Ajouter une intrigue dans votre langueSort of loose remake of the late director Mario Bava's _Lisa e il diavolo (1974)_ about a group of witches who lure strangers into a haunted house to sacrifice.Sort of loose remake of the late director Mario Bava's _Lisa e il diavolo (1974)_ about a group of witches who lure strangers into a haunted house to sacrifice.Sort of loose remake of the late director Mario Bava's _Lisa e il diavolo (1974)_ about a group of witches who lure strangers into a haunted house to sacrifice.
- Réalisation
- Scénario
- Casting principal
Chuck Valenti
- Ben
- (as Richard Brown)
Gaetano Russo
- Riccardo Gherghi
- (as Ronald Russo)
Bruno Di Luia
- Grandlord Lodorisio
- (non crédité)
Luca Intoppa
- Adept
- (non crédité)
Avis à la une
The Red Monks (1988)
* 1/2 (out of 4)
Robert (Gerardo Amato) marries Ramona (Lara Wendel) after a quick romance and soon they move to his castle out in the middle of nowhere. On their wedding night they're unable to do the special deed because Robert is called away where a group of monks demand that his wife's virgin blood be given to them in four days.
THE RED MONKS was one of the handful of movies that were released in Italy towards the end of their glory days of horror films. These films were released with Lucio Fulci's name attached to them but he served just as a producer. With that said, none of them are all that entertaining and the same is true with THE RED MONKS, which suffers the same low-budget that the other films did.
The low-budget means that there really aren't any of the gory special effects that one would come to expect. A lot of the death scenes here take place off screen, although there is one decent decapitation. The film does serve up a fair amount of nudity but this here just isn't enough to keep the film entertaining. The biggest problem is that there's just way too much boring dialogue that really doesn't go anywhere. The entire time I kept wondering why the husband just didn't take the wife's virginity, which would have solved the problem but oh well.
THE RED MONKS isn't overly awful but there's just no atmosphere to be found. The film for the most part has a very slow pace and in the end there's just not enough entertainment value to be had.
* 1/2 (out of 4)
Robert (Gerardo Amato) marries Ramona (Lara Wendel) after a quick romance and soon they move to his castle out in the middle of nowhere. On their wedding night they're unable to do the special deed because Robert is called away where a group of monks demand that his wife's virgin blood be given to them in four days.
THE RED MONKS was one of the handful of movies that were released in Italy towards the end of their glory days of horror films. These films were released with Lucio Fulci's name attached to them but he served just as a producer. With that said, none of them are all that entertaining and the same is true with THE RED MONKS, which suffers the same low-budget that the other films did.
The low-budget means that there really aren't any of the gory special effects that one would come to expect. A lot of the death scenes here take place off screen, although there is one decent decapitation. The film does serve up a fair amount of nudity but this here just isn't enough to keep the film entertaining. The biggest problem is that there's just way too much boring dialogue that really doesn't go anywhere. The entire time I kept wondering why the husband just didn't take the wife's virginity, which would have solved the problem but oh well.
THE RED MONKS isn't overly awful but there's just no atmosphere to be found. The film for the most part has a very slow pace and in the end there's just not enough entertainment value to be had.
A much overlooked horror that contains some stylish blood-letting and a high level of erotica. Exactly the kind of film that received virtually no exposure at the time of its release here in the UK (thanks to our overprotective censors) but directors such as Lucio Fulci (the producer of this one), delivered 100's of these to a wanting euro audience, who simply lapped them up! Strange to think but this oddball was almost populist cinema for the italians, back in the 1980's.
This late-era Italian horror film falls somewhere near the bottom of the pile when it comes to entertainment. Ghosthouse it ain't. This shares the same lower tier as Demons 3 The Ogre and Sweet House of Horrors. I really hope I've already reviewed Demons 3...not sure I could sit through that one again.
