not be happening in the greatest country the world has ever known.
    Poetryangel2004

    I have never forgotten this movie!

    I watched this movie so much as a kid. I have never forgotten it. It has made an everlasting impression in my mind. I am not quite sure how to find this movie again, but it was so touching. Mare Winningham portrayed a woman so much in love with her daughter she gave her up to someone who could better care for her and it was so touching. I cry every time i see this movie. I will never forget the struggles that family went through. It is nice to see the way people helped her the best they could. The man who gave out mac and chesse! I absolutely would recommend this movie to anyone and everyone. I'd like to thank the director for making a moving so touching and so unforgettable!
    10engels

    A woman loses her husband, job and house, and tries to survive with her daughter. At the end she has to make a hard decision.

    A complaint against poverty. Even more gripping than its portrayal of the sad situation in which the woman finds herself is the hopelessness of it, as can for be heard in her remark 'without a house I cannot get a job and without a job I cannot get a house.' The movie provides no answers, but that is a strength more than a weakness, making the viewer even more aware of the seriousness of the problem at hand. It does make for a sad movie, though.
    9JamieWJackson

    as an apartment manager myself...

    I have a fairly conservative point of view, and when the landlord came into the picture, I was interested to see what they would do with him. They did such a superb job with everything else....

    IMO, the landlord, albeit clearly the most unsympathetic character in the whole film, was handled pretty well. If you want to see him simply as "the heavy", you can, but I recommend that you watch this again and think about it from his perspective too. Some of his comments were purely bigoted and prejudicial, but some of them had validity. He had given a woman a break and let her move in without even paying, and in return she created a problem for him. (How are the rats going to go away? That takes WORK, which costs MONEY to PAY someone to make it happen. That MONEY comes from RENT, which had not been paid! So who should pay for it?) If we just look at the dilapidation of the buildings, we can get a bad attitude toward the landlord -- but ultimately, how is that any different from his prejudice toward his tenant and her broken-down life? What do you know about him and what problems he's facing in his life? Just because he runs the place, you assume he's rich and rolling in extra money, and therefore should pay from his pocket to fix all of everyone else's problems?

    I've had homeless people in my building, and I eventually had to kick them out. I gave them a chance and they threw it away with drug and alcohol abuse, fights, property damage, midnight parties, etc.. In the end, after all the legal costs, unpaid rent, repairs, delays to make the repairs, etc.... I think I would have done just as well to simply leave those units empty! However, that was those people. Not everyone homeless is interchangeable -- and not all landlords/managers are, either. So everybody ought to take a breath and think before assuming they know all about the other person from nothing but a few bits of demographic info.

    So, about the movie in general...

    This is one of the best movies I've ever seen, because it doesn't try to come up with some starry-eyed "answer" and push that in our face. It just says look, see the bind that a lot of people find themselves in, and then it leaves the viewer to think about that and make of it whatever they will. That's a degree of respect for the viewer which I'd like to see more often.

    As others have said, Mare Winningham is truly great in this role. She has exactly the right face to be this woman: a pleasant, but very real, very normal face (not a cover girl who would be out of place), but so capable of showing us what's inside at every moment. What a gem she is. (I got a laugh from the hater who trashed her in another review. Jealous much, punk? BTW, I'm a man, and I rated this a 9/10. So suck on that.)

    Also, the little girl is now 34 years old as of 2014, and still acting, and still beautiful. So there's your happy ending! :-p

    I don't think I've ever given a movie 10/10, but this one gets a 9. The minor flaws it has are outweighed by some very powerful acting and directing along with intelligent writing, and few movies pack this much of a wallop.

    Parting thought: it's not just money that is needed, in dealing with poverty and homelessness issues. I gave my formerly homeless tenants a lot of breaks; they threw them away. Other issues, not dealt with, led them astray even when they had a chance to make a new start. They needed other kinds of help which money alone would not provide (and some people might be entirely beyond help, at some point in their life; in those cases, we should think about society and how it can be improved for future generations). Regardless of what you may think will help, I suggest that understanding the status quo is the beginning, and from what I know of the world, I think this movie is tremendous in building that up.
    dutchtom1

    the American disease

    The movie portrays the opposite of the American dream. Because for every great winner there are great losers, not because they deserve that, but because bad luck can strike anyone. And when just surviving becomes an impossible dream to achieve, that's when you know you're a goner. Homelessness is humiliating. It is more important that all citizens have homes and medical aid, than to be spoilt for choice, and become obese, sick with a third house and a yacht, while others have nothing. The Amercian dream should be providence for everyone, but the real nightmare is stark capitalism relentlessly leaving people out in the dark. This movie is incredibly touching and has a communistic message, countering the yuppie consensus of the Reagan era. It surpasses its format, eg, a TV movie. And surpasses most Hollywood dross. 10 out of 10

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Gaffes
      When Theresa first looks at her low-income apartment, lots of holes and other damage are visible in the walls; the damage changes and even disappears in later scenes.
    • Citations

      Theresa Johnson: [to Hillary] Honey, it's almost lunchtime. I'm gonna go get us some sandwiches. Do you think you can stay here and play by yourself for a little while?

      Hillary Johnson: Yeah, I wanna go on the swings.

      [as she runs towards them]

      Theresa Johnson: Good.

      [pause]

      Theresa Johnson: No, wait!

      [she beckons Hillary back over]

      Theresa Johnson: Don't forget Mary Beth!

      [hands Hillary her doll]

      Hillary Johnson: [happily] Okay.

      [she runs back to the swings, Theresa walks off to a large tree in the park and hides behind it, watching Hillary swing as Reed's van pulls up. He exits the vehicle with a social worker]

      Calvin Reed: Hillary!

      Hillary Johnson: [happy to see him] Hi!

      Calvin Reed: Hi! Could you come over here, please?

      Hillary Johnson: [getting off the swing and walks to him] Mom's gone. She went to get sandwiches.

      Calvin Reed: I know. She asked me to come get you, take you over to my house.

      Hillary Johnson: Why? Is she gonna be there?

      Calvin Reed: [patiently] Now Hillary, you and I are going to have to talk about some things.

      Hillary Johnson: [pointing to the social worker] Who's that?

      Calvin Reed: Her name is Mrs. McCurdy, and she's a very nice lady. She's going to come with me.

      Hillary Johnson: [protesting as Calvin leads her to his van] But I'm not supposed to go with anybody but my mommy.

      Calvin Reed: [as Theresa watches from behind the tree, crying] I know, sweetheart. But this time is different.

      Hillary Johnson: [frightened] My mommy told me to stay here.

      Calvin Reed: [soothingly] It's OK, we're just gonna go over to my house.

      Hillary Johnson: [crying] Why can't we wait for her?

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    Détails

    Modifier
    • Date de sortie
      • 21 mars 1988 (États-Unis)
    • Pays d’origine
      • Canada
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Children of Poverty
    • Lieux de tournage
      • Montréal, Québec, Canada
    • Sociétés de production
      • Alliance Entertainment
      • IndieProd Company Productions
      • Phoenix Entertainment Group (PEG)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 33min(93 min)
    • Couleur
      • Color
    • Mixage
      • Stereo
    • Rapport de forme
      • 1.33 : 1

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