This one has Lara Wendel being stuck up a tree and then falling into the lap of guy who marries her in his big house that somehow has a bunch of monks living in the basement who demand the blood of a virgin, namely that of Lara Wendel. If you've sat through Ghosthouse, Tenebrae, and other Wendel films and wondered if you'd ever see her naked, then this is the film for you. Also, you're not missing much.
The problem with this film is down to pacing and lack of convincing fake severed heads. Pacing seems to fluctuate from kind of creepy when peeps are trying to figure out what's going on in that house and people having domestic arguments. Fake severed heads are also a problem here as the heads involved are worse than what your six year old kid can come up with using some play-dough.
This isn't the worst 'end of era' Italian horror film (and it's nowhere near the best - check out Maya and the Spider Labyrinth) but it's one you may encounter often. If you have OCD, just get it, put it on, and let you mind drift. It's that kind of film.
This one has Lara Wendel being stuck up a tree and then falling into the lap of guy who marries her in his big house that somehow has a bunch of monks living in the basement who demand the blood of a virgin, namely that of Lara Wendel. If you've sat through Ghosthouse, Tenebrae, and other Wendel films and wondered if you'd ever see her naked, then this is the film for you. Also, you're not missing much.
The problem with this film is down to pacing and lack of convincing fake severed heads. Pacing seems to fluctuate from kind of creepy when peeps are trying to figure out what's going on in that house and people having domestic arguments. Fake severed heads are also a problem here as the heads involved are worse than what your six year old kid can come up with using some play-dough.
This isn't the worst 'end of era' Italian horror film (and it's nowhere near the best - check out Maya and the Spider Labyrinth) but it's one you may encounter often. If you have OCD, just get it, put it on, and let you mind drift. It's that kind of film.
I didn't expect much going into this film, and it's a really good job that I didn't because Red Monks really doesn't deliver! The film offers little that you can't get from several better devils/exploitation flicks. The film has Lucio Fulci's name attached to it since the great director has a producers credit; but I don't know why that attracted me since even the films that Fulci did direct around the late eighties were mostly not up to much. This one is directed by Gianni Martucci, and while the director has something of an eye for aesthetics, he's not great at creating tension and it results in a very boring film. The story revolves around some ancient ritual involving a bunch of people dressed in red monk robes. The wealthy owner of a castle where this takes place meets a pretty young woman and marries her. She goes to live in the castle and soon becomes frustrated by her husband's secretive night time behaviour. People start dying and her husband's secret becomes in danger of being revealed; but maybe his secret is not the most surprising. The film drones on for about eighty minutes and there's very little that's memorable about it. In fact, the only sequence I can remember well is a scene with the most ridiculously fake spider I've ever seen, and considering I only saw it last night - it has to be said that this film is not overly memorable. It all boils down to a supposedly surprising twist that I guessed before the film even started. Overall, it has to be said that Red Monks is a big waste of time and I wouldn't recommend it to anyone!
A newlywed couple move into an old Italian castle.Soon the wife becomes suspicious of the husband's constant disappearances deep into the environs of their new home and decides to investigate.She discovers that in her home exists an ancient evil cult of devil worshipping monks.Descendants of the Knights Templar,this secret society of Satanists perform their diabolical rituals in the castle's catacombs and seek out the blood of virgins to complete their sacrificial killings."The Red Monks" by Gianni Martucci is a pretty boring horror film.This forgettable satanic horror is surprisingly low on gore or scares:the only saving grace of it is a decent amount of female nudity.The special effects are crude and amateurish and the performances are mediocre at their best.Give it a look only if you are a rabid Fulci completist.6 out of 10 and that's being generous.
Le saviez-vous
- AnecdotesWas released in Germany with the gonzo tagline "Das Meisterwerk von Lucio Fulci" (=The Masterpiece of Lucio Fulci), even though Fulci was just one of the movie's producers and had nothing much to do with the final product.
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By what name was I frati rossi (1988) officially released in Canada in English?
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